Marty Supreme (2025)
93%
4/5
EDIT
“The script is full of zingers, delivered with huge skill by Chalamet, a charismatic ball of energy from start to finish who convinces you he really could become a table tennis world champion off-screen...” –
The Arts Desk
Dec 30, 2025
Full Review
Cover-Up (2025)
98%
5/5
EDIT
“Anybody interested in the history of modern America needs to check out this documentary, though a strong stomach may be needed.” –
The Arts Desk
Dec 10, 2025
Full Review
Train Dreams (2025)
95%
4/5
EDIT
“It’s a short and simple story, based on a fine 2011 novella by Denis Johnson, but it contains multitudes, all projected with an unforced authenticity and naturalness.” –
The Arts Desk
Nov 7, 2025
Full Review
The Mastermind (2025)
90%
5/5
EDIT
“Reichardt’s narrative stance is often gently comic, but also underpinned with a moral vision that understands the way of the world. ” –
The Arts Desk
Oct 23, 2025
Full Review
Rental Family (2025)
87%
EDIT
“Hikari keeps the pacing steady, throwing in some nifty twists in the final reel. He gets a genial performance from Fraser, a big lumbering presence here, but one with a gentleness and sweetness to it. ” –
The Arts Desk
Oct 20, 2025
Full Review
Silent Friend (2025)
100%
EDIT
“...it’s a beautifully realised, gently teasing film, full of striking images and a mesmerising turn from Leung, that you ultimately understand is about the power of friendship and collaboration.” –
The Arts Desk
Oct 20, 2025
Full Review
The Stranger (2025)
88%
EDIT
“This is fairly cerebral material, but Ozon rises to its challenges exceptionally well, creating a period piece with striking images and real heft.” –
The Arts Desk
Oct 20, 2025
Full Review
Below the Clouds (2025)
94%
EDIT
“There is little that’s predictable or touristic in this portrait (no pizza!): it’s a haunting journey into the psyche of this resonant place.” –
The Arts Desk
Oct 20, 2025
Full Review
No Other Choice (2025)
97%
5/5
EDIT
“It's not a rerun of the 1998 financial crisis, with its mass layoffs, but Park’s film seems a timely reminder that no country's traditional industries are ever safe. ” –
The Arts Desk
Oct 20, 2025
Full Review
It Was Just an Accident (2025)
97%
EDIT
“Panahi is an acute, angry observer of life in modern Iran for those who aren’t loyal to the regime, but he uses a soft pedal judiciously to project his subjects. ” –
The Arts Desk
Oct 15, 2025
Full Review
Peter Hujar's Day (2025)
92%
EDIT
“It’s an apparently casual limning of a man's daily routine, but one whose cast list features the people who will create the cultural fabric of the time.” –
The Arts Desk
Oct 15, 2025
Full Review
The Secret Agent (2025)
98%
EDIT
“This is an often engrossing, atmospheric film, its bright sunniness adding to its intensity, though its storytelling is sometimes elliptical, as if sections have been cut.” –
The Arts Desk
Oct 15, 2025
Full Review
The Son and the Sea (2025)
EDIT
“A quietly poignant debut. ” –
The Arts Desk
Oct 15, 2025
Full Review
Father Mother Sister Brother (2025)
81%
EDIT
“t feels like a low-budget way, upgraded by its star casting, to make a movie that isn’t called on to do more than take quick potshots at its characters.” –
The Arts Desk
Oct 15, 2025
Full Review
Jay Kelly (2025)
75%
EDIT
“A muddled misfire. ” –
The Arts Desk
Oct 15, 2025
Full Review
Don't Let's Go to the Dogs Tonight (2024)
91%
4/5
EDIT
“This is an equally fine, sensitive rendering of Fuller’s story, with a miraculous performance by seven-year-old Lexi Venter at its heart.” –
The Arts Desk
Oct 3, 2025
Full Review
Downton Abbey: The Grand Finale (2025)
91%
2/5
EDIT
“This cosy insularity was probably predictable, and It may be what devoted fans want, but I didn’t believe a word of it.” –
The Arts Desk
Sep 15, 2025
Full Review
Little Trouble Girls (2025)
98%
5/5
EDIT
“...this debut feature from the Slovenian director Urska Djukic is a small miracle. Its 90 minutes deftly draw us into the psychology of pubescent teens in a fresh, often funny, always transporting way. ” –
The Arts Desk
Sep 3, 2025
Full Review
Materialists (2025)
77%
3/5
EDIT
“It’s a romcom that doesn’t want to be an obvious crowd pleaser and, when it suits, is more cynical than breezy.” –
The Arts Desk
Aug 13, 2025
Full Review
Eight Postcards from Utopia (2024)
93%
3/5
EDIT
“...there is a socio-political agenda to this compilation, turning it into a showcase for the excesses of unbridled capitalism, as well as a funny take on the advertising business itself.” –
The Arts Desk
Aug 11, 2025
Full Review
The Other Way Around (2024)
91%
4/5
EDIT
“Can a romcom be intellectually challenging while hitting all the sweet spots of the genre? Jonás Trueba...has confected something close to that.” –
The Arts Desk
Jul 11, 2025
Full Review
Chicken Town (2025)
2/5
EDIT
“...this is Fellows at half-speed, obliged to produce chunks of dialogue that need cutting or speeding up through snappier editing. There’s a sluggish, overly text-bound feel to the piece, when sight gags would work better. ” –
The Arts Desk
Jun 27, 2025
Full Review
The Extraordinary Miss Flower (2025)
91%
2/5
EDIT
“Geraldine’s most interesting facets...are left underexplored...There’s a big difference between people telling you something is amazing and experiencing that amazement for yourself. The film can’t bridge that gap, sadly.” –
The Arts Desk
May 2, 2025
Full Review
April (2024)
95%
4/5
EDIT
“This is a remarkable film, rich in its spareness, reminiscent at times of Jonathan Glazer’s Under the Skin though creating a cinematic language all of its own.” –
The Arts Desk
Apr 23, 2025
Full Review
Mr. Burton (2025)
89%
3/5
EDIT
“Although Mr Burton's style is conventional, it is so engagingly performed that its oversights seem less important than its achievements. ” –
The Arts Desk
Apr 7, 2025
Full Review
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