|
|
Shelter
(2026)
|
Frank Scheck
|
Shelter reliably provides plenty of the action that Statham fans crave, not to mention his trademark charisma and low-key underplaying that makes Charles Bronson look overly demonstrative.
Posted Jan 28, 2026
Edit critic review
|
|
|
The AI Doc: Or How I Became an Apocaloptimist
(2026)
|
Caryn James
|
The style all but shouts that it’s a movie with talking heads that doesn’t want to be boring, and there’s a hyper feel to the pacing, as if the directors were afraid to slow down. But those strategies largely work.
Posted Jan 28, 2026
Edit critic review
|
|
|
The Only Living Pickpocket in New York
(2026)
|
David Rooney
|
Turturro is unshowy but magnificent in his best film role in years, an honorable hustler who still carries himself with dignity despite a lifetime of regrets and a world gradually leaving him behind.
Posted Jan 28, 2026
Edit critic review
|
|
|
The Brittney Griner Story
(2026)
|
Richard Lawson
|
The film is a sturdy, informative recitation of facts -- though one does long for a bit more style, and perhaps for a wider purview.
Posted Jan 28, 2026
Edit critic review
|
|
|
See You When I See You
(2026)
|
David Rooney
|
No one enjoys beating up on a film in which the writer has invested so much of himself and his pain. But Cayton-Holland and Duplass have somehow made an authentic tragedy feel phony and unaffecting.
Posted Jan 28, 2026
Edit critic review
|
|
|
Cookie Queens
(2026)
|
Leslie Felperin
|
Cookie Queens serves up an eminently accessible and easily meme-able serving of American-girl cuteness, featuring a diverse cast of well-chosen young women.
Posted Jan 27, 2026
Edit critic review
|
|
|
In the Blink of an Eye
(2026)
|
Richard Lawson
|
There is so little texture to these character arcs that the actors are mostly just working in service of a blandly uplifting message. It’s as if they’ve all been commissioned by a well-funded science museum.
Posted Jan 27, 2026
Edit critic review
|
|
|
The Weight
(2026)
|
David Rooney
|
Although The Weight is low on excitement, it ends on an affecting note that makes you wish the sluggish movie had been given more lucid storytelling, as well as more dramatic and emotional power.
Posted Jan 27, 2026
Edit critic review
|
|
|
Chasing Summer
(2026)
|
Richard Lawson
|
The movie’s weirdness is so, well, weird that it flies past interesting and lands in utterly baffling. It’s among the most discordant pairings of director and material that I’ve seen in some time.
Posted Jan 27, 2026
Edit critic review
|
|
|
Take Me Home
(2026)
|
Sheri Linden
|
There isn’t a predictable or hackneyed exchange in the drama, which understands not just the immense challenges its characters face but also the throwaway humor that can be essential to a family’s connective tissue.
Posted Jan 27, 2026
Edit critic review
|
|
|
The Wrecking Crew
(2026)
|
Frank Scheck
|
Movies like this depend almost entirely on chemistry between the co-stars, and fortunately Bautista and Momoa have plenty of it.
Posted Jan 26, 2026
Edit critic review
|
|
|
Knife: The Attempted Murder of Salman Rushdie
(2026)
|
David Rooney
|
While it feels a fraction overlong, Gibney’s film is a vibrant testament to the intellectual life of its subject.
Posted Jan 26, 2026
Edit critic review
|
|
|
Send Help
(2026)
|
Frank Scheck
|
Sam Raimi’s darkly comic horror-thriller starring Rachel McAdams and Dylan O’Brien boasts an audacious concept that is superbly realized by Raimi’s filmmaking, which milks every bizarre situation for all it’s worth.
Posted Jan 26, 2026
Edit critic review
|
|
|
Gail Daughtry and the Celebrity Sex Pass
(2026)
|
Richard Lawson
|
Both goofy and edgy, the film may not land every punchline, but it satisfies in visceral, pleasurable ways that a more sophisticated comedy could not.
Posted Jan 26, 2026
Edit critic review
|
|
|
The Musical
(2026)
|
Richard Lawson
|
This is a show that needed much more tweaking before rehearsals even began.
Posted Jan 26, 2026
Edit critic review
|
|
|
The Gallerist
(2026)
|
Richard Lawson
|
What reads as fun on paper -- Natalie Portman plays a desperate Miami gallery owner trying to pass off a dead body as conceptual art -- is rendered clumsy and inert on screen.
Posted Jan 26, 2026
Edit critic review
|
|
|
Soul Patrol
(2026)
|
Sheri Linden
|
At first this conceit, entwining the otherworldly intensity of war with the everyday, feels self-conscious. But the poetic leaps gather emotional force as the film proceeds.
