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Cosmic Princess Kaguya!
(2026)
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Shannon Connellan
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Cosmic Princess Kaguya! is the kind of animated adventure that leans into the genre's possibilities, seeing physical space as something to be optimised and disrupted.
Posted Jan 22, 2026
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28 Years Later: The Bone Temple
(2026)
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Kristy Puchko
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28 Years Later: The Bone Temple is a phenomenal film.
Posted Jan 13, 2026
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Avatar: Fire and Ash
(2025)
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Belen Edwards
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Fire and Ash cannibalizes prior Avatar films' best set pieces and story beats, resulting in a film that, while undeniably spectacular, relies too heavily on its prior installments, as opposed to the new Pandoran elements that could make it truly special.
Posted Dec 16, 2025
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Zootopia 2
(2025)
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Belen Edwards
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It also tackles new, insidious ways in which discrimination affects people's experiences... That it does so in broader strokes doesn't detract from Zootopia 2's admirable ambition, even if the film often treads the same ground as the original.
Posted Nov 25, 2025
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Arco
(2025)
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Belen Edwards
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Arco is further proof of animation's ability to communicate the realities of climate change to younger and older audiences alike.
Posted Nov 14, 2025
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Bunny
(2025)
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Kristy Puchko
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You feel the hustle of Bunny in every frame. Alive, exciting, funny, and original, Bunny is gem not to be overlooked.
Posted Nov 11, 2025
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Now You See Me: Now You Don't
(2025)
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Kristy Puchko
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Now You See Me: Now You Don't is a jumble, not a puzzle.
Posted Nov 11, 2025
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The Running Man
(2025)
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Kristy Puchko
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The Running Man is a sloppy collage of violence, action, and cheap jokes that is far more style than substance.
Posted Nov 11, 2025
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In Your Dreams
(2025)
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Belen Edwards
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It's a thoughtful, mature portrayal of how parents can grow distant yet still love each other.
Posted Nov 08, 2025
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Die My Love
(2025)
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Kristy Puchko
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Die My Love is a radical and riveting melodrama that rejects sentimentality.
Posted Nov 05, 2025
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Song Sung Blue
(2025)
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Kristy Puchko
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Brewer creates a drama that is uplifting, heart-wrenching, and wondrous all at once.
Posted Oct 31, 2025
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100 Nights of Hero
(2025)
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Shannon Connellan
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It's a dazzling world of suppressed queer identity and desire, of male bravado and paranoia, and of the power of storytelling itself.
Posted Oct 28, 2025
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Train Dreams
(2025)
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Shannon Connellan
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Edgerton's performance, Dessner's score, and Veloso's balance of handheld and static photography kept me hitched on the ride.
Posted Oct 28, 2025
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Bad Apples
(2025)
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Shannon Connellan
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It's a dark dance of ethics, and one that draws wonderful moments of pure comedy from both Ronan and Waller.
Posted Oct 22, 2025
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No Other Choice
(2025)
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Shannon Connellan
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With a spectacularly physical performance of pure desperation from Lee, Yoo Man-soo flails his way through violent encounters, one of which is darkly comedic, another gruesome and calculated.
Posted Oct 17, 2025
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Father Mother Sister Brother
(2025)
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Kristy Puchko
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FATHER MOTHER SISTER BROTHER offers the familiar family hang — one that's authentically awkward, funny, and tragic.
Posted Oct 16, 2025
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TRON: Ares
(2025)
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Kristy Puchko
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Tron: Ares is heavy-handed, dunderheaded, and over earnest, but also occasionally funny, charming, sexy, and thrilling.
Posted Oct 16, 2025
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Jay Kelly
(2025)
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Kristy Puchko
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Jay Kelly is a clever crowd-pleaser, guaranteed to amuse and make you think.
Posted Oct 16, 2025
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Is This Thing On?
(2025)
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Kristy Puchko
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Is This Thing On? is like its hero, unremarkable.
Posted Oct 16, 2025
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The Secret Agent
(2025)
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Shannon Connellan
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With Moura's powerful performance framed by a reverent, authentic aesthetic, The Secret Agent is a deeply humanised look at a historical moment of authoritarianism and government corruption. It's a must-see.
Posted Oct 14, 2025
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The Thing with Feathers
(2025)
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Shannon Connellan
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With a raw, anguished performance by Benedict Cumberbatch and production design that makes walls literally bleed ink, The Thing with Feathers will pluck at your heartstrings while threatening to devour them.
Posted Oct 14, 2025
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Scarlet
(2025)
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Belen Edwards
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The dragon's fearsome appearance, combined with composer Taisei Iwasaki's thrumming score, makes for an unforgettable theatrical viewing experience.
Posted Oct 14, 2025
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A Private Life
(2025)
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Shannon Connellan
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Despite the film's major question mark being steeped in a heavier subject matter, the aesthetic trimmings and charming performances keep each scene a balance of dark and light.
Posted Oct 07, 2025
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Nouvelle Vague
(2025)
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Belen Edwards
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The film's true strengths lie not in Linklater's take on Godard's style, but rather in Linklater's own strength as the master of the hangout movie.
Posted Oct 02, 2025
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Springsteen: Deliver Me from Nowhere
(2025)
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Belen Edwards
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While the film's music remains classic as ever, and while White does an admirable job channeling Springsteen, Deliver Me From Nowhere fails to deliver anything revelatory about the actual emotions behind the music.
