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Cut Print Film

Cut Print Film is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Alistair Ryder, Isaac Feldberg.

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Rating Title | Year Author Quote
10/10
Sorry to Bother You (2018) Isaac Feldberg This rock-em-sock-em debut for musician-turned-director Boots Riley is wackier and wilder than anything else you're likely to see in a movie theater this year. That's a good thing, likely even a great one.
Posted Dec 16, 2020Edit critic review
7/10
The Field Guide to Evil (2018) Isaac Feldberg A love letter to horror, and a well-timed reminder that what scares us knows no physical or linguistic borders, it will hopefully mark the beginning of a spooky, satisfying, significant collection.
Posted Dec 16, 2020Edit critic review
9/10
Blockers (2018) Isaac Feldberg With Blockers, the bar for raunchy studio sex comedies has been raised to thrilling, unprecedented heights.
Posted Dec 16, 2020Edit critic review
A Quiet Place (2018) Isaac Feldberg "A Quiet Place" feels like a very personal triumph for Krasinski... It will - and should - mark his arrival as one of Hollywood's most exciting new genre talents.
Posted Dec 16, 2020Edit critic review
6/10
Unfriended: Dark Web (2018) Isaac Feldberg Selling it are a cadre of solid performances from the actors, largely unknowns who take clichéd characters and give them some semblance of inner life.
Posted Dec 16, 2020Edit critic review
7/10
The Blackcoat's Daughter (2015) Isaac Feldberg An impressive victory for a young horror filmmaker on his way to bigger but hopefully just as brooding and baleful things.
Posted Dec 16, 2020Edit critic review
3/10
The Dark Below (2015) Isaac Feldberg Even at a substandard 75 minutes, the film's pace is so punishingly glacial - and its ideas so lethargically executed - that viewers will likely find themselves more fatigued than thrilled by its assorted gimmicks.
Posted Dec 16, 2020Edit critic review
9/10
Neruda (2016) Isaac Feldberg A persistently creative, sometimes phantasmagorical rumination not on Neruda himself (to call the film a biopic would be an unfortunate, if understandable error), but on the nature of his legend.
Posted Dec 16, 2020Edit critic review
3/10
Live by Night (2016) Alistair Ryder A wrongheaded attempt at a noir thriller that manages to make cinema's coolest genre look utterly, irredeemably ridiculous.
Posted Oct 04, 2018Edit critic review
5/10
T2 Trainspotting (2017) Alistair Ryder T2: Trainspotting is unsurprisingly disappointing, even though a strong third act proves that it isn't a total waste of time.
Posted Oct 04, 2018Edit critic review
6/10
King Arthur: Legend of the Sword (2017) Alistair Ryder King Arthur: Legend of the Sword is a failure - but a wholly enjoyable one, that in its best moments manages to capture the boundless fun that made audiences fall in love with Guy Ritchie's films in the first place.
Posted Oct 04, 2018Edit critic review
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