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Mitchell Beaupre

Tomatometer-approved critic
Biography:

Mitchell Beaupre is the Head of Editorial at Letterboxd, whose writing on film has also appeared at Paste Magazine, The Playlist, Little White Lies and The A.V. Club. They have written essays for physical media releases by Cinématographe, Second Sight Films, Fun City Editions and IFC Films.

Reviews

Movies TV Shows
Train Dreams (2025) 95% EDIT “Train Dreams, through the experience of one simple, ordinary man, captures the significance of the very notion of human life.” – The Film Stage Jan 1, 2026 Full Review Cloud (2024) 93% EDIT “Whether it’s the eerie atmosphere and introspective interrogation of 21st-century commerce and capitalism in Cloud’s first half, or the marked shift into a balls-to-the-wall action-thriller in the second, Kurosawa keeps you on the edge of your seat.” – The Film Stage Jan 1, 2026 Full Review The Secret Agent (2025) 98% EDIT “Mixing a sort of arthouse character study with searing socio-political drama and paranoia thriller, The Secret Agent reverberates in the mind for days after watching.” – The Film Stage Jan 1, 2026 Full Review Sinners (2025) 97% EDIT “Calling Sinners a genre mashup doesn’t even really capture the degree to which it feels like Ryan Coogler has invented his own new genre; a fusion of period drama, social politics, character study, scintillating romance, and full-on nightmare fuel horror.” – The Film Stage Jan 1, 2026 Full Review Misericordia (2024) 94% EDIT “Disarmingly funny, uniquely suspenseful, and captivatingly amorphous, Misericordia keeps you guessing from first frame to last.” – The Film Stage Jan 1, 2026 Full Review The Mastermind (2025) 90% EDIT “Kelly Reichardt’s ’70s Robert Altman picture: A hangdog tale of a man who simply cannot get out of his own way.” – The Film Stage Jan 1, 2026 Full Review 28 Years Later (2025) 88% EDIT “As a visceral action thriller, the first half of the picture is remarkably tense, but it’s the second half where this becomes something really special.” – The Film Stage Jan 1, 2026 Full Review The Naked Gun (2025) 87% EDIT “One could recite any number of incredible zingers, or detail a bounty of "you need to see this to believe it" sequences, but I’ll simply leave you with this: "She had a bottom that would make a toilet beg for the brown."” – The Film Stage Jan 1, 2026 Full Review It Was Just an Accident (2025) 97% EDIT “Takes a simple and powerful morality conflict—"What would you do if you believed you found the person responsible for your greatest trauma?"—and turns it into an absolute powder keg with so many combustible ideas and dilemmas.” – The Film Stage Jan 1, 2026 Full Review Black Bag (2025) 96% EDIT “Agatha Christie meets John le Carré meets James Bond meets Who’s Afraid of Virginia Woolf?, a spy thriller as concerned with how a marriage survives as it is with catastrophic meltdowns that would eviscerate tens of thousands of lives.” – The Film Stage Jan 1, 2026 Full Review Goodbye June (2025) 65% EDIT “Goodbye June’s biggest crime is simply that you won’t remember it within an hour of the credits finishing.” – The Film Stage Dec 11, 2025 Full Review Challengers (2024) 88% A+ EDIT “Challengers is all about status and power. Who has it, and how they wield it. Who doesn’t have it, and what they’ll do to acquire it.” – The Film Stage Dec 22, 2024 Full Review Here (2024) 36% A EDIT “In this millennia-spanning tapestry, we see these universal ideas that encompass life for everyone: love, loss, aspirations, regret, connection, and separation.” – The Film Stage Dec 22, 2024 Full Review Horizon: An American Saga - Chapter 1 (2024) 51% A EDIT “Costner is consistently deconstructing the myths of the American West, of manifest destiny and the idea that these people had a claim to anything. He shows us, and them, that this promised land of profit and glory never even existed at all.” – The Film Stage Dec 22, 2024 Full Review A Different Man (2024) 93% A- EDIT “Aaron Schimberg presents a multi-faceted look at not only disability but identity at large, how these superficial alterations mean nothing when we don’t actualize change from within, and how much of our lives are rooted in perception” – The Film Stage Dec 22, 2024 Full Review Juror #2 (2024) 93% A- EDIT “Clint Eastwood and screenwriter Jonathan Abrams masterfully place us into this man’s shoes across Juror #2 making his moral dilemma one that we ourselves must confront: in the same position, what would we do?” – The Film Stage Dec 22, 2024 Full Review I Saw the TV Glow (2024) 85% A- EDIT “Jane Schoenbrun understands that with this sensation of finally, oh my god finally, feeling seen comes the lurking reckoning with the fact that it’s not real. ” – The Film Stage Dec 22, 2024 Full Review The Order (2024) 93% A- EDIT “This is as good as crime thrillers get, a welcome throwback with rich characterization, dimensional turmoil within both the good guys and the bad guys, and properly breakneck set pieces that get the adrenaline going overtime. ” – The Film Stage Dec 22, 2024 Full Review Evil Does Not Exist (2023) 91% A- EDIT “Evil Does Not Exist is yet another delicate, gentle picture from Hamaguchi that contains tidal waves of emotion underneath the surface waiting to crack through and overpower you.” – The Film Stage Dec 22, 2024 Full Review Trap (2024) 56% A- EDIT “Trap is not without its deeper dimensions. The surface is all thrills and chills, but slowly in his script Shyamalan also interweaves this rumination on identity. ” – The Film Stage Dec 22, 2024 Full Review Hit Man (2023) 95% A- EDIT “Richard Linklater and Glen Powell are able to navigate such a tricky tone, mixing screwball comedy antics with sizzling romance and anxiety-shredding crime that teeters into full-blown neo-noir.” – The Film Stage Dec 22, 2024 Full Review Carry-On (2024) 88% B+ EDIT “Carry-On keeps you on the edge of your seat with its myriad turns, always being sure to ground itself in realistic characters who offer the opportunity to question what we would do if presented with a similar scenario.” – The Film Stage Dec 13, 2024 Full Review First Reformed (2017) 94% 10/10 EDIT “First Reformed is the distillation of the scream inside us all—or at least those of us paying attention.” – Paste Magazine Jun 24, 2024 Full Review Mishima: A Life in Four Chapters (1985) 79% 10/10 EDIT “Interrogates living in the world as an artist who feels like words aren’t able to have enough of an immediate impact (if any at all) and direct action’s impact is too fleeting.” – Paste Magazine Jun 24, 2024 Full Review Affliction (1997) 88% 10/10 EDIT “Affliction hones in on masculinity and the demons that men inherit from one another. ” – Paste Magazine Jun 24, 2024 Full Review
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