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Soham Gadre

Soham Gadre's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Things You Kill (2025) 95% EDIT “Khatami’s direction is unpredictable. He cuts at precise moments to keep the narrative’s core mystery intact, only revealing bits of shocking information later.” – Chicago Reader Dec 2, 2025 Full Review If I Had Legs I'd Kick You (2025) 92% EDIT “ If I Had Legs I’d Kick You is a movie that feels written and engineered to deliver moments and clips rather than offer any depth on the topics purportedly at hand: the burden of motherhood, feelings of inadequacy, alienation, lopsided gender dynamics.” – Chicago Reader Oct 16, 2025 Full Review The Secret Agent (2025) 98% EDIT “Filho crafts his central characters as fully fleshed out people, keeping their humanity grounded in their friendships, relationships, and fantasies in close quarters.” – Chicago Reader Oct 16, 2025 Full Review Taxi to the Toilet (1980) 96% EDIT “A renegade feature for its time and being European rather than American means that it does not shy away from sex, it’s euphoric and its most distasteful aspects.” – Film Inquiry Aug 28, 2025 Full Review Harvest (2024) 74% EDIT “One just wishes that there was some conviction here, a sharpened point on the spear, but Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.” – Film Inquiry Aug 28, 2025 Full Review Drowning Dry (2024) 80% EDIT “Drowning Dry is a movie that is waiting to burst with its emotional weight but finds itself wafting.” – Film Inquiry Aug 28, 2025 Full Review River of Grass (2025) 100% EDIT “It works as both a documentary and personal essay film, giving the movie a fresh experimental angle that allows it to reach beyond just teaching people about the Everglades.” – Film Inquiry Aug 28, 2025 Full Review Picnic at Hanging Rock (1975) 93% EDIT “The various layers of feeling from ethereal coming-of-age fantasy, to domestic drama, to supernatural mystery to surreal nightmare turn Weir’s film into a beguiling experience that defies genre.” – Film Inquiry Aug 28, 2025 Full Review Jane Austen Wrecked My Life (2024) 82% EDIT “It’s got a decent amount of writer’s catnip (and cinephile catnip via a surprising cameo from Frederick Wiseman) to counterbalance all of the tired and worn clichés of “my life is like a novel” modern rom-coms.” – Film Inquiry Aug 28, 2025 Full Review Pink Narcissus (1971) 62% EDIT “Bidgood’s Pink Narcissus isn’t just a miracle story for its restoration, it’s a miracle in its own creation as well.” – Film Inquiry Aug 28, 2025 Full Review Zodiac Killer Project (2025) 90% EDIT “Shackleton... not only shares a first name with Charlie Kaufmann, but also a propensity for tying his stories into interesting meta-fictional knots.” – Film Inquiry Aug 28, 2025 Full Review Ruslan and Ludmilla (1972) EDIT “A worthy swansong that delivers on the master filmmaker's exquisite ability to create dazzling fantasy sets, dramedy theatrics between characters, and rousing war battles.” – Film Inquiry Apr 7, 2025 Full Review The Day the Earth Froze (1959) EDIT “The film's color palette is one of Ptushko's most starkly bold.” – Film Inquiry Apr 7, 2025 Full Review Eat the Night (2024) 67% EDIT “Eat the Night manages to make myself, a video-games-as-art skeptic, into more of a believer of its affecting power.” – Film Inquiry Apr 7, 2025 Full Review Who by Fire (2024) 80% EDIT “I only wished it did even one thing more adventurous than its countless predecessors.” – Film Inquiry Apr 7, 2025 Full Review The Quiet Ones (2025) 42% EDIT “The Quiet Ones feels like someone's simulation of what an action movie should be.” – Film Inquiry Apr 7, 2025 Full Review Presence (2024) 88% EDIT “What makes Presence less than engaging as a drama—I’d hardly call this a horror movie, even though it’s marketed as one—is its focus on adhering to its setting’s limitations.” – Chicago Reader Jan 30, 2025 Full Review All We Imagine as Light (2024) 100% EDIT “A filmmaker who values meaning over feeling could have easily turned this into a “state of the nation” address, but Kapadia’s eye for the gestures and smirks and tender looks that define burgeoning love rings louder than any pointed commentary.” – Chicago Reader Nov 20, 2024 Full Review The Seed of the Sacred Fig (2024) 97% EDIT “One of the most starkly obvious things that happens in relatively long movies is when you can tell the filmmaker has run out of ideas. This happens about halfway into the nearly three-hour The Seed of the Sacred Fig.” – Chicago Reader Nov 20, 2024 Full Review Emilia Pérez (2024) 71% EDIT “Audiard commits the cardinal sin of the musical comedy -- he has made a movie that is neither funny nor features any good music. ” – Chicago Reader Nov 7, 2024 Full Review The Shrouds (2024) 75% EDIT “Much of what makes The Shrouds equally interesting and irritating is that Cronenberg seems to see conspiracy, confusion and competing dialogue as something impenetrable. What remains is a movie that becomes the thing it comedically criticizes.” – Vague Visages Sep 20, 2024 Full Review Nutcrackers (2024) 46% C- EDIT “Green throws his characters together: rather than giving them depth, they come across as ciphers for a predictable journey that hits all-too-familiar notes.” – The Film Stage Sep 12, 2024 Full Review Music (2023) 82% EDIT “Sophocles’s Oedipus Rex inspired this intentional and affecting drama.” – Chicago Reader Jul 5, 2024 Full Review My Sweet Land (2024) EDIT “My Sweet Land is not just a movie about the ‘relevance’ of the present, it’s a movie that speaks to existence in time immemorial.” – Film Inquiry Jun 24, 2024 Full Review The Weekend (2024) 82% EDIT “It feels like something rehearsed to the point of having the energy drained out of it.” – Film Inquiry Jun 24, 2024 Full Review
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