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Frame Rated

Frame Rated is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Amelia Harvey.

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Rating Title | Year Author Quote
3/5
People We Meet on Vacation (2026) Amelia Harvey It’s a passable, if forgettable, watch for genre devotees, but those who aren’t already fans of the book or the rom-com formula will struggle with the lacklustre writing.
Posted Jan 14, 2026  Edit critic review
4/5
Marty Supreme (2025) Amelia Harvey While it slightly overstays its welcome, it is never boring and remains entirely unpredictable. You will never know where the story is headed next, nor what word will next fly out of Marty’s mouth.
Posted Jan 04, 2026  Edit critic review
3.5/5
Song Sung Blue (2025) Amelia Harvey Brewer’s film is a love letter to karaoke culture, pub singers, and tribute acts. He never mocks Mike and Claire, nor does he belittle their world. Instead, he treats their performances and dreams as if they were any other genre of music.
Posted Dec 15, 2025  Edit critic review
3.5/5
Eleanor the Great (2025) Amelia Harvey It’s a heart-warming and often emotional film about the power of story, and how people can live on through story (even if it’s not told first-hand).
Posted Dec 14, 2025  Edit critic review
4/5
Wake Up Dead Man: A Knives Out Mystery (2025) Amelia Harvey Wake Up Dead Man explores the human need to believe in someone. But fear not, Johnson still delivers the same mystery format one expects from the franchise, just with a little more God involved.
Posted Nov 23, 2025  Edit critic review
3/5
Now You See Me: Now You Don't (2025) Amelia Harvey Much like a magic show, Now You See Me: Now You Don’t requires the audience to sit back, suspend their disbelief, and go along with the spectacle.
Posted Nov 20, 2025  Edit critic review
3/5
Springsteen: Deliver Me from Nowhere (2025) Amelia Harvey Springsteen: Deliver Me From Nowhere will likely appeal more to those not already indoctrinated into the world of The Boss, as it fails to be half as interesting as Bruce’s many podcasts, interviews, and Broadway shows.
Posted Oct 22, 2025  Edit critic review
4/5
No Other Choice (2025) Amelia Harvey No Other Choice seamlessly moves from a sharp satire about the struggling job industry to a dark comedy about murdering the competition to get your career back on track.
Posted Oct 18, 2025  Edit critic review
3.5/5
Twinless (2025) Amelia Harvey Twinless rewards those who go in with as little information as possible. But once the rug’s been pulled out from under us, the writing struggles to maintain its momentum.
Posted Oct 07, 2025  Edit critic review
3/5
A Big Bold Beautiful Journey (2025) Amelia Harvey This movie is severely let down by poor writing, cheesy dialogue, and an unbelievable love story between two actors desperately trying to make the material work.
Posted Sep 22, 2025  Edit critic review
3.5/5
Highest 2 Lowest (2025) Amelia Harvey While it’s not Lee’s best work of recent years, it’s a grown-up yet slightly too conservative film about the modern dilemmas of being an aging businessman in the limelight.
Posted Sep 08, 2025  Edit critic review
3/5
The Thursday Murder Club (2025) Amelia Harvey It’s a shame Osman’s witty source materials have been sanitised down to become a pleasant whodunnit with a mostly wasted cast of acting legends.
Posted Sep 01, 2025  Edit critic review
3.5/5
The Roses (2025) Amelia Harvey The Roses is ultimately a pleasantly funny script boosted by Benedict Cumberbatch and Olivia Colman’s excellent performances. But fans of the original may be disappointed with how the couple’s conflict takes a back seat...
Posted Aug 30, 2025  Edit critic review
2.5/5
The Toxic Avenger (2023) Amelia Harvey The Toxic Avenger lands in an odd space of being too subdued to be considered a true retelling of the so-bad-it’s-good classic, but not good enough to stand on its own feet.
Posted Aug 28, 2025  Edit critic review
4.5/5
The Life of Chuck (2024) Amelia Harvey Through all the ghost stories and apocalyptic scenes, The Life of Chuck is ultimately about cherishing the small moments and appreciating that every second and every person counts.
Posted Aug 25, 2025  Edit critic review
3.5/5
Freakier Friday (2025) Amelia Harvey Freakier Friday feels like a film that could have come out 25 years ago. It’s the gentle romantic comedy that cinema was missing.
Posted Aug 10, 2025  Edit critic review
3/5
The Old Guard 2 (2025) Amelia Harvey This sequel to the 2020 Netflix action hit is an underwritten if overcomplicated mix of philosophy and stunt sequences as The Old Guard ponders who wants to live forever.
