Frank & Louis (2026)
87%
EDIT
“Takes an unhurried, detail-rich approach ... letting dialogue, camerawork, and performances lead the audience ... into the inner and outer lives of men typically forgotten or even discarded by society. ... Nuanced, nonjudgmental. ” –
ScreenAnarchy
Jan 27, 2026
Full Review
Buddy (2026)
80%
EDIT
“Deftly balancing dark, cringe-worthy comedy with absurdist horror, Buddy delivers exactly what its primary image of a half-charred Buddy wielding an ax in an artificial forest promised: Twisted fun (not) for the whole family. ” –
ScreenAnarchy
Jan 27, 2026
Full Review
Leviticus (2026)
100%
EDIT
“Brilliant in its conception and even more brilliant in its execution, Leviticus belongs high on a list of queer horror and its discontents.” –
ScreenAnarchy
Jan 27, 2026
Full Review
The Musical (2026)
EDIT
“Undoubtedly will make a fine addition to the collections of cringe-comedy aficionados.” –
ScreenAnarchy
Jan 27, 2026
Full Review
Josephine (2026)
100%
EDIT
“A deeply moving, heartrending exploration of the loss of innocence and the unintended consequences thereof.” –
ScreenAnarchy
Jan 27, 2026
Full Review
Song Sung Blue (2025)
78%
EDIT
“Song Sung Blue skirts, but never crosses, the line between melodrama and drama, camp and non-camp, and excess and restraint.” –
That Shelf
Jan 12, 2026
Full Review
OBEX (2025)
96%
EDIT
“If you’re on OBEX’s wavelength or frequency, i.e., attuned to its oddball charms, quirky humor, and irony-free, poignant exploration of its central themes, then OBEX will prove a deeply engaging, infinitely rewarding experience.” –
ScreenAnarchy
Jan 6, 2026
Full Review
Marty Supreme (2025)
93%
EDIT
“Elevated by career-best performances from Chalamet and A’zion. ... Safdie’s hyperkinetic direction, and Daniel Lopatin’s dazzling, 1980s-inspired score, ... and Marty Supreme becomes a must-watch for serious and casual moviegoers alike. ” –
ScreenAnarchy
Dec 24, 2025
Full Review
Avatar: Fire and Ash (2025)
66%
EDIT
“It ultimately sinks on the predictable mix of well-worn genre tropes, repetitive and/or borrowed plot beats, and the cringe-inducing dialogue that have made revisiting earlier entries a serious chore for casual fans of the series.” –
That Shelf
Dec 19, 2025
Full Review
Kiss of the Spider Woman (2025)
77%
EDIT
“Now, not exactly coming full circle but coming close, it has been reimagined as a stunningly realized cinematic adaptation. ” –
ScreenAnarchy
Dec 2, 2025
Full Review
Zootopia 2 (2025)
91%
EDIT
“The meta sight gags, cleverer-than-clever verbal puns, and, of course, exhilarating set pieces remain, but this Zootopia furthers the pro-diversity, pro-equity, pro-inclusion message of the first film. ” –
That Shelf
Nov 28, 2025
Full Review
Shelby Oaks (2023)
55%
EDIT
“Shelby Oaks benefits from a solid, well-directed supporting cast and Camille Sullivan’s intense, grounded performance as Mia.” –
That Shelf
Nov 25, 2025
Full Review
Chainsaw Man - The Movie: Reze Arc (2025)
96%
EDIT
“The literal 2D explosion of sound and images–a sensory assault to some and the realization of anime dreams for others–will leave a lingering impression long after the end credits roll and the theatre lights return.” –
That Shelf
Nov 25, 2025
Full Review
Springsteen: Deliver Me from Nowhere (2025)
61%
EDIT
“Scott Cooper's Springsteen: Deliver Me from Nowhere is an overly familiar, painfully reductive, downbeat drama.” –
That Shelf
Nov 25, 2025
Full Review
Predator: Badlands (2025)
86%
EDIT
“Predator: Badlands only stumbles when Trachtenberg’s ambitions outstrip budget limitations and the script that too often relies on overused genre tropes rather than originating tropes of its own. ” –
That Shelf
Nov 25, 2025
Full Review
The Running Man (2025)
62%
EDIT
“Wright’s nimble direction, retro-futuristic production design, and Glen Powell’s personification of a rage-filled anti-hero-turned-hero, make Wright’s adaptation a worthwhile, if ultimately frustrating, experience on the big or small screen.” –
That Shelf
Nov 25, 2025
Full Review
The Things You Kill (2025)
95%
EDIT
“While Khatami’s gifts as a narrative and visual storyteller are never in doubt, he’s equally adept at drawing exactly what he needs from his performers. ” –
ScreenAnarchy
Nov 24, 2025
Full Review
HIM (2025)
30%
EDIT
“On its own, ambiguity can be a net positive storytelling-wise, but in [Him] it betrays both a shortage of meaningful ideas and the unwillingness to explore whatever ideas it does weave into the underwhelming, forgettable result.” –
That Shelf
Oct 15, 2025
Full Review
The Baltimorons (2025)
95%
EDIT
“Far from essential viewing, The Baltimorons still manages to cross over into watchable territory, albeit with the aforementioned caveats.” –
That Shelf
Oct 15, 2025
Full Review
Good Boy (2025)
90%
EDIT
“Good Boy wouldn’t be more than a cleverly executed gimmick, however, without the presence of [the dog] Indy in practically every frame.” –
That Shelf
Oct 15, 2025
Full Review
Anemone (2025)
53%
EDIT
“Daniel Day-Lewis returns [from retirement] in a middling, muddled domestic drama.” –
ScreenAnarchy
Oct 4, 2025
Full Review
Hamnet (2025)
86%
EDIT
“Hamnet is both singular in its depiction of a troubled relationship roiled by loss, grief, and despair, and universal as a standalone narrative intimately familiar to the audience on the other side of the screen.” –
ScreenAnarchy
Oct 4, 2025
Full Review
The Smashing Machine (2025)
70%
EDIT
“Filmmaker Benny Safdie and company deliver an unsparing, unconventional sports biopic.” –
ScreenAnarchy
Oct 4, 2025
Full Review
The Long Walk (2025)
88%
EDIT
“A near flawless adaptation of Stephen King's dystopian novel. ” –
ScreenAnarchy
Sep 12, 2025
Full Review
Highest 2 Lowest (2025)
83%
EDIT
“Spike Lee and Denzel Washington’s first collaboration in almost 20 years and their fifth overall, Highest 2 Lowest, masterfully updates Akira Kurosawa’s seminal 1963 crime-thriller, High and Low, for the 21st century.” –
ScreenAnarchy
Aug 15, 2025
Full Review
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