|
1/5
|
Mercy
(2026)
|
Luis Martínez
|
Artificial Intelligence once again becomes the excuse for an essentially crude and very obvious film about the future and dystopias. [Full review in Spanish]
Posted Jan 27, 2026
Edit critic review
|
|
2/5
|
The Rip
(2026)
|
Luis Martínez
|
Matt Damon and Ben Affleck reunite to show the world the importance of a good script, which this film completely lacks. [Full review in Spanish]
Posted Jan 27, 2026
Edit critic review
|
|
4/5
|
Arco
(2025)
|
Luis Martínez
|
Somewhere between Miyazaki and Robert Zemeckis, Ugo Bienvenu transforms a delicate interplay of light and hope into a countercultural fable about the future. [Full review in Spanish]
Posted Jan 27, 2026
Edit critic review
|
|
3/5
|
The Mysterious Gaze of the Flamingo
(2025)
|
Luis Martínez
|
What remains is a surprising fable at the end of the world, which is also a queer western, about freedom, breaking down borders, and bodies inhabited by desire, love, and, of course, resentment. [Full review in Spanish]
Posted Jan 15, 2026
Edit critic review
|
|
4/5
|
28 Years Later: The Bone Temple
(2026)
|
Luis Martínez
|
Nia DaCosta enhances the saga's legacy with her direct, uninhibited, and joyfully gritty style. [Full review in Spanish]
Posted Jan 15, 2026
Edit critic review
|
|
3/5
|
The Chronology of Water
(2025)
|
Luis Martínez
|
An extreme exercise so riddled with errors, heavy-handedness, exaggerations, and poetically veiled images that it dazzles with the same force that it evokes tenderness. [Full review in Spanish]
Posted Jan 10, 2026
Edit critic review
|
|
3/5
|
Nouvelle Vague
(2025)
|
Luis Martínez
|
The artifice Linklater employs is as fascinating as it is endearing. [Full review in Spanish]
Posted Jan 10, 2026
Edit critic review
|
|
4/5
|
Song Sung Blue
(2025)
|
Luis Martínez
|
Kate Hudson and Hugh Jackman create a labyrinthine tale of love and redemption that is as charming and catchy as it is essentially sad. [Full review in Spanish]
Posted Jan 10, 2026
Edit critic review
|
|
3/5
|
Rental Family
(2025)
|
Luis Martínez
|
The director gets what she gives effortlessly, but it's impossible not to wonder what would have happened if Fraser's natural candor... had been used in a much more precise, more acerbic, less conventional way. [Full review in Spanish]
Posted Jan 10, 2026
Edit critic review
|
|
3/5
|
The Great Flood
(2025)
|
Luis Martínez
|
It delivers exactly what it sets out to do, with an added twist. [Full review in Spanish]
Posted Jan 02, 2026
Edit critic review
|
|
3/5
|
The Housemaid
(2025)
|
Luis Martínez
|
Paul Feig builds a solemn, funny, and very self-aware absurd adaptation of Freida McFadden's novel, but it's very enjoyable. [Full review in Spanish]
Posted Dec 31, 2025
Edit critic review
|
|
4/5
|
Wake Up Dead Man: A Knives Out Mystery
(2025)
|
Luis Martínez
|
Rian Johnson finally transforms Benoit Blanc into the detective who best debunks the hoaxes of our time. [Full review in Spanish]
Posted Dec 30, 2025
Edit critic review
|
|
4/5
|
Train Dreams
(2025)
|
Luis Martínez
|
Clint Bentley crafts a delicate, profound, and atmospheric western about the solitary epic of the pioneers, with the help of a great Joel Edgerton. [Full review in Spanish]
Posted Dec 24, 2025
Edit critic review
|
|
3/5
|
Homo Argentum
(2025)
|
Luis Martínez
|
16 irregular and very fast-paced episodes with Guillermo Francella as the sole and colossal protagonist. [Full review in Spanish]
Posted Dec 24, 2025
Edit critic review
|
|
3/5
|
A Private Life
(2025)
|
Luis Martínez
|
As delicately intricate as it is superb. And with an imperious Jodie Foster. [Full review in Spanish]
Posted Dec 18, 2025
Edit critic review
|
|
2/5
|
The Stranger
(2025)
|
Luis Martínez
|
François Ozon adapts Albert Camus' classic with such aseptic and inert precision that it makes one long for Visconti's version, even more so. [Full review in Spanish]
Posted Dec 18, 2025
Edit critic review
|
|
3/5
|
Keeper
(2025)
|
Luis Martínez
|
Osgood Perkins crafts a calculated delirium in which the most elemental and joyful of horrors prevails over the recurring metaphorical fondness of the genre. [Full review in Spanish]
