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Rachel Syme

Rachel Syme's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Substance (2024) 89% EDIT “For my money, one of the best things you can do this season is to run to see the French director Coralie Fargeat’s The Substance while it is still playing on the big screen.” – The New Yorker Oct 21, 2024 Full Review Nosferatu the Vampyre (1979) 93% EDIT “Freaky films are meant to be shared, in the dark, like campfire tales...” – The New Yorker Oct 21, 2024 Full Review Possession (1981) 86% EDIT “The film contains one of the great gross-out scenes of all time...” – The New Yorker Oct 21, 2024 Full Review Portrait of a Lady on Fire (2019) 97% EDIT “Even without showing men onscreen, Sciamma depicts the myriad ways in which the patriarchy constricts the lives of her female protagonists.” – The New Yorker Mar 6, 2020 Full Review Jenny Slate: Stage Fright (2019) 100% EDIT “I can think of no better way to describe Stage Fright than as a secret, gentle, creamy treat for those who love and think deeply about clothing.” – The New Yorker Nov 2, 2019 Full Review Parasite (2019) 99% EDIT “What starts out as a fantasy becomes a family's struggle with their place in a global framework designed to keep them down. They realize that getting out of the basement will require more than a few agile maneuvers.” – The New Republic Oct 11, 2019 Full Review Deadwood: The Movie (2019) 98% EDIT “Deadwood is a story, not of this century, but also not quite out of the past.” – The New Republic Jun 11, 2019 Full Review The Inventor: Out for Blood in Silicon Valley (2019) 78% EDIT “The documentary is worth watching for the range of archival footage Gibney dug up, including some from inside Theranos's clandestine headquarters.” – The New Yorker Mar 20, 2019 Full Review To All the Boys I've Loved Before (2018) 96% EDIT “Centineo performs a type of compassionate male energy that is in short supply in movies at the moment, but Lana Condor is undeniably TATBILB's star.” – The New Republic Aug 24, 2018 Full Review Hannah Gadsby: Nanette (2018) 100% EDIT “In Nanette we witness the shock of the new, a voice that dares to speak to this frustrating and often hideous cultural moment, a comedian willing to drop the act. I would call Gadsby a genius, but she would likely push back against that term.” – The New Republic Jul 3, 2018 Full Review
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