Posted Jul 02, 2025  Edit critic review
3/5
F1 The Movie (2025) Amelia Harvey However, sit back, turn your brain off, and it’s easy to enjoy F1 The Movie. But it’s less a film and more a glossy, expensive advert, full of fast cars, a cool soundtrack, and Brad Pitt at his charismatic best.
Posted Jun 26, 2025  Edit critic review
2/5
Ballerina (2025) Amelia Harvey Ballerina would have benefited from giving us new characters we care about and taking more time to flesh out Eva’s world, instead of relying on the audience’s knowledge and affection for the John Wick franchise.
Posted Jun 08, 2025  Edit critic review
4/5
Mountainhead (2025) Amelia Harvey Only shot in March 2025, Mountainhead is a biting look at how little the uber-rich care about real-world politics and communities until it starts playing with their bank accounts.
Posted Jun 05, 2025  Edit critic review
2/5
Another Simple Favor (2025) Amelia Harvey The dark, sexy wit of A Simple Favor is lost in the pit of shock value and style over substance. Another Simple Favor rehashes the themes and shocks of the first film and turns them up to an unbearable 120%.
Posted May 02, 2025  Edit critic review
3.5/5
Drop (2025) Amelia Harvey The film throws in development after development, constantly raising the stakes with new threats. Despite the pulpy writing, Drop is surprisingly nuanced and underplays the action to help build the tension.
Posted Apr 18, 2025  Edit critic review
2.5/5
The Amateur (2025) Amelia Harvey It’s neither a successful political thriller nor is it far too boring to be an action flick. It doesn’t even successfully portray an amateur tech guy entering the world of espionage.
Posted Apr 14, 2025  Edit critic review
2/5
Holland (2025) Amelia Harvey At some point, the film abandons the creepy tone and takes a cheap, obvious direction. If you’re someone who likes to guess the plot twist, the version in your head is likely more compelling than the choices Sodorski and Cave make.
Posted Apr 04, 2025  Edit critic review
3.5/5
Sebastian (2024) Amelia Harvey Somewhere, under the layers of trying too hard, Sebastian is a well-crafted movie about social media, sex, making art and embracing your true self. Sadly, any message gets lost in its directionless writing and lack of pace.
Posted Apr 02, 2025  Edit critic review
3/5
Disney's Snow White (2025) Amelia Harvey Disney may have enjoyed better results if they’d allowed the filmmakers to execute their vision rather than compromising on the script in fear of straying too far from the safety of the original.
Posted Mar 27, 2025  Edit critic review
3/5
Opus (2025) Amelia Harvey Opus frustratingly misses its biggest opportunities. A film about a group of culture commentators invited to a reclusive pop star’s compound should have been much more interesting than what is on offer here.
Posted Mar 16, 2025  Edit critic review
3/5
Sister Midnight (2024) Amelia Harvey The writing is frustrating in having such a smart set-up and ultimately undoing most of the hard work in the final act.
Posted Mar 13, 2025  Edit critic review
3.5/5
One of Them Days (2025) Amelia Harvey One of Them Days flies along at 100 mph the entire time, never stopping to catch its breath. Perhaps it would have benefitted from taking a moment to step back and sit in the joke rather than always having another situation and character ready to go.
Posted Mar 07, 2025  Edit critic review
4/5
Bridget Jones: Mad About the Boy (2025) Amelia Harvey The sincerity of Bridget Jones: Mad About the Boy makes it her best sequel yet. Some may miss the silly slapstick humour of past outings, but this feels like the right film for Bridget in this stage of her life.
Posted Feb 14, 2025  Edit critic review
3.5/5
The Last Showgirl (2024) Amelia Harvey Despite the short runtime, the movie manages to fully dive into the psychology of a woman struggling to find her place in a world that is moving too fast for her.
Posted Feb 02, 2025  Edit critic review
3/5
Nightbitch (2024) Amelia Harvey Considering how out there the plot is, Nightbitch holds back too much and doesn’t embrace its weirdness. It chooses to focus on ambiguity rather than completely letting go.
Posted Dec 05, 2024  Edit critic review
3/5
Joy (2024) Amelia Harvey While it was understandably softened for audiences, the women who sacrificed their hopes and their bodies to help millions of people achieve their goals of having children deserve more than a cosy Sunday night drama.
Posted Nov 10, 2024  Edit critic review
3.5/5
Bird (2024) Amelia Harvey Arnold should be lauded for her bold twist on the Ken Loach-style British social drama. However, the surrealist fairytale twist doesn’t elevate the key themes; instead, adding an emotional barrier.
