The Lord of the Rings: The Return of the King (2003)
94%
4/5
EDIT
“The peaks ensure that Return of the King is a rare beast, both as a second sequel that trounces its predecessors and an event movie that rises to its sense of occasion. Giving credit where it's due, it's also vigorous, briskly epic entertainment.” –
Independent (UK)
Jan 14, 2026
Full Review
Zootopia 2 (2025)
91%
4/5
EDIT
“Featuring a winning lead pairing, pacey chase sequences and a richly realised world, the film builds on its predecessor's appeal with charm, energy and the wittiest nod to The Shining in a kids' movie yet.” –
Radio Times
Dec 17, 2025
Full Review
Now You See Me: Now You Don't (2025)
60%
3/5
EDIT
“Combining legacy characters with a new trio of younger illusionists, the third film in this action-comedy series is a busily disposable – if fitfully fun – combination of reunion gig and new-generation franchise spruce-up.” –
Radio Times
Dec 16, 2025
Full Review
Signs of Life (2025)
3/5
EDIT
“Though well-crafted, impressively played and beautifully scored, Millson's debut is a little too studied and overthought to fully convince as a portrait of damaged lives in turmoil.” –
Radio Times
Nov 25, 2025
Full Review
Shelby Oaks (2023)
55%
3/5
EDIT
“While the climax wobbles precariously between shocking and silly, Stuckmann summons enough effective scares, suspense and surprises to keep you invested.” –
Radio Times
Nov 11, 2025
Full Review
Pets on a Train (2025)
3/5
EDIT
“Alongside playful nods to Die Hard and witty parodies of disaster-chasing reportage, the result mixes fast-moving fun and train-based peril with breezy charm.” –
Radio Times
Nov 11, 2025
Full Review
Deaf (2025)
100%
4/5
EDIT
“Deaf navigates sensitive emotional terrain with sure-handed intelligence and empathy.” –
Radio Times
Oct 2, 2025
Full Review
Ellis Park (2024)
100%
4/5
EDIT
“Set to Ellis's soulful score, the result is a thoughtful and almost mystical rumination on life, art and the places where they connect, with Ellis as a warmly charismatic tour guide.” –
Radio Times
Oct 2, 2025
Full Review
The Life of Chuck (2024)
80%
4/5
EDIT
“Whether you accept that as a workable life metaphor or not, The Life of Chuck is entertaining, imaginative and affirmative enough to tempt a rewind to the beginning, just to see whether it does all slot together.” –
Radio Times
Aug 30, 2025
Full Review
The Regulars (2025)
4/5
EDIT
“The direction can be scrappy, but as his characters bicker and banter, Freitas's fondness for the cinema rings out with sweet, salty and smartly observed charm.” –
Radio Times
Aug 30, 2025
Full Review
The Shrouds (2024)
75%
4/5
EDIT
“With pitch-perfect scoring from Howard Shore, The Shrouds unfolds as a coolly crafted and distinct meditation on how loss can transform us, emotionally and physically.” –
Radio Times
Jul 11, 2025
Full Review
Sharp Corner (2024)
92%
3/5
EDIT
“Foster gives an exacting and almost aggressively odd performance that's well worth catching.” –
Radio Times
Jul 2, 2025
Full Review
The Last Journey (2024)
90%
4/5
EDIT
“Lifted by a well-chosen soundtrack, The Last Journey unfolds as an affirmative celebration of a life well lived, complete with a final surprise that would surely make the stoniest of cynics weep.” –
Radio Times
Jul 2, 2025
Full Review
Cannibal Mukbang (2023)
93%
4/5
EDIT
“Cannibal Mukbang dishes up a distinct take on toxic relationships, for those who can stomach its grislier extremes.” –
Radio Times
Jul 2, 2025
Full Review
Chicken Town (2025)
2/5
EDIT
“Laurence Rickard offers a droll cameo as a conspiracy-minded mechanic, but Chicken Town never quite fulfils its promise, much less finds its tonal footing.” –
Radio Times
Jul 2, 2025
Full Review
Until Dawn (2025)
52%
2/5
EDIT
“Murkily shot and low on humour, Until Dawn spins its wheels and becomes more tired with each cycle, leaving a solid premise dead on its feet.” –
Radio Times
Jun 24, 2025
Full Review
Mongrel (2024)
92%
4/5
EDIT
“Tough viewing from the first frame alone, Mongrel is also a scrupulously well-crafted and compassionate study of extreme hardship, anchored in a nuanced portrait of a decent yet deeply conflicted man.” –
Radio Times
Jun 11, 2025
Full Review
Bogancloch (2025)
100%
3/5
EDIT
“Shot in textured black and white with discreet hints of colour, Bogancloch slowly unfolds as an intimate work of watchful observation and a carefully composed reverie on time's passage.” –
Radio Times
Jun 11, 2025
Full Review
Dangerous Animals (2025)
87%
3/5
EDIT
“Even as peril fatigue threatens to kick in, strong turns from Harrison and a bullish Courtney keep us hooked right up to the final, gleefully gory feeding frenzy.” –
Radio Times
Jun 11, 2025
Full Review
Millie Lies Low (2021)
86%
3/5
EDIT
“Mixing pathos into painful cringe comedy sequences, Savill's satire of a chaotic shame spiral is guided by a winning streak of empathy.” –
Radio Times
Jun 11, 2025
Full Review
The Hill (2023)
44%
2/5
EDIT
“Alongside Quaid's persuasive lead, veterans Bonnie Bedelia and Scott Glenn help bring flashes of conviction to an otherwise cornball affair.” –
Radio Times
May 2, 2025
Full Review
Drop (2025)
83%
4/5
EDIT
“While the plot logic and climax don't withstand scrutiny, terrific turns from Sklenar and a persuasively fraught Fahy help to ensure you don't care too much in the moment.” –
Radio Times
Apr 12, 2025
Full Review
The Stimming Pool (2024)
4/5
EDIT
“Experimental and engaging, the result aims to show how the world might look from the viewpoints of people with autism. ” –
Radio Times
Apr 12, 2025
Full Review
Dreamin' Wild (2022)
90%
4/5
EDIT
“Dreamin' Wild reflects gently on family ties, unrealised ambition and the haunting power of music.” –
Radio Times
Apr 12, 2025
Full Review
The Woman in the Yard (2025)
41%
2/5
EDIT
“Stronger on its sense of contained place than its pacing, the result plays like a mid-ranking TV anthology-series mystery awkwardly stretched out for film.” –
Radio Times
Apr 12, 2025
Full Review
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