Marty Supreme (2025)
93%
4/5
EDIT
“Marty Supreme is gripping, unsettling, and impressively assured. It’s a film that challenges its audience, trusting them to sit with discomfort and rewards them with one of the year’s most arresting character portraits.” –
The Times of India
Jan 23, 2026
Full Review
The Toxic Avenger (2023)
87%
3.5/5
EDIT
“This grotesque, over-the-top reboot blends absurd gore, dark humour, and surprising emotional depth to deliver a chaotic yet oddly heartfelt cult revival.” –
The Times of India
Sep 20, 2025
Full Review
The Bad Guys 2 (2025)
87%
4/5
EDIT
“The visuals are dazzling, the humour is accessible for all ages, and Daniel Pemberton’s returning jazz-funk score adds punchy flair. It’s a vibrant, heartfelt follow-up that proves this franchise still has plenty of tricks up its sleeve.” –
The Times of India
Aug 4, 2025
Full Review
Happy Gilmore 2 (2025)
62%
3/5
EDIT
“The film is a knowing homage rather than a reinvention, comfortable, occasionally clumsy, but often affectionate.” –
The Times of India
Jul 28, 2025
Full Review
The Old Guard 2 (2025)
27%
3/5
EDIT
“[The Old Guard 2 is] a sequel that dares to deepen its mythology, even if it occasionally gets lost in it—offering a visually confident yet narratively uneven step forward.” –
The Times of India
Jul 3, 2025
Full Review
The Phoenician Scheme (2025)
77%
3.5/5
EDIT
“It’s a film that continues Anderson’s unmistakable visual and narrative style, while pushing ever so slightly into more emotional territory, though not always successfully.” –
The Times of India
Jun 24, 2025
Full Review
Black Bag (2025)
96%
4/5
EDIT
“Soderbergh’s signature sleek cinematography, combined with a muted yet atmospheric score, enhances the film’s slow-burn tension, making every glance and pause feel loaded with meaning.” –
The Times of India
Mar 28, 2025
Full Review
The Monkey (2025)
77%
3.5/5
EDIT
“This tonal balancing act between horror and satire is one of the film’s most intriguing elements, though it may not land for all audiences.” –
The Times of India
Mar 6, 2025
Full Review
The Brutalist (2024)
93%
4/5
EDIT
“...the film’s ability to explore the intersection of art, power, and identity with such precision makes it a rewarding experience for patient viewers.” –
The Times of India
Feb 28, 2025
Full Review
Babygirl (2024)
76%
3/5
EDIT
“...Babygirl remains an engaging watch, largely due to the strength of its performances and its alluring atmosphere.” –
The Times of India
Feb 21, 2025
Full Review
Subservience (2024)
49%
2.5/5
EDIT
“While Subservience has moments of tension and stylish visuals, it ultimately doesn’t offer anything new to the AI thriller genre.” –
The Times of India
Feb 14, 2025
Full Review
Back in Action (2025)
31%
3/5
EDIT
“While it occasionally delivers witty dialogue and clever moments, the narrative relies too heavily on clichés and lacks the sharpness needed to elevate it above mediocrity. ” –
The Times of India
Jan 22, 2025
Full Review
Thelma (2024)
98%
4/5
EDIT
“While its artful approach may not reach the depths of more serious dramas, Thelma succeeds in crafting a universally appealing story that feels both entertaining and meaningful.” –
The Times of India
Jan 22, 2025
Full Review
Disaster Holiday (2024)
2.5/5
EDIT
“It’s not memorable or innovative, and while its heart is in the right place, the execution falls flat.” –
The Times of India
Dec 27, 2024
Full Review
Elton John: Never Too Late (2024)
76%
3.5/5
EDIT
“It’s a solid, albeit incomplete, tribute to a legend whose impact on music and culture is far too vast to be confined to a single documentary.” –
The Times of India
Dec 27, 2024
Full Review
Heretic (2024)
90%
3.5/5
EDIT
“[Heretic’s] willingness to engage with complex themes and take certain narrative risks sets it apart from more formulaic entries in the genre. While the execution isn’t perfect, the film’s boldness and strong performances make it a memorable watch.” –
The Times of India
Dec 27, 2024
Full Review
Operation Blood Hunt (2024)
2/5
EDIT
“Operation Blood Hunt tries to bring a fresh twist to the werewolf genre, but unfortunately, it stumbles in almost every area that matters.” –
The Times of India
Nov 18, 2024
Full Review
Super/Man: The Christopher Reeve Story (2024)
98%
4/5
EDIT
“This is a touching tribute to a man who, despite unimaginable hardship, found the strength to inspire others.” –
The Times of India
Oct 24, 2024
Full Review
Smile 2 (2024)
86%
3.5/5
EDIT
“The ending does provide a memorable moment of dark, twisted humour that fans of the genre will appreciate. It’s a satisfying conclusion, though it’s easy to see where the film might have benefited from more creativity and risk-taking.” –
The Times of India
Oct 24, 2024
Full Review
White Bird (2023)
76%
3.5/5
EDIT
“A strong follow-up to Wonder, it’s a film with genuine heart that should appeal to audiences seeking an inspiring story.” –
The Times of India
Oct 4, 2024
Full Review
Will & Harper (2024)
99%
4/5
EDIT
“It's a moving reminder of how friendship and understanding can flourish even in a world of division.” –
The Times of India
Sep 30, 2024
Full Review
Alien: Romulus (2024)
80%
3.5/5
EDIT
“For franchise fans, it’s a welcome, if somewhat familiar, return to the dark, unforgiving world of Xenomorphs and corporate greed.” –
The Times of India
Aug 24, 2024
Full Review
Harold and the Purple Crayon (2024)
27%
3/5
EDIT
“A decent attempt at bringing a classic story to life, but its lacklustre execution ultimately holds it back.” –
The Times of India
Aug 24, 2024
Full Review
Immaculate (2024)
72%
3.5/5
EDIT
“The climax of Immaculate is where the film shines, delivering a confrontational and transgressive finale that is both provocative and satisfying. ” –
The Times of India
Aug 7, 2024
Full Review
Mothers' Instinct (2024)
55%
3/5
EDIT
“Nevertheless, the performances of Chastain and Hathaway and the film’s striking visual style provide some redeeming qualities despite the film's uneven tone and underwhelming narrative depth.” –
The Times of India
Aug 7, 2024
Full Review
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