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2.5/5
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Die My Love
(2025)
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Abhishek Srivastava
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Even though it drags and tests your patience, the film refuses to sugarcoat life, and that honesty is both its strength and its challenge.
Posted Jan 23, 2026
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3.5/5
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Mercy
(2026)
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Ronak Kotecha
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Overall, Mercy may be a somewhat campy sci-fi thriller built on a straightforward idea of unchecked AI dominance, but it executes that idea with enough urgency and imagination.
Posted Jan 23, 2026
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4/5
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Marty Supreme
(2025)
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Neil Soans
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Marty Supreme is gripping, unsettling, and impressively assured. It’s a film that challenges its audience, trusting them to sit with discomfort and rewards them with one of the year’s most arresting character portraits.
Posted Jan 23, 2026
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3/5
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Border 2
(2026)
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Archika Khurana
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While Border 2 may not recreate the once-in-a-generation impact of its predecessor, it succeeds as an emotionally charged and crowd-pleasing war epic that largely delivers on its promise.
Posted Jan 23, 2026
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2.5/5
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Greenland 2: Migration
(2026)
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Abhishek Srivastava
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It’s a film that has its moments, strong visuals, committed acting, and clear ideas about what life after disaster might look like, but it’s also a film that feels like it lost its way between the world it wants to build and the story it wants to tell.
Posted Jan 15, 2026
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2.5/5
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28 Years Later: The Bone Temple
(2026)
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Ronak Kotecha
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The film demands a fair amount of memory-jogging through previous instalments to be fully appreciated—and ironically, revisiting them only reinforces how much stronger those earlier films truly were.
Posted Jan 15, 2026
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3/5
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People We Meet on Vacation
(2026)
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Archika Khurana
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Make no mistake: this is a rom-com assembled from familiar parts—rain-soaked kisses, pop-song needle drops, and grand declarations abound. Yet, like a comforting holiday retreat, the film’s predictability is part of its appeal.
Posted Jan 12, 2026
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3/5
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The Chronology of Water
(2025)
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Abhishek Srivastava
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Stewart explores difficult truths without holding back, and with Poots’ towering performance at the center, her pain feels more believable. The film may unsettle some viewers, but those who understand personal struggle may find it meaningful.
Posted Jan 12, 2026
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3/5
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The Thing with Feathers
(2025)
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Archika Khurana
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Thoughtful yet flawed, it is a striking meditation on grief—powerful in moments, exhausting in others, and ultimately more impressive than moving.
Posted Jan 09, 2026
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4/5
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Song Sung Blue
(2025)
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Abhishek Srivastava
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It is heartfelt but not subtle. What it does well is remind you that stories about ordinary people still matter, especially when told with care and strong performances.
Posted Jan 09, 2026
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4/5
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Belén
(2025)
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Abhishek Srivastava
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If you’re looking for a simple courtroom thriller, you might find parts familiar. But if you’re open to a story that combines pain with hope, then this film delivers with honesty and heart.
Posted Jan 05, 2026
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4/5
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Left-Handed Girl
(2025)
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Abhishek Srivastava
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For those who appreciate stories about real people, everyday struggles, and small victories, this film makes for riveting and thoughtful viewing.
Posted Jan 05, 2026
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3.5/5
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Ikkis
(2025)
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Renuka Vyavahare
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Ikkis works as a warm, heartfelt tribute—not only to the nation’s bravehearts but also as a quiet acknowledgement of the late Dharmendra’s acting prowess and range...
Posted Jan 02, 2026
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4/5
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I'm Still Here
(2024)
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Abhishek Srivastava
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'I’m Still Here' is a sincere and honest film that demands attention from its audience. It moves at its own pace and avoids clear resolutions, which may not appeal to everyone. Viewers who appreciate character-driven stories will find it rewarding.
Posted Dec 29, 2025
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3.5/5
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Cover-Up
(2025)
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Abhishek Srivastava
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The documentary feels important on paper, but in execution, it is serious and controlled, often keeping the viewer at a distance. It wants to make you think rather than feel, but sometimes this makes it hard to stay fully engaged.
Posted Dec 29, 2025
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3.5/5
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Goodbye June
(2025)
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Abhishek Srivastava
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The film isn’t perfect, and some parts drag, but it succeeds in exploring the difficulty of saying goodbye without trying to wrap everything neatly.
Posted Dec 29, 2025
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4/5
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Blue Moon
(2025)
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Abhishek Srivastava
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‘Blue Moon’ is a film that rewards patience. It captures the life of a brilliant, complicated man with honesty and heart. It’s funny, sad, and occasionally uncomfortable, but always engaging.