Posted Nov 01, 2024  Edit critic review
4/5
Nickel Boys (2024) Amelia Harvey The writing hits the perfect balance of never underplaying the horrors while not amplifying them, always leaving audiences with a hint of hope, even in the more devastating moments.
Posted Oct 24, 2024  Edit critic review
4/5
Hard Truths (2024) Amelia Harvey Instead of cutting it down to the crux, Hard Truths wants to explore the minutia of the family’s problems, wanting audiences to soak up every second of silence and awkward glance.
Posted Oct 22, 2024  Edit critic review
3/5
Woman of the Hour (2023) Amelia Harvey Anna Kendrick and screenwriter Ian McDonald struggle to balance depicting a true crime tale without sensationalising it.
Posted Oct 21, 2024  Edit critic review
3.5/5
All We Imagine as Light (2024) Amelia Harvey The film is held together by the loosest of narratives with ordinary daily occurrences forming the big plot points. Kapadia’s screenplay smartly crafts organic, naturalistic conversations that feel unscripted, but don’t expect any big swings.
Posted Oct 20, 2024  Edit critic review
3/5
We Live in Time (2024) Amelia Harvey We Live in Time is a glorified Hallmark movie that is sold by two charming performances.
Posted Oct 19, 2024  Edit critic review
4/5
The Apprentice (2024) Amelia Harvey Gabriel Sherman’s writing never managing to explore the psyche of these real-life figures deeply. Strong, Stan, and Bakalova could have easily sunk their teeth into funnier, darker and bolder writing than The Apprentice ultimately delivers.
Posted Oct 19, 2024  Edit critic review
3/5
Skincare (2024) Amelia Harvey Skincare is a frothy, thinly written thriller that never lives up to its wild source material. The script might have been more effective if it had leaned into the comedic, satirical aspects rather than playing out like a bland yet good-looking thriller.
Posted Oct 17, 2024  Edit critic review
4/5
Queer (2024) Amelia Harvey Luca Guadagnino’s Queer demands audiences read between the lines and form their own narrative around the context. It won’t work for everyone, but it’s bold for a director at the top of his game to make a film this gutsy and unexpected.
Posted Oct 17, 2024  Edit critic review
4/5
Emilia Pérez (2024) Amelia Harvey Emilia Pérez isn’t afraid to go all out, which should be commended. Holding back on narrative threads may have been beneficial to the effectiveness of the storytelling, but Audiard should be praised for using the musical genre to say something.
Posted Oct 17, 2024  Edit critic review
2.5/5
Rumours (2024) Amelia Harvey Audiences may walk away wondering how so many talented and well-known stars signed up for what comes across as a bad B-movie from 40 years ago. In the end, it’ll leave you wondering what the point of it all was.
Posted Oct 17, 2024  Edit critic review
3/5
Wolfs (2024) Amelia Harvey Despite George Clooney and Brad Pitt demonstrating their iconic charms as two crime scene fixers, Wolfs is a repetitive caper about a seemingly boring and underpopulated part of the criminal underworld.
Posted Sep 28, 2024  Edit critic review
3.5/5
Blink Twice (2024) Amelia Harvey Blink Twice feels equally like a shockingly bold exploration of predatory men and performative femininity and a surface-level #MeToo yarn.
Posted Aug 28, 2024  Edit critic review
4/5
Challengers (2024) Amelia Harvey Challengers is much more than it seems on the surface. It’s a tightly wound ball of sexual and kinetic energy that slowly unravels until it delivers a nail-biting finale, with just a few pacing and editing quibbles along the way.
Posted Apr 24, 2024  Edit critic review
4/5
Sometimes I Think About Dying (2023) Amelia Harvey Between Ridley’s performance and Lambert’s delicate, dreamlike direction, Sometimes I Think About Dying elevates a pitch-black comedy about the daily grind into an extraordinary tale of a depressed introvert finding her place in the world.
Posted Apr 23, 2024  Edit critic review
4/5
The First Omen (2024) Amelia Harvey While The Omen franchise is very much steeped in reality, this prequel plays around more with visions and mysticism, overlapping reality and dreams to the point the audience won’t know what is mental illness and what is a religious conspiracy.
Posted Apr 13, 2024  Edit critic review
5/5
All of Us Strangers (2023) Amelia Harvey Scott and Mescal give career-best performances as two lovers clinging onto each other in an empty London apartment block. There are so many emotions and generational trauma in just a glance between the pair.
Posted Feb 07, 2024  Edit critic review
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