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Pedro Paunero

Pedro Paunero's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
The Housemaid (2025) 74% 6/10 EDIT “The film stages inequality, but doesn't question it. The camera and the script reproduce the codes of the domestic thriller without dismantling its mechanisms. [Full review in Spanish]” – EscribiendoCine Dec 30, 2025 Full Review My Father's Shadow (2025) 97% 9/10 EDIT “The question of what it means to sustain a family amidst such instability places the film within a broader conversation about patriarchal structures and how political transformations erode personal certainties. [Full review in Spanish]” – EscribiendoCine Dec 9, 2025 Full Review Marty Supreme (2025) 93% 8/10 EDIT “Josh Safdie opts for an expansive narrative that engages with familiar models, even as the structure unfolds in episodes. [Full review in Spanish]” – EscribiendoCine Dec 8, 2025 Full Review Americana (2025) 63% 7/10 EDIT “The characters do not inhabit the myth, but rather its belated reconstruction. [Full review in Spanish]” – EscribiendoCine Dec 8, 2025 Full Review All the Empty Rooms (2025) 8/10 EDIT “In the face of the media's account that turns horror into routine, [All the Empty Rooms] proposes a pause. [Full review in Spanish] ” – EscribiendoCine Dec 4, 2025 Full Review The Gift (2025) 5/10 EDIT “In less than an hour and a half, the film oscillates between the aesthetic of an extended advertisement and an attempt at a sustained story. [Full review in Spanish]” – EscribiendoCine Dec 1, 2025 Full Review The Testament of Ann Lee (2025) 87% 8/10 EDIT “The historical reconstruction transforms this ambiguity into a driving force for interpretation. [Full review in Spanish]” – EscribiendoCine Nov 29, 2025 Full Review Manas (2024) 8/10 EDIT “The film transforms a silenced event into a record. It doesn't rely on direct shock or sensationalism; instead, it observes family dynamics and the normalization of abuse in Amazonian communities. [Full review in Spanish]” – EscribiendoCine Nov 29, 2025 Full Review Train Dreams (2025) 95% 6/10 EDIT “Denis Johnson's vision —author of Train Dreams and a central figure in contemporary American fiction— permeates the film. [Full review in Spanish]” – EscribiendoCine Nov 24, 2025 Full Review H Is for Hawk (2025) 77% 7/10 EDIT “The film omits some central elements of the book—White's biography, the exposition of the narrative process, certain passages about falconry—but maintains the pulse that articulates grief, memory, and language. [Full review in Spanish]” – EscribiendoCine Nov 17, 2025 Full Review Hamnet (2025) 86% 6/10 EDIT “Hamnet breathes like an elegy, but its breath doesn't quite reveal the mystery that originates it. [Full review in Spanish]” – EscribiendoCine Nov 17, 2025 Full Review The Carpenter's Son (2025) 31% 8/10 EDIT “If Gospelpunk existed as a subgenre, this could be its birth certificate, just as Blade Runner defined Cyberpunk and Sky Captain and the World of Tomorrow heralded Dieselpunk. [Full review in Spanish]” – EscribiendoCine Nov 17, 2025 Full Review Steve (2025) 78% 7/10 EDIT “Moving, violent, and thoughtful, Steve not only portrays the hopelessness of a generation caught between abandonment and rage, but also exposes the fragility of a system that prefers to manage chaos rather than understand it.[Full review in Spanish]” – EscribiendoCine Sep 19, 2025 Full Review Nonnas (2025) 82% EDIT “A delightful film. [Full review in Spanish]” – EscribiendoCine May 10, 2025 Full Review Black Dog (2024) 98% 7/10 EDIT “...a very human and universal narration of a quasi-symbiotic friendship between species...[Full review in Spanish]” – EscribiendoCine Jan 13, 2025 Full Review Nosferatu (2024) 85% EDIT “Eggers' film flows into synthetic, thoughtless coldness. [Full review in Spanish]” – EscribiendoCine Dec 19, 2024 Full Review The Return (2024) 78% 7/10 EDIT “The Return not only revives the myth of Odysseus but reinvents it for a modern audience, reminding us that classic stories still have much to say about the human condition. [Full review in Spanish]” – EscribiendoCine Dec 4, 2024 Full Review Anora (2024) 93% 8/10 EDIT “Mikey Madison gives her character first-class energy and determination and goes far beyond the common boundaries of arthouse cinema. [Full review in Spanish]” – EscribiendoCine May 28, 2024 Full Review The Idea of You (2024) 80% 5/10 EDIT “The Idea of ​​You, directed by Michael Showalter, doesn't save itself with a “light” reflection on 40/20 relationships... however, the way of telling this story - its script - is the principal problem of this film. [Full review in Spanish]” – EscribiendoCine May 2, 2024 Full Review Mad Props (2024) 100% 8/10 EDIT “Mad Props achieves its objective by reflecting on the collector's work and reminding us of the value of dreams in everyday life. [Full review in Spanish]” – EscribiendoCine Feb 29, 2024 Full Review Poor Things (2023) 92% 8/10 EDIT “It is possibly the best film by Lanthimos, a filmmaker whose work oscillates between amorphous geniality and mockery, and the fact that he did not intervene with the script grants a fortituous ease to the film. [Full review in Spanish]” – EscribiendoCine Nov 28, 2023 Full Review Saw X (2023) 81% 6/10 EDIT “Despite its script limitations and its frequent use of stereotypes, Saw X fulfills its objective of providing entertainment, delivering a suitable weekend horror film. [Full review in Spanish]” – EscribiendoCine Oct 3, 2023 Full Review 10 Days of a Good Man (2023) 6/10 EDIT “Detective Sadik won't likely become the classic Philip Marlow he so admires, but he may be remembered as one of the most endearing... [Full review in Spanish]” – EscribiendoCine Mar 10, 2023 Full Review The Strays (2023) 52% 4/10 EDIT “The Strays redounds in a naive stereotyped vision... an aberration that precipitously falls prey to what it wants to criticize. And this is what, ultimately, is the most horrifying of the whole movie. [Full review in Spanish]” – EscribiendoCine Feb 28, 2023 Full Review Winnie-the-Pooh: Blood and Honey (2023) 3% 4/10 EDIT “An opportunistic film, funny due to its lack of spirit, that would pass for a joke except we see it as it really is, vapid entertainment without authentic aspirations... [Full review in Spanish]” – EscribiendoCine Feb 6, 2023 Full Review
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