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Caimán Cuadernos de Cine

Tomatometer-approved publication.

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Rating Title | Year Author Quote
Sleepless City (2025) Àngel Quintana Attempts to understand what happens when the future is transformed, when in a world without dreams something is left behind and when human relationships can be modified. [Full review in Spanish]
Posted Jun 04, 2025Edit critic review
Sleepless City (2025) Jaime Pena Galoe makes no secret of the fact that this is a place where drug trafficking takes place, but his film constantly avoids the sordid, focusing as it does on its young protagonists, for whom he wants to imagine a future. [Full review in Spanish]
Posted Jun 04, 2025Edit critic review
The Disappearance of Josef Mengele (2025) Àngel Quintana Serebrennikov maintains his dignity. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Phoenician Scheme (2025) Carlos F. Heredero ...a film that is a bit less artificial and rushed than Asteroid City, and somewhat more human in the portrayal of its protagonists, although no less controlled. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Eleanor the Great (2025) Àngel Quintana A discreet film that forces emotion through saccharine discourse. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Highest 2 Lowest (2025) Àngel Quintana The thriller is the pretext that maintains the intrigue, but the most interesting aspect of the film are the footnotes, the ironic asides, and the twilight gaze that moves between the images. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Splitsville (2025) Àngel Quintana Splitsville is a small feat, simply a pleasant film. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Alpha (2025) Carlos F. Heredero Another pompous and noisy ceremony of narcissistic authorship. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Alpha (2025) Àngel Quintana An important film by a filmmaker who constantly seeks new ways to think about and represent the body. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
It Was Just an Accident (2025) Àngel Quintana The filmmaker prefers to act with elegance and tell us that evil is not banal, but always there, lurking without a human face. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
It Was Just an Accident (2025) Carlos F. Heredero A small film, but with an incisive and courageous narrative thrust. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Mama (2025) Eulàlia Iglesias Sinai avoids the genre's more extreme or sentimental tone to present a naturalistic drama that relies primarily on the performance of its lead actress and evolves in harmony with her character, with stubbornness and resilience. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Richest Woman in the World (2025) Àngel Quintana Huppert acts as a cold, all-powerful lady in a world of luxury and excess, while Laurent Lafitte plays a character who is all about excess and whose true intentions are never fully understood. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Magellan (2025) Àngel Quintana The filmmaker achieves an epic dimension through a narrative construction that eschews spectacularity, but has moments of great power. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Love That Remains (2025) Àngel Quintana Hlynur Pálmason decides to portray the daily life of a separated family. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Eagles of the Republic (2025) Àngel Quintana Saleh creates a colorful thriller, but one that sometimes feels mechanical in its execution. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Eagles of the Republic (2025) Carlos F. Heredero A dark and pessimistic kaleidoscope of the country, to which Tarik Saleh cannot return. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Nino (2025) Eulàlia Iglesias Nino owes part of its power to Théodore Pellerin, who perfectly embodies the idea of ​​masculine vulnerability very typical of his generation. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Little Amélie or the Character of Rain (2025) Eulàlia Iglesias A film aimed primarily at children and young people, it nevertheless exudes a certain outdated aroma in its vision of the links between East and West. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Mastermind (2025) Carlos F. Heredero Deceptively small and discreet, The Mastermind is actually a great, memorable film. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Mastermind (2025) Àngel Quintana Any admirer of the filmmaker might find it hard to imagine Reichardt making a heist film, but she manages to take an ironic look at the genre and ultimately transform the film into a classic tale of wandering. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Young Mothers (2025) Carlos F. Heredero The whole film forms a tough but luminous film, from whose folds within the humanist spirit of its creators and their confidence in the goodness of human beings despite their most terrible circumstances eventually emerge. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Young Mothers (2025) Àngel Quintana As is typical in the Dardennes' films, at the end of the journey, some humanity that had been dormant is revealed. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Sorry, Baby (2025) Àngel Quintana The filmmaker speaks to the victim's pain, expressing it very clearly and convincingly, without descending into victimization. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Resurrection (2025) Àngel Quintana Bi Gan plays with excess, with the saturation of forms and movements, but offers us the most beautiful and disturbing images. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Resurrection (2025) Carlos F. Heredero A bold and ambitious film, a work happily outside the norm, one of those titles that warrants an entire festival. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Love Me Tender (2025) Àngel Quintana A gem. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Caravan (2025) Eulàlia Iglesias Caravan points to a director with sense and sensitivity in her portrayal of a wandering woman and an alternative experience of motherhood. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Yes! (2025) Àngel Quintana The three movements that make up this musical tragedy are shot through with rage, the need to fight against everything, to make clear the contradiction of accepting one's own Jewish identity. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Sentimental Value (2025) Àngel Quintana It is appreciated that in the constant mirroring between art and life, in this tale of misunderstandings and abandonment, everything flows with a certain ease, and that the film does not end up in predictable dark territories.[Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Sentimental Value (2025) Carlos F. Heredero This new film fails in its attempt to pose a reflection on the relationship between life and cinema, a territory that is always as attractive as it is risky. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Woman and Child (2025) Àngel Quintana Woman and Child could work as a popular melodrama, but the psychological construction of the characters is too stereotypical. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Woman and Child (2025) Carlos F. Heredero The dramatic construction and staging of the story inevitably lead the film into territory almost bordering on a melodramatic soap opera, which completely devalues ​​the scope of the proposal. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Six Billion Dollar Man (2025) Àngel Quintana Filmed using a wealth of diverse materials and interviews with numerous witnesses, the final result is a powerful documentary that will end up making history and is on track to be the most awarded of the next season. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Girls We Want (2025) Jara Yáñez The most valuable aspect of Prïncia Car's proposal is the way it plays with choral dialogue. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The History of Sound (2025) Àngel Quintana Oliver Hermanus falls short of his objectives, shooting a film that aims to be beautiful but ends up being tiresome, as if something had stagnated and the ambition of the project had been diluted. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The History of Sound (2025) Carlos F. Heredero In between, there are a few isolated flashes of incipient emotion that almost never find their visual form beyond the script's parsimonious illustrations, which, in the end, are much more conventional than they appear... [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Indomptables (2025) Àngel Quintana The film finds its place as a disillusioned police thriller that surprises... [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Last One for the Road (2025) Àngel Quintana A pleasant film, well-intentioned, but made without too many pretensions and without any powerful visual ideas. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
A Private Life (2025) Àngel Quintana Zlotowski focuses the entire film on the gaze and gestures of an excellent Jodie Foster, who finds herself surrounded by the top-tier acting talents of French cinema. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Militantropos (2025) Jara Yáñez The film progresses from the simple juxtaposition of different realities and jumps from one place to another without allowing enough time for any of them to reverberate beyond them. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Fuori (2025) Carlos F. Heredero A film that, on the surface, attempts to explore the writer's creative paths, without Mario Martone ever quite finding his own. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Romería (2025) Àngel Quintana Between dream and memory, the camera is there to try to understand, and it is at this moment that Romería manages to take off with force, when she manages to go beyond what we expected of her. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Romería (2025) Carlos F. Heredero The most beautiful portrait one can imagine of its great director. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
Tell Her that I Love Her (2025) Àngel Quintana Ultimately, we are witnessing a generational shift that, through images, seeks to understand and reshape that which the memory of a time ended up obscuring. [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Girl in the Snow (2025) Àngel Quintana A beautiful film about the Alpine world... [Full review in Spanish]
Posted Jun 03, 2025Edit critic review
The Plague (2025) Àngel Quintana Halfway between a cruel short story and a certain kind of fantastic cinema, Charlie Polinger makes a small but remarkable debut film. [Full review in Spanish]
Posted May 23, 2025Edit critic review
Death Does Not Exist (2025) Eulàlia Iglesias Close to a political fable, Death Does Not Exist ultimately falls victim to its own excessive inscrutability. [Full review in Spanish]
Posted May 23, 2025Edit critic review
Bono: Stories of Surrender (2025) Àngel Quintana The end result is a recital of the best and worst of Bono... [Full review in Spanish]
Posted May 23, 2025Edit critic review
Urchin (2025) Àngel Quintana A harmless film that moves between social cinema, optimistic comedy, and a certain esotericism in the search for something cosmic that passes through the interior of the human body. [Full review in Spanish]
Posted May 23, 2025Edit critic review
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