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Imogen West-Knights

Imogen West-Knights's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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ONE SHOT with Ed Sheeran (2025) 100% EDIT “Ultimately, it’s fine. It’s not so much the single-take gimmick that makes this special worth noting, but something else that it captures: the dehumanizing effect of fame,” – Slate Dec 3, 2025 Full Review Hannah Gadsby: Something Special (2023) 93% EDIT “It may be a less revolutionary kind of vulnerability than we saw in Nanette. But it’s nice to see Gadsby reveling in something of a happy ending. Or, if not a happy ending, a happy middle of the story.” – Slate May 4, 2023 Full Review John Mulaney: Baby J (2023) 86% EDIT “It’s funny. Mulaney has very much still got it.” – Slate Apr 25, 2023 Full Review Friends: The Reunion (2021) 67% EDIT “Aside from finding it curiously painful, I was also surprised to find that I enjoyed the special on its own terms.” – New Statesman Jun 1, 2021 Full Review On the Basis of Sex (2018) 72% EDIT “You could play a round of biopic-cliché bingo to On the Basis of Sex, but there is plenty to admire here alongside. It's well acted... [And] the ins and outs are dispatched clearly without dumbing down the technical language.” – New Statesman Feb 15, 2019 Full Review Ready Player One (2018) 71% EDIT “As long as you're willing to ask little in the way of intellectual or emotional stimulation, Ready Player One is a great day out.” – Another Gaze Apr 2, 2018 Full Review My Happy Family (2017) 100% EDIT “... stories like this still have the power to intrigue us because these anxieties are really not that remote: the figure of the woman who choses independence in this way is a spectre that continues to haunt the patriarchal imagination.” – Another Gaze Mar 12, 2018 Full Review Three Billboards Outside Ebbing, Missouri (2017) 90% EDIT “Three Billboards feels like a squandered opportunity rather than simply a bad film. Neither Mildred as a character, nor the sensitively treated aspects of the rape narrative, are enough to excuse the rest.” – Another Gaze Jan 4, 2018 Full Review Beach Rats (2017) 84% EDIT “Beach Rats owes its success to its omissions, its things unsaid, opportunities for kindness missed.” – Another Gaze Oct 18, 2017 Full Review Ava (2017) 85% EDIT “The plot runs away with itself a little at the end, but this is not unusual in a debut feature and there is so much to love in [director La] Mysius' film.” – Another Gaze Oct 9, 2017 Full Review Okja (2017) 87% EDIT “Taken as a whole, however, one feels that something exciting is being done in the throwing together of these disparate elements, something exciting that only Netflix would take a punt on [director] Bong attempting.” – Another Gaze Sep 16, 2017 Full Review Wonder Woman (2017) 93% EDIT “Wonder Woman is a deeply sincere superhero film, but not in a self-important way.” – Another Gaze Jun 14, 2017 Full Review Their Finest (2016) 90% EDIT “Their Finest is, in places, funny enough to throw the darker moments into relief and make the movie tonally intriguing.” – Another Gaze Jun 14, 2017 Full Review Prevenge (2016) 92% EDIT “It's a fun film, undoubtedly, but what makes it also a necessary film is the visibility it gives to the challenges faced by women in the film industry who want to start a family.” – Another Gaze Feb 27, 2017 Full Review The Incident (2015) 38% EDIT “The Incident is a film in which people obsess over, but never in fact influence, how other people live.” – Another Gaze Jan 31, 2017 Full Review Nocturnal Animals (2016) 74% EDIT “Nocturnal Animals is an extraordinarily assured second film. If [Ford] needs another seven years to turn out something else of this calibre, we should be happy to wait.” – Another Gaze Dec 2, 2016 Full Review American Honey (2016) 79% EDIT “American Honey could, admittedly, have used more than a few cuts itself, but you can see why Arnold didn't: this is a film about a journey, physical and figurative, without a destination and could never have been a tight 90 minutes.” – Another Gaze Nov 23, 2016 Full Review
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