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Yasmin Kleinbart

Yasmin Kleinbart's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Wake Up Dead Man: A Knives Out Mystery (2025) 92% 9/10 EDIT “Johnson’s nuanced approach and his diverse cast provide different, complex perspectives.” – InBetweenDrafts Jan 5, 2026 Full Review Keeper (2025) 53% 6/10 EDIT “Keeper has a lot of potential, but a poor script keeps it from being truly great.” – InBetweenDrafts Nov 18, 2025 Full Review The Baltimorons (2025) 95% 7/10 EDIT “With Duplass’s help, Strassner takes a dark part of his life and turns it into a charming story about finding comfort in the arms of strangers. ” – InBetweenDrafts Sep 17, 2025 Full Review Went Up the Hill (2024) 67% 6/10 EDIT “There’s nothing terrible about it, but there’s nothing that makes it stand out in an already bloated genre. ” – InBetweenDrafts Sep 2, 2025 Full Review Trust (2025) 21% 1.5/10 EDIT “It’s hard to imagine the ultimate vision for this film, given that all the storylines go nowhere. ” – InBetweenDrafts Sep 2, 2025 Full Review Jane Austen Wrecked My Life (2024) 82% 8/10 EDIT “'Jane Austen Wrecked My Life' is as cozy as a cup of tea and a good book.” – InBetweenDrafts Jul 24, 2025 Full Review Medusa (2021) 84% 8/10 EDIT “Medusa shines when it focuses on the repression of women’s feelings. While on the surface, it looks like these girls enjoy spreading the word of God, deep down, there’s anger bubbling inside of them.” – The Young Folks Sep 1, 2022 Full Review The Hating Game (2021) 68% 8/10 EDIT “Peter Hutchings's The Hating Game, adapted from Sally Thorne's eponymous novel, is filled to the brim with fluffy flirtation and enough sexual tension to cut through it with a knife.” – The Young Folks Jan 26, 2022 Full Review Speak No Evil (2022) 83% 8/10 EDIT “Speak No Evil is terrifyingly effective and shows that Tafdrup has the chops to dive deeper into the genre.” – The Young Folks Jan 25, 2022 Full Review A Love Song (2022) 95% 9/10 EDIT “A Love Song says so much with so few words. Walker-Silverman crafts a film that is both poignant and hopeful about the process of healing from grief.” – The Young Folks Jan 25, 2022 Full Review C'mon C'mon (2021) 94% 8/10 EDIT “C'mon C'mon is empathetic and emotional but never emotionally manipulative. Mills crafts a poignant drama that lets the audience know that the kids aren't alright.” – The Young Folks Dec 15, 2021 Full Review Zola (2020) 88% 8/10 EDIT “The film's energy and style is sure to impress and keep viewers engaged from beginning to end.” – The Young Folks Jul 6, 2021 Full Review False Positive (2021) 46% 4/10 EDIT “False Positive isn't the first failed pregnancy horror film, nor will it be the last. But in 2021, I think it's appropriate to ask for stories that dig deeper into motherhood rather than using hysterics (or "mommy brain") as the crutch of the film.” – The Young Folks Jul 2, 2021 Full Review The Father (2020) 98% 9/10 EDIT “With the help of a veteran ensemble and excellent technical work, The Father is a master-class on accurately portraying this difficult disease.” – The Young Folks Mar 12, 2021 Full Review Raya and the Last Dragon (2021) 93% 9/10 EDIT “Raya's storyline is beat-for-beat, a traditional Disney story, but its nuances are what make it stand out.” – The Young Folks Mar 12, 2021 Full Review A Nightmare Wakes (2020) 55% 2/10 EDIT “With a lifeless cast and an even more lifeless script, A Nightmare Wakes is a bad dream you'll wish to wake up from.” – The Young Folks Feb 17, 2021 Full Review Promising Young Woman (2020) 90% 4/10 EDIT “Fennell doesn't beat around the bush in pointing out just how not nice these "nice guys" are, but her message gets lost in translation.” – The Young Folks Dec 25, 2020 Full Review Evil Eye (2020) 43% 5/10 EDIT “Unfortunately, culture and representation can't save Evil Eye from its hollow story.” – The Young Folks Oct 24, 2020 Full Review Rent-a-Pal (2020) 69% 6/10 EDIT “Rent-A-Pal is a compelling character study but lacks the oomph and suspense of a traditional thriller.” – The Young Folks Sep 12, 2020 Full Review Yes, God, Yes (2019) 92% 8/10 EDIT “When the film focuses on Alice and her emotional turmoil, it's sweet, non-judgemental, and even a little inspiring.” – The Young Folks Aug 21, 2020 Full Review We Are Little Zombies (2019) 93% 9/10 EDIT “Nagahisa's eclectic debut doesn't talk down to these kids at all; it lets them approach grief the way they want to-whether it's through starting a band or stealing a garbage truck.” – The Young Folks Jul 16, 2020 Full Review EMMA. (2020) 86% 9/10 EDIT “De Wilde and Catton work together to recreate a classic story that focuses not only on the romance but also on class relations that these typical narratives tend to avoid.” – The Young Folks Feb 27, 2020 Full Review Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) 79% 8/10 EDIT “Instead of focusing on the toxic masculinity of male superheroes, Birds of Prey allows women to be in the spotlight without the shackle a male presence.” – The Young Folks Feb 27, 2020 Full Review In Fabric (2018) 92% 6/10 EDIT “This could have been an effective anthology series, but instead, the film is reduced to two different stories that don't have enough time to flesh themselves out.” – The Young Folks Dec 16, 2019 Full Review Hustlers (2019) 88% 9/10 EDIT “In the hands of the wrong director, Hustlers could have turned gratuitous and exploitative. However, Scafaria handles it with a dynamic female gaze that seeks to celebrate women's bodies instead of sexualizing them.” – The Young Folks Sep 16, 2019 Full Review
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