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Joey Keogh

Tomatometer-approved critic

Reviews

Movies TV Shows
Mother of Flies (2025) 96% EDIT “This latest offering from one of the most exciting filmmaking collectives around is esoteric, artsy and super weird [...] Mother of Flies works as both an art piece and a successful horror movie overflowing with ooey gooey and creepy-crawly ickiness.” – Vague Visages Jan 22, 2026 Full Review Killer Whale (2026) 22% EDIT “A bafflingly unoriginal and wildly unconvincing tale of two women fighting for their lives against a murderous Orca.” – Wicked Horror Jan 16, 2026 Full Review Silent Night, Deadly Night (2025) 77% EDIT “Nelson’s Silent Night, Deadly Night redux is a masterclass in how to successfully reboot a franchise while paving a bloody path forward that is uniquely its own.” – Vague Visages Dec 19, 2025 Full Review Influencers (2025) 96% EDIT “Influencers does what all great horror sequels do: It ups the ante considerably, it increases the body count, the kills become much more elaborate, and the writer-director organically deepens the already-established mythology. ” – Vague Visages Dec 17, 2025 Full Review Queens of the Dead (2025) 83% EDIT “Queens of the Dead is queer excellence in all its messy glory. ” – Vague Visages Oct 27, 2025 Full Review Other (2025) 40% EDIT “By narrowing its focus, and sticking to a single location, Other slows down long enough to establish an intriguing mystery that holds strong despite the hokeyness on display elsewhere. ” – Vague Visages Oct 17, 2025 Full Review Eli Roth Presents: Jimmy and Stiggs (2024) 63% EDIT “Jimmy and Stiggs is a chaotic, ferociously gory and wildly inventive descent into madness that’s tough to shake, even once it’s all over. ” – Vague Visages Sep 1, 2025 Full Review The Toxic Avenger (2023) 87% EDIT “[Macon] Blair’s The Toxic Avenger does what a great reboot should do — the film carves its own path, in every sense of the word, while paying homage to what came before and taking some big swings along the way. ” – Vague Visages Aug 29, 2025 Full Review Weapons (2025) 93% EDIT “With Weapons, [Zach] Cregger’s accomplished sophomore feature, he proves that Barbarian was definitely not a fluke.” – Vague Visages Aug 13, 2025 Full Review Hold the Fort (2025) 100% EDIT “Hold the Fort might be small but it’s mighty, making it abundantly clear Bagley is one of the most exciting and innovative filmmakers working in the indie horror space today.” – Wicked Horror Jul 31, 2025 Full Review The Other (2025) EDIT “Gross, gut-wrenching and with a gumption-filled heroine [...] Come for the disgusting nightmare creature that will inevitably crawl out of some poor character’s orifice, and stay for the sweet father-daughter bond between Daniel and Kathelia.” – Vague Visages Jul 25, 2025 Full Review I Know What You Did Last Summer (2025) 36% EDIT “I Know What You Did Last Summer isn’t an untouchable franchise – far from it, given the “Ben’s son!” and Jack Black dreadlocks of it all – [...] but, on this evidence, there are some exciting places it could go next.” – Wicked Horror Jul 24, 2025 Full Review Hot Spring Shark Attack (2024) 67% EDIT “Hotspring Sharkattack is nothing if not memorable.” – Vague Visages Jul 11, 2025 Full Review Consecration (2023) 42% EDIT “Consecration is a disjointed affair with sparks of interest scattered throughout that nonetheless ends up as a middling entry into the newly popular religious horror sub-genre. ” – Vague Visages Jun 17, 2025 Full Review Dangerous Animals (2025) 87% EDIT “[Dangerous Animals] just might be the next great sharksploitation movie. ” – Vague Visages Jun 13, 2025 Full Review Fear Street: Prom Queen (2025) 27% EDIT “Shorn of the self-consciousness and near-constant anachronistic needle drops of its predecessors [...] Prom Queen is free to just be a down and dirty, proudly eighties-style slasher complete with thrills, kills, and plenty of bloody spills.” – Wicked Horror Jun 2, 2025 Full Review Swing Bout (2024) 82% EDIT “A bloody brawl does eventually ensue, but the writer-director takes a massive gamble by spending 90 minutes with female boxers, only to push them aside when their big moment finally arrives. ” – Vague Visages May 16, 2025 Full Review Queens of Drama (2024) 86% EDIT “Unapologetically queer, sexy, messy and celebratory all at once, by refusing to conform to mainstream norms and instead leaning into the chaos, Queens of Drama is utterly transcendent.” – Vague Visages Apr 30, 2025 Full Review Companion (2025) 93% EDIT “Companion ... has a unique hook and a committed lead performance, alongside gallons of blood and guts (which will be plenty for horror fans to sink their teeth into), but the unflinchingly feminist viewpoint is what really sets it apart. ” – Vague Visages Feb 7, 2025 Full Review Into the Deep (2025) 27% EDIT “Scout Taylor Compton is too good for Into the Deep. [...] Despite [her] skilled performance, the movie rapidly sinks.” – Wicked Horror Feb 3, 2025 Full Review The Damned (2024) 89% EDIT “The Damned is sparse, a shrewdly observed chiller ... [with] much to explore in the darkness.” – Wicked Horror Jan 22, 2025 Full Review Get Away (2024) 76% EDIT “Get Away has a lot going for it, from the scenic location to the strong performances ... Haars also shows some flair for staging action-packed, violent sequences, especially one set to Iron Maiden’s “Run to the Hills.” ” – Vague Visages Jan 10, 2025 Full Review The Invisible Raptor (2024) 70% EDIT “Seems to lose its nerve once the titular beastie is on the loose. There’s a sense of reluctance that makes it tough to give in completely to The Invisible Raptor’s wacky charms, but the movie is certainly entertaining for the most part.” – Wicked Horror Dec 9, 2024 Full Review He Never Left (2023) 64% EDIT “[Colin] Cunningham, a jobbing actor for over 30 years, makes absolute mincemeat out of a role that in less capable hands would come off grating, even downright insufferable. ” – Wicked Horror Dec 6, 2024 Full Review Booger (2024) 97% EDIT “Writer-director Mary Dauterman — making her feature debut following a string of impressive, attention-grabbing shorts — teases out the details but, as with the greatest slice of life New York-set stories the journey is more important than the destination.” – Vague Visages Nov 25, 2024 Full Review
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