Posted Dec 29, 2025
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2.5/5
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Anaconda
(2025)
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Ronak Kotecha
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The script is so frustratingly inconsistent that it robs the film of its inherent potential to entertain.
Posted Dec 29, 2025
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4/5
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Spinal Tap II: The End Continues
(2025)
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Abhishek Srivastava
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The film plays out like a more thoughtful documentary shaped by age and experience. It offers a pleasant final chance to step back into the odd, familiar world of the Spinal Tap members.
Posted Dec 29, 2025
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3/5
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Raat Akeli Hai: The Bansal Murders
(2025)
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Archika Khurana
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For fans of the first film and admirers of Nawazuddin Siddiqui, it’s worth a watch—but temper expectations of a taut, pulse-pounding whodunit.
Posted Dec 19, 2025
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3/5
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Avatar: Fire and Ash
(2025)
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Renuka Vyavahare
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Of a strong story and character development, Avatar: Fire and Ash becomes a hollow spectacle — visually dazzling but emotionally inert.
Posted Dec 18, 2025
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3.5/5
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Roofman
(2025)
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Abhishek Srivastava
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The subtle performances and small details make this true crime drama an engaging watch.
Posted Dec 17, 2025
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3/5
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The Great Shamsuddin Family
(2025)
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Ronak Kotecha
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Made on a modest canvas, The Great Shamsuddin Family may not be “great” in scale, but it carries sincerity, relatability, and an honest reflection of the times we live in.
Posted Dec 16, 2025
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3.5/5
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Wake Up Dead Man: A Knives Out Mystery
(2025)
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Renuka Vyavahare
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The unravelling of the murder is clever and the final twist genuinely unexpected, though the film takes a bit too long finding its rhythm. A tighter narrative pace could have elevated this slow-burn thriller even further.
Posted Dec 12, 2025
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3.5/5
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Saali Mohabbat
(2025)
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Sreeparna Sengupta
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With 'Saali Mohabbat' debutant director Tisca Chopra weaves in a captivating suspense and delivers a sumptuous mystery that one can sink their teeth into.
Posted Dec 12, 2025
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2.5/5
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Kis Kisko Pyaar Karoon 2
(2025)
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Archika Khurana
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Fun in parts and messy in many, it settles comfortably into the zone of a time-pass family entertainer.
Posted Dec 11, 2025
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3.5/5
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Dracula
(2025)
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Ronak Kotecha
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In the end, Dracula: A Love Tale isn’t a cinematic milestone, but it is a compelling, emotionally charged story that’s less terrifying and more heartbreakingly human.
Posted Dec 11, 2025
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3.5/5
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Dhurandhar
(2025)
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Renuka Vyavahare
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An extension of Uri’s ‘Yeh naya India hai, yeh ghar mein ghusega bhi aur maarega bhi’ sentiment, despite its length and unflinching violence, Dhurandhar grips you from start to finish and never lets go.
Posted Dec 05, 2025
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3.5/5
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Jay Kelly
(2025)
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Abhishek Srivastava
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The film remains rooted in small, unshowy moments and lets them carry the meaning. For some viewers, that deliberate pace will feel honest and moving. For others, it may feel overly subdued. But the film is confident about the story it wants to tell.
Posted Dec 05, 2025
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3.5/5
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Kaisi Ye Paheli
(2025)
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Sreeparna Sengupta
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'Kaisi Ye Paheli' is a moody murder mystery amidst the mist and mountains - soaked with intrigue, examining relationship definitions and a twist you don't see coming.
Posted Dec 04, 2025
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3.5/5
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Lee
(2023)
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Abhishek Srivastava
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Instead of dressing war in grandeur, [the film] stays close to the psychological weight carried by those who document it. What remains is a slow, pressing mood rather than a surge of cinematic excitement.
Posted Dec 03, 2025
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3/5
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Oh. What. Fun.
(2025)
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Archika Khurana
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By the time its predictable reconciliation arrives, Oh. What. Fun. feels less like a fully realised exploration of motherhood and more like a lightly dusted Christmas card—sweet but generic, heartfelt but undercooked.
Posted Dec 03, 2025
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3.5/5
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Gustaakh Ishq
(2025)
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Abhishek Srivastava
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Designer Manish Malhotra’s debut film as a producer is gentle, though it could have taken a few more emotional risks. It leaves behind traces of beauty in its poetry, music, and performances, even as the larger narrative slips through the cracks.
Posted Dec 02, 2025
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3/5
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Jingle Bell Heist
(2025)
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Archika Khurana
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...an entertaining, if uneven, Christmas caper buoyed by likable performances, clever stylistic touches, and just enough heart to hold it all together.
