Flight of the Conchords: Live in London (2018)
100%
4/5
EDIT
“Offers an uncomplicated, comforting sort of joy that feels even more special today than it did a decade ago.” –
Vox
Oct 8, 2018
Full Review
Teen Titans GO! to the Movies (2018)
92%
4/5
EDIT
“Meta comedy is the fuel that makes these Teen Titans go. In this respect, the film often plays more like an all-ages version of the recent Deadpool movies.” –
Vox
Jul 26, 2018
Full Review
The Incredible Jessica James (2017)
88%
3/5
EDIT
“In Williams's hands, Jessica James becomes a diamond-sharp protagonist, and the only defining feature of an otherwise formless movie.” –
Vox
Jul 28, 2017
Full Review
Baby Driver (2017)
92%
4.5/5
EDIT
“Baby Driver finds Wright directly in his wheelhouse -- reverently and knowingly deploying genre tropes with visual style and musical panache -- and his enthusiasm is apparent in each and every frame.” –
Vox
Jun 27, 2017
Full Review
Rough Night (2017)
45%
3.5/5
EDIT
“Rough Night manages to surprise again and again, in its go-for-broke comedic approach.” –
Vox
Jun 15, 2017
Full Review
The Fate of the Furious (2017)
67%
3.5/5
EDIT
“The Fate of the Furious is more of a plateau, albeit a reasonably high one.” –
Vox
Apr 13, 2017
Full Review
The Red Turtle (2016)
93%
4.5/5
EDIT
“It's a beautiful example of what animation as a medium is capable of, of what it can achieve that live-action storytelling cannot.” –
Vox
Jan 27, 2017
Full Review
Bridget Jones's Baby (2016)
78%
EDIT
“Bridget may have gotten older and wiser, but her movies have stayed the same.” –
Vox
Sep 19, 2016
Full Review
Jem and the Holograms (2015)
22%
1/5
EDIT
“Jon M. Chu's weaksauce adaptation of the 1980s Hasbro toy turned cartoon not only fails resoundingly as a film, it also fails as a nostalgia piece -- which, honestly, might be the greater sin in today's pop cultureverse.” –
Vox
Oct 29, 2015
Full Review
Ted 2 (2015)
45%
1.5/5
EDIT
“Ted 2 is a repetitive, self-congratulatory slog, dragged down by a haphazard plot and the same third-act problems that ultimately sunk the first film.” –
The Dissolve
Jul 1, 2015
Full Review
Spy (2015)
94%
4/5
EDIT
“The comedic chemistry between Feig and McCarthy is old news, but here, they show they still have something new, and maybe even important, to offer between the laugh-lines.” –
The Dissolve
Jun 4, 2015
Full Review
The True Cost (2015)
63%
2.5/5
EDIT
“Heavy on talking heads and Morgan's stilted narration, The True Cost is methodical to a fault, plodding purposefully from one damning insight to the next.” –
The Dissolve
May 26, 2015
Full Review
Pitch Perfect 2 (2015)
66%
2.5/5
EDIT
“Pitch Perfect 2 is a "heated mess," in spite of a handful of transcendent moments and a lot more just-okay ones.” –
The Dissolve
May 14, 2015
Full Review
The Age of Adaline (2015)
55%
3.5/5
EDIT
“Age Of Adaline rewards viewers who buy into its ludicrous premise with a frequently beautiful, occasionally stirring cinematic trinket.” –
The Dissolve
Apr 23, 2015
Full Review
Monkey Kingdom (2015)
93%
3.5/5
EDIT
“Everything Monkey Kingdom lacks in scientific rigor, it makes up for in pure entertainment value-and then some.” –
The Dissolve
Apr 16, 2015
Full Review
Dior and I (2014)
85%
4/5
EDIT
“For all its grand statements about artistry and identity, it's most effective as a study of the hard work, both physical and emotional, that goes into creating something new.” –
The Dissolve
Apr 8, 2015
Full Review
Furious 7 (2015)
81%
4/5
EDIT
“James Wan embraces the series' visual hallmarks with what translates to unencumbered glee onscreen.” –
The Dissolve
Apr 2, 2015
Full Review
Home (2015)
53%
3/5
EDIT
“Home's incongruously humble vibe works well for what's at heart a buddy road movie.” –
The Dissolve
Mar 26, 2015
Full Review
The Divergent Series: Insurgent (2015)
29%
1/5
EDIT
“It delves even deeper into the poorly considered mythology, building action beats and moments of tension around a conceit that puts easy allegory ahead of logic or coherence.” –
The Dissolve
Mar 19, 2015
Full Review
Cinderella (2015)
84%
2.5/5
EDIT
“This new Cinderella tells more or less the same tale with little variation in terms of story (fair enough), tone (problematic), or characterization (very problematic).” –
The Dissolve
Mar 11, 2015
Full Review
The DUFF (2015)
73%
3/5
EDIT
“For all its potential pitfalls, The DUFF manages to keep its head above water, thanks to Whitman, Amell, and a willingness to engage with teen-movie clichs in a relatively thoughtful way.” –
The Dissolve
Feb 19, 2015
Full Review
4/5
EDIT
“Vessel is much more than a documentary about abortion rights; it's about the conviction, creativity, and sacrifice that goes into creating a movement.” –
The Dissolve
Jan 9, 2015
Full Review
Into the Woods (2014)
70%
3/5
EDIT
“Outside of some delightful performances from bona fide movie stars, there's little in Marshall's Into The Woods to justify the leap to the big screen.” –
The Dissolve
Jan 5, 2015
Full Review
Annie (2014)
28%
3/5
EDIT
“The transition from the familiar 1930s Annie to 2014's Annie isn't always graceful, but it is often fun, in a flashy, chaotic sort of way.” –
The Dissolve
Dec 19, 2014
Full Review
The Hunger Games: Mockingjay, Part 1 (2014)
70%
4/5
EDIT
“It's a well-executed, occasionally daring exploration of war, propaganda, and guilt that's easy to watch, but occasionally difficult to stomach.” –
The Dissolve
Nov 20, 2014
Full Review
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