Posted Dec 18, 2025
Edit critic review
|
|
2/5
|
Avatar: Fire and Ash
(2025)
|
Luis Martínez
|
Eternity definitely lasts too long in James Cameron's return to his particular Neverland, where yet another visual extravaganza competes with a haphazard and repetitive narrative that confuses emotion with frenzy. [Full review in Spanish]
Posted Dec 16, 2025
Edit critic review
|
|
4/5
|
Balearic
(2025)
|
Luis Martínez
|
Ion de Sosa recreates a Buñuelian fable in two acts in a decadent paradise besieged by fire. Everything so real, so intimate, and so surreal that it burns. [Full review in Spanish]
Posted Dec 13, 2025
Edit critic review
|
|
4/5
|
Kontinental '25
(2025)
|
Luis Martínez
|
The Romanian director films a superb, Berlanga-esque dissection of all our most intimate Western disasters. [Full review in Spanish]
Posted Dec 12, 2025
Edit critic review
|
|
3/5
|
The Blue Trail
(2025)
|
Luis Martínez
|
Brazilian Gabriel Mascaro composes a delicate, almost slice-of-life science fiction fable, full of beautiful contradictions, tragic omens, and Amazonian poetry. [Full review in Spanish]
Posted Dec 12, 2025
Edit critic review
|
|
3/5
|
Frontier
(2025)
|
Luis Martínez
|
Judith Colell submits to the somewhat tiresome rigors of historical drama to bring forth a fresco about the disasters of wars. [Full review in Spanish]
Posted Dec 12, 2025
Edit critic review
|
|
3/5
|
Eternity
(2025)
|
Luis Martínez
|
A film that is as pleasant as it is harmless and slightly disappointing. [Full review in Spanish]
Posted Dec 05, 2025
Edit critic review
|
|
4/5
|
Sentimental Value
(2025)
|
Luis Martínez
|
A Bergmanesque drama about father-daughter relationships, featuring two imperious actors, Reinsve and Stellan Skarsgård, once again. [Full review in Spanish]
Posted Dec 05, 2025
Edit critic review
|
|
3/5
|
Singular
(2025)
|
Luis Martínez
|
Alberto Gastesi surprises with a science fiction story that aims to simultaneously be a metaphysical fable, melodrama, and a riddle. [Full review in Spanish]
Posted Dec 04, 2025
Edit critic review
|
|
5/5
|
Blue Moon
(2025)
|
Luis Martínez
|
Blue Moon embraces its almost inconsequential, minimal, perhaps even unnecessary scale. But it does so with such relish, such clarity, and such grandeur that there's no other option but to surrender. [Full review in Spanish]
Posted Dec 01, 2025
Edit critic review
|
|
3/5
|
Nuremberg
(2025)
|
Luis Martínez
|
Director James Vanderbilt crafts a film that is as bombastic, tedious, and self-conscious as it is, let's admit it, entertaining. [Full review in Spanish]
Posted Dec 01, 2025
Edit critic review
|
|
3/5
|
The Running Man
(2025)
|
Luis Martínez
|
Edgar Wright infuses the 80s film with dynamism, fury, and the sweat of Glen Powell, without entirely preventing is from resulting somewhat old and worn. [Full review in Spanish]
Posted Nov 22, 2025
Edit critic review
|
|
3/5
|
Dracula
(2025)
|
Luis Martínez
|
Luc Besson reconfigures the vampire mythology in a way that is as charming and entertaining as it is chaotic. [Full review in Spanish]
Posted Nov 22, 2025
Edit critic review
|
|
2/5
|
Alpha
(2025)
|
Luis Martínez
|
A vacuous exercise in style that is as overwhelming and self-aware as it is unfocused. [Full review in Spanish]
Posted Nov 22, 2025
Edit critic review
|
|
4/5
|
Wicked: For Good
(2025)
|
Luis Martínez
|
Jon M. Chu expands and improves on the original musical while completing a majestic and superb diptych with Cynthia Erivo elevated to the status of contemporary myth [Full review in Spanish]
Posted Nov 21, 2025
Edit critic review
|
|
3/5
|
Anemone
(2025)
|
Luis Martínez
|
As a cinematic experience, Anemone is simply exhausting, as fascinating as it is flawed, as superb as it is irritating. [Full review in Spanish]
Posted Nov 17, 2025
Edit critic review
|
|
4/5
|
Die My Love
(2025)
|
Luis Martínez
|
Scottish director Lynne Ramsay offers a new chapter of her always visceral perspective on the experience of being alive. This time on motherhood and its wounds. [Full review in Spanish]
