The Wood (1999)
61%
EDIT
“Funny, awkward, or poignant!” –
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Jan 1, 2000
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Anywhere but Here (1999)
64%
EDIT
“It's a performance that could make even the most cynical action-movie fan find a stray tear in his eye.” –
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Jan 1, 2000
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William Shakespeare's A Midsummer Night's Dream (1999)
66%
EDIT
“A magical world of wonder and delight, full of memorable performances and hearty laughs.” –
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Jan 1, 2000
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Anna and the King (1999)
52%
EDIT
“The film never reaches the same heights emotionally that it does visually.” –
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Jan 1, 2000
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The Mummy (1999)
63%
EDIT
“The jokes are lame, forced, and stretched thin, as is the romance between O'Connell and Evie, and both seem like unwelcome interruptions from the main story.” –
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Jan 1, 2000
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Superstar (1999)
33%
EDIT
“Superstar is quirky, funny, very often bizarre and surprisingly enjoyable.” –
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Jan 1, 2000
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Holy Smoke (1999)
47%
EDIT
“As the story gets weaker and lazier, neither Winslet nor the stunning visuals can save the film from descending into camp and confusion.” –
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Jan 1, 2000
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Mystery Men (1999)
59%
EDIT
“A surprisingly layered and well-crafted film!” –
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Jan 1, 2000
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Mansfield Park (1999)
78%
EDIT
“Smart, clever and spirited, and made with a decidedly modern touch.” –
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Jan 1, 2000
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The General's Daughter (1999)
22%
EDIT
“Choppy, disjointed, and overlong!” –
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Jan 1, 2000
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The Bachelor (1999)
9%
EDIT
“A throwback-in mentality-to another era, without any of the charm or intelligence of the actual screwball comedies of the time.” –
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Jan 1, 2000
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Tumbleweeds (1999)
82%
EDIT
“It's the two leads, however, who truly make the film, with their incredible chemistry and infectious energy.” –
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Jan 1, 2000
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A Bug's Life (1998)
92%
EDIT
“A clever, enjoyable movie, with enough thrills and laughs to keep all ages entertained!” –
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Jan 1, 2000
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Drop Dead Gorgeous (1999)
47%
EDIT
“While Drop Dead Gorgeous is too long and uneven, Dunst's performance manages to sustain the film.” –
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Jan 1, 2000
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Austin Powers: The Spy Who Shagged Me (1999)
54%
EDIT
“Fast-paced, nonsensical, and often hilarious!” –
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Jan 1, 2000
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The Insider (1999)
96%
EDIT
“Every actor -- supporting or major -- is at his best.” –
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Jan 1, 2000
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Election (1999)
92%
EDIT
“Election is a darkly funny, often twisted, and thoroughly enjoyable film.” –
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Jan 1, 2000
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Double Jeopardy (1999)
28%
EDIT
“Jeopardy has elements of an enjoyable film, and the various plot twists start out promising, but director Bruce Beresford never quite follows through, and is unable to effectively control the movie's pace and tone.” –
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Jan 1, 2000
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Cradle Will Rock (1999)
65%
EDIT
“Unquestionably repetitive and simplistic.” –
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Jan 1, 2000
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Breakfast of Champions (1999)
28%
EDIT
“The plot's not as confusing as it sounds, but the film's frenetic pace, kooky visual effects, choppy tone and overblown acting make it all a bit more disorienting than necessary.” –
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Jan 1, 2000
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Random Hearts (1999)
18%
EDIT
“Dull plot, laughable dialogue and an incredibly forced romance.” –
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Jan 1, 2000
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Sleepy Hollow (1999)
71%
EDIT
“The visuals are so breathtaking, and the film initially so creepy, suspenseful and violent that the movie's weaker points are for the most part well-hidden.” –
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Jan 1, 2000
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Pushing Tin (1999)
48%
EDIT
“Ultimately hollow!” –
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Jan 1, 2000
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The Messenger: The Story of Joan of Arc (1999)
31%
EDIT
“In Luc Besson's The Messenger: The Story of Joan of Arc, little is compelling, explained or even interesting.” –
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Jan 1, 2000
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The Waterboy (1998)
32%
EDIT
“Adam Sandler's latest moronic film instead continually opens a can of dumb ass on filmgoers.” –
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Jan 1, 2000
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