Posted Oct 02, 2025
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After the Hunt
(2025)
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Kristy Puchko
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After the Hunt is a captivating drama, thanks in large part to impeccable performances from Julia Roberts, Ayo Edebiri, Andrew Garfield, and Michael Stuhlbarg.
Posted Oct 02, 2025
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A HOUSE OF DYNAMITE
(2025)
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Kristy Puchko
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A House of Dynamite gets finger-waggy in its anti-nuclear arms messaging. But that's not the frustrating bit.
Posted Oct 02, 2025
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Bone Lake
(2024)
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Kristy Puchko
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The trashy horror you're expecting, but better
Posted Oct 02, 2025
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The Mastermind
(2025)
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Shannon Connellan
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There are no heist movie archetypes here, only crunchy leaves, modernist art, and bumbling realism. It's a combination worth the steal.
Posted Sep 29, 2025
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Urchin
(2025)
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Shannon Connellan
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Through this complex and distinctive performance from Dillane, captured through Deshaies' exquisite cinematography, Dickinson builds a specific and human portrait of homelessness.
Posted Sep 24, 2025
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A Big Bold Beautiful Journey
(2025)
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Kristy Puchko
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A Big Bold Beautiful Journey felt neither big, bold, or beautiful. Its journey is winding. Its message is earnest, and yet I was unmoved, even bored.
Posted Sep 18, 2025
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Good Fortune
(2025)
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Kristy Puchko
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Good Fortune is a good time, and Keanu Reeves in Good Fortune should not be missed.
Posted Sep 18, 2025
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Eternity
(2025)
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Kristy Puchko
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The result is a rom-com that's smart, sensational, and swoon-worthy.
Posted Sep 18, 2025
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One Battle After Another
(2025)
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Kristy Puchko
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Believe the hype: One Battle After Another is a banger.
Posted Sep 18, 2025
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HIM
(2025)
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Kristy Puchko
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Him is a mixed bag, offering rich performances, unnerving scares — especially one involving a sauna — and food for thought in terms of sport, race, religion, and masculinity.
Posted Sep 18, 2025
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The Lost Bus
(2025)
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Kristy Puchko
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The Lost Bus — despite its best efforts to celebrate an everyday hero — becomes a messy journey of rancid masculinity.
Posted Sep 16, 2025
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The Man in My Basement
(2025)
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Kristy Puchko
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For all the atmosphere and the grounded yet disturbing performances, the movie fumbles its finale, delivering neither nerve-shredding scares nor a heart-filling nor heart-wrenching resolution.
Posted Sep 16, 2025
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YOU HAD TO BE THERE: How the Toronto Godspell Ignited the Comedy Revolution...
(2025)
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Kristy Puchko
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The most incredible thing about You Had to Be There is that this film makes you feel like you were there, and these friends are your friends too.
Posted Sep 16, 2025
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Hamnet
(2025)
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Kristy Puchko
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Hamnet could leave you tear-soaked and in tatters.
Posted Sep 16, 2025
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John Candy: I Like Me
(2025)
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Kristy Puchko
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Hanks has great elements in John Candy: I Like Me. But how he pulls them together lacks showmanship, elegance, and a personal connection.
Posted Sep 16, 2025
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Eleanor the Great
(2025)
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Kristy Puchko
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June Squibb is brilliant in Scarlett Johansson's feature directorial debut.
Posted Sep 16, 2025
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Blue Moon
(2025)
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Kristy Puchko
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Hawke's performance is a clown show, making a mockery of a musical genius who was tragically overwhelmed by his worst impulses.
Posted Sep 16, 2025
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Maddie's Secret
(2025)
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Kristy Puchko
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John Early is a better ingénue than Sydney Sweeney.
Posted Sep 16, 2025
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Frankenstein
(2025)
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Kristy Puchko
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Guillermo del Toro delivers a moving masterpiece of horror and romance.
Posted Sep 16, 2025
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Wake Up Dead Man: A Knives Out Mystery
(2025)
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Kristy Puchko
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Wake Up Dead Man is sharply written, passionately brought to life, and thoughtfully built, with allusions galore in its costumes, characters, novels, lore, and more.
Posted Sep 16, 2025
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The Ugly
(2024)
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Kristy Puchko
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The Ugly is a stirring thriller, bolstered by dark twists, and paid off with a final scene that plays like a monkey's paw curling.
Posted Sep 16, 2025
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Dust Bunny
(2025)
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Kristy Puchko
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Dust Bunny is exactly the kind of movie fans should expect from Fuller, but it's also wildly surprising.
Posted Sep 16, 2025
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A Useful Ghost
(2025)
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Kristy Puchko
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With A Useful Ghost, Boonbunchachoke delivers a a delirious vision, a hilarious and thought-provoking comedy that demands to be seen and adored. It's just phenomenal.
Posted Sep 16, 2025
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Hedda
(2025)
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Kristy Puchko
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Sumptuous, hot, and challenging, this is a drama of love, sex, and regret that burns like a shot of whisky, so good you'll want to go at it again.
Posted Sep 16, 2025
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Erupcja
(2025)
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Kristy Puchko
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Erupcja is a thundering rumble of drama and romance, leaving its audience excited and rattled.
Posted Sep 16, 2025
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