Posted Nov 13, 2025
Edit critic review
|
|
4/5
|
Urchin
(2025)
|
Luis Martínez
|
A surprising, vivid, and painful drama not without tragic humor. [Full review in Spanish]
Posted Nov 13, 2025
Edit critic review
|
|
3/5
|
The Long Walk
(2025)
|
Luis Martínez
|
King's idea is brought to the screen with a very effective simplicity that is as savage, lewd, and scatological as it is forceful. [Full review in Spanish]
Posted Nov 13, 2025
Edit critic review
|
|
3/5
|
La venue de l'avenir
(2025)
|
Luis Martínez
|
Cédric Klapisch crafts an irresistible compendium of everything you go to the movies for when you need a pick-me-up and someone to love you, even if they're French. [Full review in Spanish]
Posted Nov 13, 2025
Edit critic review
|
|
4/5
|
Subsuelo
(2025)
|
Luis Martínez
|
[A] mature and provocatively murky film dealing with lies and family secrets. [Full review in Spanish]
Posted Nov 11, 2025
Edit critic review
|
|
5/5
|
Hamnet
(2025)
|
Luis Martínez
|
A masterpiece, without further ado. [Full review in Spanish]
Posted Oct 28, 2025
Edit critic review
|
|
4/5
|
Three Goodbyes
(2025)
|
Luis Martínez
|
With delicacy, with patience, with a razor-sharp observational eye, Three Goodbyes builds itself not so much in front of the viewer's gaze as inside it. [Full review in Spanish]
Posted Oct 24, 2025
Edit critic review
|
|
2/5
|
Black Phone 2
(2025)
|
Luis Martínez
|
Black Phone 2, without being complex or difficult to follow, is simply cluttered, excessive, and falsely profound. [Full review in Spanish]
Posted Oct 24, 2025
Edit critic review
|
|
5/5
|
Decorado
(2025)
|
Luis Martínez
|
The film sails through the viewer's retina like a jovial and entertaining nightmare, just the way the sourest, darkest and most pleasurable of dreams would do it. [Full review in Spanish]
Posted Oct 24, 2025
Edit critic review
|
|
3/5
|
Springsteen: Deliver Me from Nowhere
(2025)
|
Luis Martínez
|
Springsteen: Deliver Me From Nowhere is a biopic. Nothing more, no matter how we feel about it. [Full review in Spanish]
Posted Oct 24, 2025
Edit critic review
|
|
3/5
|
La Cena
(2025)
|
Luis Martínez
|
...the film moves forward in a precise, delirious, and even slightly painful manner due to the irresistible irreverence of the laughter in the middle of the wakes. [Full review in Spanish]
Posted Oct 17, 2025
Edit critic review
|
|
3/5
|
The Life of Chuck
(2024)
|
Luis Martínez
|
Yes, it's a sentimental film that proudly boasts of being cheesy. And rightly so. If you have to cry, then cry. [Full review in Spanish]
Posted Oct 16, 2025
Edit critic review
|
|
3/5
|
The Redemption
(2025)
|
Luis Martínez
|
The Redemption is naive when it wants to be, wise when it needs to be, confused when it loses its way, and always, but always, unpredictable. And profound.[Full review in Spanish]
Posted Oct 16, 2025
Edit critic review
|
|
4/5
|
It Was Just an Accident
(2025)
|
Luis Martínez
|
A simple accident moves across the screen almost like a whiplash; a blow of dignity and rage that is there to knock us off balance. [Full review in Spanish]
Posted Oct 16, 2025
Edit critic review
|
|
3/5
|
Caught Stealing
(2025)
|
Luis Martínez
|
Caught Stealing is a joyfully aimless film that zips across the screen like a whirlwind, offering no explanations and as casually as the accident from which it emerges. [Full review in Spanish]
Posted Oct 16, 2025
Edit critic review
|
|
2/5
|
TRON: Ares
(2025)
|
Luis Martínez
|
Joachim Rønning strives to revive an old idea with brilliant visual effects animated by a script of lacerating simplicity. [Full review in Spanish]
Posted Oct 09, 2025
Edit critic review
|
|
3.5/5
|
The Divine Sarah Bernhardt
(2024)
|
Philipp Engel
|
Sandrine Kiberlain is a divine Sarah Bernhardt. [Full review in Spanish]
Posted Oct 04, 2025
Edit critic review
|
|
4/5
|
Loveable
(2024)
|
Luis Martínez
|
A dry and unwavering drama about the almost endless difficulties of life as a couple. [Full review in Spanish]
Posted Oct 02, 2025
Edit critic review
|
Continue with Google
>
