Yasmin Kleinbart
Yasmin Kleinbart's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Wake Up Dead Man: A Knives Out Mystery (2025)
92%
9/10
EDIT
“Johnson’s nuanced approach and his diverse cast provide different, complex perspectives.” –
InBetweenDrafts
Jan 5, 2026
Full Review
Keeper (2025)
53%
6/10
EDIT
“Keeper has a lot of potential, but a poor script keeps it from being truly great.” –
InBetweenDrafts
Nov 18, 2025
Full Review
The Baltimorons (2025)
95%
7/10
EDIT
“With Duplass’s help, Strassner takes a dark part of his life and turns it into a charming story about finding comfort in the arms of strangers. ” –
InBetweenDrafts
Sep 17, 2025
Full Review
Went Up the Hill (2024)
67%
6/10
EDIT
“There’s nothing terrible about it, but there’s nothing that makes it stand out in an already bloated genre. ” –
InBetweenDrafts
Sep 2, 2025
Full Review
Trust (2025)
21%
1.5/10
EDIT
“It’s hard to imagine the ultimate vision for this film, given that all the storylines go nowhere. ” –
InBetweenDrafts
Sep 2, 2025
Full Review
Jane Austen Wrecked My Life (2024)
82%
8/10
EDIT
“'Jane Austen Wrecked My Life' is as cozy as a cup of tea and a good book.” –
InBetweenDrafts
Jul 24, 2025
Full Review
Medusa (2021)
84%
8/10
EDIT
“Medusa shines when it focuses on the repression of women’s feelings. While on the surface, it looks like these girls enjoy spreading the word of God, deep down, there’s anger bubbling inside of them.” –
The Young Folks
Sep 1, 2022
Full Review
The Hating Game (2021)
68%
8/10
EDIT
“Peter Hutchings's The Hating Game, adapted from Sally Thorne's eponymous novel, is filled to the brim with fluffy flirtation and enough sexual tension to cut through it with a knife.” –
The Young Folks
Jan 26, 2022
Full Review
Speak No Evil (2022)
83%
8/10
EDIT
“Speak No Evil is terrifyingly effective and shows that Tafdrup has the chops to dive deeper into the genre.” –
The Young Folks
Jan 25, 2022
Full Review
A Love Song (2022)
95%
9/10
EDIT
“A Love Song says so much with so few words. Walker-Silverman crafts a film that is both poignant and hopeful about the process of healing from grief.” –
The Young Folks
Jan 25, 2022
Full Review
C'mon C'mon (2021)
94%
8/10
EDIT
“C'mon C'mon is empathetic and emotional but never emotionally manipulative. Mills crafts a poignant drama that lets the audience know that the kids aren't alright.” –
The Young Folks
Dec 15, 2021
Full Review
Zola (2020)
88%
8/10
EDIT
“The film's energy and style is sure to impress and keep viewers engaged from beginning to end.” –
The Young Folks
Jul 6, 2021
Full Review
False Positive (2021)
46%
4/10
EDIT
“False Positive isn't the first failed pregnancy horror film, nor will it be the last. But in 2021, I think it's appropriate to ask for stories that dig deeper into motherhood rather than using hysterics (or "mommy brain") as the crutch of the film.” –
The Young Folks
Jul 2, 2021
Full Review
The Father (2020)
98%
9/10
EDIT
“With the help of a veteran ensemble and excellent technical work, The Father is a master-class on accurately portraying this difficult disease.” –
The Young Folks
Mar 12, 2021
Full Review
Raya and the Last Dragon (2021)
93%
9/10
EDIT
“Raya's storyline is beat-for-beat, a traditional Disney story, but its nuances are what make it stand out.” –
The Young Folks
Mar 12, 2021
Full Review
A Nightmare Wakes (2020)
55%
2/10
EDIT
“With a lifeless cast and an even more lifeless script, A Nightmare Wakes is a bad dream you'll wish to wake up from.” –
The Young Folks
Feb 17, 2021
Full Review
Promising Young Woman (2020)
90%
4/10
EDIT
“Fennell doesn't beat around the bush in pointing out just how not nice these "nice guys" are, but her message gets lost in translation.” –
The Young Folks
Dec 25, 2020
Full Review
Evil Eye (2020)
43%
5/10
EDIT
“Unfortunately, culture and representation can't save Evil Eye from its hollow story.” –
The Young Folks
Oct 24, 2020
Full Review
Rent-a-Pal (2020)
69%
6/10
EDIT
“Rent-A-Pal is a compelling character study but lacks the oomph and suspense of a traditional thriller.” –
The Young Folks
Sep 12, 2020
Full Review
Yes, God, Yes (2019)
92%
8/10
EDIT
“When the film focuses on Alice and her emotional turmoil, it's sweet, non-judgemental, and even a little inspiring.” –
The Young Folks
Aug 21, 2020
Full Review
We Are Little Zombies (2019)
93%
9/10
EDIT
“Nagahisa's eclectic debut doesn't talk down to these kids at all; it lets them approach grief the way they want to-whether it's through starting a band or stealing a garbage truck.” –
The Young Folks
Jul 16, 2020
Full Review
EMMA. (2020)
86%
9/10
EDIT
“De Wilde and Catton work together to recreate a classic story that focuses not only on the romance but also on class relations that these typical narratives tend to avoid.” –
The Young Folks
Feb 27, 2020
Full Review
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)
79%
8/10
EDIT
“Instead of focusing on the toxic masculinity of male superheroes, Birds of Prey allows women to be in the spotlight without the shackle a male presence.” –
The Young Folks
Feb 27, 2020
Full Review
In Fabric (2018)
92%
6/10
EDIT
“This could have been an effective anthology series, but instead, the film is reduced to two different stories that don't have enough time to flesh themselves out.” –
The Young Folks
Dec 16, 2019
Full Review
Hustlers (2019)
88%
9/10
EDIT
“In the hands of the wrong director, Hustlers could have turned gratuitous and exploitative. However, Scafaria handles it with a dynamic female gaze that seeks to celebrate women's bodies instead of sexualizing them.” –
The Young Folks
Sep 16, 2019
Full Review
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