Posted Dec 02, 2025
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3/5
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Born Hungry
(2024)
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Abhishek Srivastava
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The documentary stays with you more for its human presence than for any formal boldness. It offers a clear and approachable story of survival, memory, and the pull of unfinished belonging.
Posted Dec 02, 2025
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3/5
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Primitive War
(2025)
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Abhishek Srivastava
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‘Primitive War’ easily fits into the category of a cheesy war film, but it also delivers plenty of ridiculous fun.
Posted Dec 02, 2025
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3.5/5
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Zootopia 2
(2025)
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Ronak Kotecha
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Zootopia 2 is undeniably enjoyable – funny, sweet and beautifully animated, but like most sequels, it never quite reaches the freshness or surprise of the original. The franchise clearly has room to go bolder.
Posted Dec 02, 2025
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3.5/5
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Eternity
(2025)
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Abhishek Srivastava
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Eternity’ is a warm, genuinely charming romantic film with an afterlife twist—not perfect, but definitely meaningful. It leaves you thinking about your own choices without pushing too hard. That quiet impact is the film’s real strength.
Posted Dec 02, 2025
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3/5
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Nishaanchi 2
(2025)
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Abhishek Srivastava
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There’s a good film buried in here, but it often feels stretched when it should have been sprinting.
Posted Dec 01, 2025
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3/5
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The Family Plan 2
(2025)
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Abhishek Srivastava
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‘The Family Plan 2’ may not be a sharp or sophisticated film—in fact, it leans into being dumb—but it delivers exactly the kind of entertainment it promises. It blends holiday sentiment, brisk action, and family bonding into a lively, uncomplicated watch.
Posted Nov 25, 2025
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4/5
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Train Dreams
(2025)
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Sreeparna Sengupta
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As an evocative and introspective ode to life, grief and letting go, 'Train Dreams' is a soulful, intimate watch.
Posted Nov 25, 2025
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2.5/5
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After the Hunt
(2025)
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Abhishek Srivastava
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While Julia Roberts, Ayo Edebiri, Andrew Garfield, and Michael Stuhlbarg deliver convincing performances, the plot remains muddled and undercooked.
Posted Nov 25, 2025
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2.5/5
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Mastiii 4
(2025)
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Archika Khurana
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It offers a handful of laughs and some comfort-zone nostalgia for franchise loyalists. For everyone else, it’s a loud, uneven and often cringe-filled ride best avoided.
Posted Nov 21, 2025
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3/5
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120 Bahadur
(2025)
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Renuka Vyavahare
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Despite its flaws, 120 Bahadur avoids glorifying war. Its sincerity is both its strength and its limitation. A heartfelt tribute wrapped in a familiar template; 120 Bahadur deserved a more arresting and emotionally resonant execution.
Posted Nov 21, 2025
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3/5
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Now You See Me: Now You Don't
(2025)
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Renuka Vyavahare
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NYSM threequel is slick and spirited, but an over-reliance on digital spectacle dilutes the delicious “wait…how did they do that?” tension that should define the series.
Posted Nov 21, 2025
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4/5
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Sisu: Road to Revenge
(2025)
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Ronak Kotecha
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It’s a cold, violent, deeply satisfying road-to-revenge story that delivers adrenaline, spectacle, and a protagonist you can’t help but root for. A brutal and entertaining continuation of Korpi’s myth.
Posted Nov 21, 2025
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3.5/5
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Agra
(2023)
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Abhishek Srivastava
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What makes 'Agra' haunting is its honesty—it neither condemns nor redeems its characters, simply allowing them to exist in all their flaws.
Posted Nov 14, 2025
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3/5
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De De Pyaar De 2
(2025)
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Archika Khurana
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The uneven tone and sluggish stretches dilute its impact, even though flashes of wit and warmth shine through. Sharma manages to wrap it up on a grounded, feel-good note, but the film never quite finds the emotional depth or sharpness it aims for.
Posted Nov 14, 2025
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3/5
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The Running Man
(2025)
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Ronak Kotecha
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The Running Man doesn’t reinvent its genre or outsmart its audience, but it delivers a slick, fast-paced survival thriller that’s both entertaining and thought-provoking.
Posted Nov 14, 2025
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2/5
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Being Eddie
(2025)
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Ronak Kotecha
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It’s like watching a polished PR piece rather than a true excavation of a legend’s life. The intimacy you might expect—raw talk about failure, regret, or redemption is largely absent.
Posted Nov 12, 2025
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