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GothamGeekGirl

GothamGeekGirl is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Nadya Martinez.

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Rating Title | Year Author Quote
8.5/10
Zack Snyder's Justice League (2021) Nadya Martinez The Syndercut is essentially an extended version of JL with new footage that tied up loose ends, cut out all the cheesy and sexiest JOSStice scenes, improved the horrific CGI, and primarily made all of our beloved heroes much more captivating and GODLIKE!
Posted Jan 29, 2025Edit critic review
7.5/10
Shazam! (2019) Nadya Martinez Shazam!” is easily one of the most fun superhero movies!! Zachary Levi was hilarious as the buff lightening-wielding goofy superhero. After the mega- success of Aquaman, DC is finally onto something.
Posted Jan 29, 2025Edit critic review
7/10
Army Of The Dead (2021) Nadya Martinez From the vision of filmmaker Zack Snyder (300, Zack Snyder’s Justice League) comes ARMY OF THE DEAD: a venturous and captivating new spin on the zombie genre with a splash of Oceans Eleven. Gore, comedy, guts, mayhem …& a Zombie Tiger ?!
Posted Jan 29, 2025Edit critic review
8/10
Spider-Man: Homecoming (2017) Nadya Martinez Not only does Tom Holland look like the web-slinging high schooler, but he nails the Peter Parker persona. He is super likable, and relatable, a smart ass band geek but also vulnerable and naive.
Posted Jan 29, 2025Edit critic review
7.5/10
Gladiator II (2024) Nadya Martinez Gladiator II is a solid entertaining popcorn blockbuster story of rage, strength and honor with grisly impressive battle sequences but it still falls into the shadows of the monumental standards set by its predecessor.
Posted Nov 30, 2024Edit critic review
1/5
Joker: Folie à Deux (2024) Nadya Martinez Todd Phillips’ sequel is an empty, overly ambitious and superficial film full of mundane musical numbers that won’t ever freaking end.
Posted Oct 08, 2024Edit critic review
1/5
Miller's Girl (2024) Nadya Martinez The film which boasts to acknowledge the complexities between desire and desperation, villain and victim, adolescence and adulthood, fails to develop any conversation with its lackluster narrative, and lack of focus on the film’s main theme.
Posted Jul 17, 2024Edit critic review
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