Posted Jan 26, 2026
Edit critic review
|
|
|
Wicker
(2026)
|
Richard Lawson
|
A warming, sometimes poignant pleasure, a film full of lively personality and possessed of a rather humane outlook on our petty foibles. It is not exactly forgiving, though; the movie has a harder, more merciless edge than one might expect.
Posted Jan 26, 2026
Edit critic review
|
|
|
The Friend's House Is Here
(2026)
|
Angie Han
|
The film’s predominant mood is one not of despair but of defiance, placing its faith in the enduring powers of friendship and creativity.
Posted Jan 26, 2026
Edit critic review
|
|
|
zi
(2026)
|
David Rooney
|
It’s understandable that Kogonada might crave a radical creative reset... But the resulting project, Zi, sad to say, is too wispy to be compelling as a narrative or even enveloping as a vibe.
Posted Jan 25, 2026
Edit critic review
|
|
|
The Invite
(2026)
|
David Rooney
|
After the disproportionate bashing Wilde took on Don’t Worry Darling, her new movie should silence the doubters. At this point it’s hard to deny she’s the real deal as a director.
Posted Jan 25, 2026
Edit critic review
|
|
|
undertone
(2025)
|
Richard Lawson
|
The film becomes so frustratingly derivative that all its other flaws, perhaps once forgivable, are cast into much harsher light.
Posted Jan 25, 2026
Edit critic review
|
|
|
Bedford Park
(2026)
|
Angie Han
|
Though its unflashy style and delicate emotionality are unlikely to sweep viewers off their feet, its eye for fine detail and bittersweet tone make it an absorbing experience worth seeking out.
Posted Jan 25, 2026
Edit critic review
|
|
|
Buddy
(2026)
|
David Rooney
|
Genre audiences willing to settle for some weird-ass but ultimately toothless subversiveness might enjoy Buddy... But the movie is a one-joke premise, cute and colorful but unsatisfyingly fleshed out.
Posted Jan 25, 2026
Edit critic review
|
|
|
Filipiñana
(2026)
|
Jordan Mintzer
|
Filipiñana could have benefited from a little more story and a little less contemplation. But some of its images remain embedded in the memory.
Posted Jan 25, 2026
Edit critic review
|
|
|
One in a Million
(2026)
|
Sheri Linden
|
A distillation of formative years for Israa and turning points for her family, One in a Million feels both ultra-specific and universal.
Posted Jan 25, 2026
Edit critic review
|
|
|
Extra Geography
(2026)
|
Richard Lawson
|
At its best, Extra Geography is a wistful look at the crucibles of young adulthood, at two people forming and re-forming into shapes that may no longer be compatible with one another.
Posted Jan 25, 2026
Edit critic review
|
|
|
American Doctor
(2026)
|
Jordan Mintzer
|
What makes American Doctor stand out is how it eschews the bigger picture to focus primarily on the practical, and often hard-to-watch, reality of surgeons trying to save lives in the operating room.
Posted Jan 25, 2026
Edit critic review
|
|
|
Public Access
(2026)
|
Daniel Fienberg
|
There are good and righteous thoughts in Public Access and I think the points it wants to make get through if you work at it, but man the journey to get there is chaotic.
Posted Jan 25, 2026
Edit critic review
|
|
|
Leviticus
(2026)
|
Richard Lawson
|
Leviticus has the sturdy nerve and conviction to plainly state that sometimes home and family are irredeemable and worth abandoning. It is not so concerned with changing hearts and minds, but with saving lives.
Posted Jan 25, 2026
Edit critic review
|
|
|
I Want Your Sex
(2026)
|
David Rooney
|
Even if it threatens to run out of steam in the late action, the movie is a blast, demonstrating that at 66, Araki has lost none of his youthful spark.
Posted Jan 24, 2026
Edit critic review
|
|
|
The Moment
(2026)
|
Richard Lawson
|
Those devoted to the Charli cause will no doubt get more out of the film than an out-of-touch oldster like myself ever could. But the film probably should have endeavored to be more broadly accessible.
Posted Jan 24, 2026
Edit critic review
|
|
|
Josephine
(2026)
|
David Rooney
|
With precise visuals and elegant scene transitions accented by a restrained synth score, the drama is insightful even as it asks questions destined to remain unanswered.
