Miguel Martín Maestro
Miguel Martín Maestro's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
La Troisième Guerre (2020)
3/5
EDIT
“The film transmits, and it does this quite well, that idea of the army as a container that welcomes, aside from conscientious lovers of the militia, people unable to access a decent job, as riot police. [Full review in Spanish]” –
El antepenúltimo mohicano
Sep 9, 2021
Full Review
Goodbye, Dragon Inn (2003)
81%
5/5
EDIT
“An outstanding movie. [Full review in Spanish]” –
El antepenúltimo mohicano
Jun 10, 2021
Full Review
Gunda (2020)
98%
EDIT
“An intimate and exquisitely filmed story. [Full review in Spanish]” –
El antepenúltimo mohicano
Jun 10, 2021
Full Review
Nación (2020)
4/5
EDIT
“Never ceases to amaze. [Full review in Spanish]” –
El antepenúltimo mohicano
Mar 25, 2021
Full Review
La Mami (2019)
92%
2/5
EDIT
“La Mami transforms itself into another part of the set, into a projection of the filmmaker's camera assuming complete control of the scenic space. [Full review in Spanish]” –
El antepenúltimo mohicano
Mar 19, 2021
Full Review
Little Girl (2020)
100%
3/5
EDIT
“Where the film flows... is when Sasha's doing what any girl would do without constraints. [Full review in Spanish]” –
El antepenúltimo mohicano
Mar 15, 2021
Full Review
Pebbles (2021)
100%
3/5
EDIT
“[A] promising debut feature. [Full review in Spanish]” –
El antepenúltimo mohicano
Mar 4, 2021
Full Review
The Witches of the Orient (2021)
92%
3/5
EDIT
“The [film's] rhythm is dynamic and the sense of the images of the past escapes from the torrent of verbiage to focus on the essentials. [Full review in Spanish]” –
El antepenúltimo mohicano
Feb 25, 2021
Full Review
Louisiana: The Other Side (2015)
83%
4/5
EDIT
“[Director Roberto Minervini] demonstrates a clear and deep knowledge of the winding swamps through which he passes... there is no respite. [Full review in Spanish]” –
El antepenúltimo mohicano
Feb 8, 2021
Full Review
New Order (2020)
67%
3/5
EDIT
“Who said that artistic work had to be unidirectional?... New Order proposes an exaggeration but not an impossible one. [Full review in Spanish]” –
El antepenúltimo mohicano
Feb 1, 2021
Full Review
The Howls (2020)
3/5
EDIT
“[Hernández Cordón's] most directly vindictive and also freest work. [Full review in Spanish]” –
El antepenúltimo mohicano
Jan 7, 2021
Full Review
A Russian Youth (2019)
4/5
EDIT
“Alexander Zolotukhin's first feature film is very simple and intelligible. [Full review in Spanish]” –
El antepenúltimo mohicano
Nov 23, 2020
Full Review
Identifying Features (2020)
97%
3/5
EDIT
“Mexican Fernanda Valadez's directing debut of offers a solidity, absent of concessions for the viewer. [Full review in Spanish]” –
El antepenúltimo mohicano
Oct 30, 2020
Full Review
Between Dog and Wolf (2020)
2/5
EDIT
“A missed opportunity to explain the reasons for maintaining the status quo from the voices of its defenders. [Full review in Spanish]” –
El antepenúltimo mohicano
Oct 8, 2020
Full Review
The Mole Agent (2020)
95%
3/5
EDIT
“[Director and writer Maite] Alberdi shows that it's not necessary to twist the knife to denounce. [Full review in Spanish]” –
El antepenúltimo mohicano
Sep 29, 2020
Full Review
1/5
EDIT
“Transitions from comedy to irrelevant melodrama, strung together by clichés. [Full review in Spanish]” –
El antepenúltimo mohicano
Sep 29, 2020
Full Review
Technoboss (2019)
60%
3/5
EDIT
“The visual device [Director João] Nicolau crafted is descended from his magnificent John From, although here it loses freshness and appears to be predetermined. [Full review in Spanish]” –
El antepenúltimo mohicano
Sep 29, 2020
Full Review
Echo (2019)
100%
4/5
EDIT
“[Director and writer Rúnar] Rúnarsson allows us to think about a change of style in Icelandic cinema, and it's appreciated as much as it is needed. [Full review in Spanish]” –
El antepenúltimo mohicano
Aug 31, 2020
Full Review
La mafia non è più quella di una volta (2019)
40%
4/5
EDIT
“There's farce, there's comedy, there's ridicule... but we must never forget that the farce is nothing but the consequence of a tragic reality. [Full review in Spanish]” –
El antepenúltimo mohicano
Aug 21, 2020
Full Review
By the Time It Gets Dark (2016)
90%
4/5
EDIT
“Cryptic in many of its proposals, but very bright and very exciting in its answers. [Full review in Spanish]” –
El antepenúltimo mohicano
Aug 3, 2020
Full Review
Our Defeats (2019)
4/5
EDIT
“Without grand philosophical displays, the protagonists' words end up resembling those of Godard's, Karmitz's, Tanner's or Marker's characters. [Full review in Spanish]” –
El antepenúltimo mohicano
Jul 24, 2020
Full Review
For the Money (2019)
75%
4/5
EDIT
“[For the Money] is pure cinema. [Full review in Spanish]” –
El antepenúltimo mohicano
Jul 20, 2020
Full Review
Piranhas (2019)
58%
3/5
EDIT
“It has the virtue of winding up in a no man's land, but there are too many commonalities to be surprised by anything except the age of the protagonists. [Full review in Spanish]” –
El antepenúltimo mohicano
Jul 15, 2020
Full Review
Sweat (2020)
96%
4/5
EDIT
“There is a look of absolute emptiness, no matter how magnetic the crystalline blue gaze of the protagonist is in [Magdalena Kolesnik's] first and outstanding performance. [Full review in Spanish]” –
El antepenúltimo mohicano
Jul 10, 2020
Full Review
4/5
EDIT
“If something deserves attention from new Chinese cinema... it's its ability to create social criticism without emphasizing a redundant or underlined message. [Full review in Spanish]” –
El antepenúltimo mohicano
Jun 24, 2020
Full Review
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