Posted Jan 24, 2026
Edit critic review
|
|
|
Paralyzed by Hope: The Maria Bamford Story
(2026)
|
Daniel Fienberg
|
The documentary has one serious problem that won’t bother many viewers and doesn’t fully detract from a portrait that blends the candid, silly, uncomfortable, sad and triumphant, just like Bamford herself.
Posted Jan 23, 2026
Edit critic review
|
|
|
The Disciple
(2026)
|
Daniel Fienberg
|
It’s a challenging combination of genres, one that Natasegara balances fairly well.
Posted Jan 23, 2026
Edit critic review
|
|
|
Hot Water
(2026)
|
Jon Frosch
|
A mother-son road movie more laced with humor than laden with trauma, Hot Water marks a warm and sensitive, if not entirely satisfying, debut feature from Ramzi Bashour.
Posted Jan 23, 2026
Edit critic review
|
|
|
The Huntress
(2026)
|
Sheri Linden
|
The character is brought to vibrant, ferocious, conflicted life by a superb Adriana Paz.
Posted Jan 23, 2026
Edit critic review
|
|
|
American Pachuco: The Legend of Luis Valdez
(2026)
|
Jordan Mintzer
|
Understanding the life and work of Luis Valdez is a way to broaden one’s understanding of what it means to be American, perhaps now more than ever. Watching this enlightening and entertaining documentary is a good way to start.
Posted Jan 23, 2026
Edit critic review
|
|
|
Ha-Chan, Shake Your Booty!
(2026)
|
Caryn James
|
With an engaging star and a story that leads to a touching, optimistic ending, Wladyka has created a little gem likely to find its audience.
Posted Jan 23, 2026
Edit critic review
|
|
|
Carousel
(2026)
|
David Rooney
|
Returning to solitude as a central theme after Sometimes I Think About Death, the director has made a flawed movie that requires patience, but it delivers in the end, thanks in large part to the sensitive work of three excellent leads.
Posted Jan 23, 2026
Edit critic review
|
|
|
The History of Concrete
(2026)
|
Daniel Fienberg
|
I doubt any movie, especially not any documentary, will make me laugh harder this year, and many of its emotional grace notes land fully. Even with my high expectations, The History of Concrete is a small triumph.
Posted Jan 23, 2026
Edit critic review
|
|
|
Hanging by a Wire
(2026)
|
Richard Lawson
|
Perhaps if the film was more polished, and had some added depth, it might feel more substantial. As is, Hanging by a Wire is a gripping story not told thoroughly enough.... Still, there is enough visceral stuff in the movie to make it an engaging sit.
Posted Jan 23, 2026
Edit critic review
|
|
|
Misery
(1990)
|
Kirk Honeycutt
|
"Misery" falls into the trap of catering to audience expectations.
Posted Jan 21, 2026
Edit critic review
|
|
|
Mercy
(2026)
|
Frank Scheck
|
It should be avoided by anyone suffering from screen addiction. Which these days is pretty much everybody.
Posted Jan 21, 2026
Edit critic review
|
|
|
The Rip
(2026)
|
David Rooney
|
While his new film doesn’t reshape the mold, an ace cast led by Matt Damon and Ben Affleck and twisty plotting that bristles with paranoia and mistrust make it an entertaining watch.
Posted Jan 16, 2026
Edit critic review
|
|
|
28 Years Later: The Bone Temple
(2026)
|
David Rooney
|
The standout craft element here is a powerful horror score by Hildur Gudnadottir that ranges from solemn, quasi-ecclesiastical passages to gut-churning, droning soundscapes.
Posted Jan 13, 2026
Edit critic review
|
|
|
Primate
(2025)
|
David Rooney
|
As a creature feature, Primate gets the job done and has its share of asinine wit.
Posted Jan 09, 2026
Edit critic review
|
|
|
People We Meet on Vacation
(2026)
|
Angie Han
|
People We Leave on Vacation might not be anyone’s idea of a forever home. But it’s a lovely place to visit for a few lazy hours.
Posted Jan 09, 2026
Edit critic review
|
|
|
A Few Good Men
(1992)
|
Duane Byrge
|
Tom Cruise, equal parts mettle and dazzle, erupts with a fully fleshed lead performance that should finally bring him his just due as an actor, while Jack Nicholson forges a terrific performance as an ironpants militarist.
Posted Jan 09, 2026
Edit critic review
|
|
|
I'm Chevy Chase and You're Not
(2025)
|
Daniel Fienberg
|
Zenovich does a better job of acknowledging contradictions in complicated human behavior than reckoning with what those contradictions mean... Still, there are worthwhile conversations that "I’m Chevy Chase" might allow viewers to have.
Posted Dec 30, 2025
Edit critic review
|