Matthew Connolly
Matthew Connolly's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Human Condition 2: The Road to Eternity (1959)
4/4
EDIT
“The film possesses a restless vitality, with hard cuts juxtaposing abject brutality with pastoral tranquility and romantic longing.” –
Slant Magazine
Jun 17, 2021
Full Review
A Soldier's Prayer (1961)
4/4
EDIT
“The film possesses a restless vitality, with hard cuts juxtaposing abject brutality with pastoral tranquility and romantic longing.” –
Slant Magazine
Jun 17, 2021
Full Review
Sorry Angel (2018)
82%
EDIT
“Honoré largely adheres to a restrained visual palette, mirroring his evenhanded vision of queer kinship.” –
Film Comment Magazine
Mar 21, 2019
Full Review
Princess Cyd (2017)
96%
EDIT
“Princess Cyd proves a very worthy addition to this significant and growing body of work, even as it moves away from some of [director Stephen] Cone's more established directorial traits.” –
Reverse Shot
Dec 1, 2017
Full Review
Applause (2009)
89%
EDIT
“Though utterly convincing as a renowned theater actress, it's clear from her work in Applause that Paprika Steen has a face for the camera.” –
House Next Door
Apr 7, 2016
Full Review
A Pigeon Sat on a Branch Reflecting on Existence (2014)
90%
EDIT
“Roy Andersson's latest film perches decidedly above the world it studies, gazing down fixedly upon its inhabitants from a perspective at once sympathetically engaged and assiduously distanced.” –
Film Comment Magazine
May 7, 2015
Full Review
Bird People (2014)
59%
EDIT
“At the risk of taking the avian symbolism a step too far, I'd wager that telegraphing one's intentions to interrogate the realities of 21st-century dislocation only to settle for hands-across-the-water truisms seems a little chicken.” –
Film Comment Magazine
Sep 15, 2014
Full Review
Vic & Flo Saw a Bear (2013)
88%
3/4
EDIT
“The film presents its tonal switch-ups and narrative swerves with a deadpan belligerence by turns stimulating, calculated, and poignant.” –
Slant Magazine
Feb 3, 2014
Full Review
My Darling Clementine (1946)
100%
4/4
EDIT
“The film subtly complicates viewer expectations early on, eschewing clear-cut character rivalries in favor of more complex emotional and social configurations.” –
Slant Magazine
Jan 21, 2014
Full Review
Like Crazy (2011)
70%
EDIT
“I'll admit that my heart broke a little by film's end, as the camera rested on Yelchin and Jones's faraway looks and Stars' sublime "Dead Hearts" flooded the soundtrack.” –
Film Comment Magazine
Nov 5, 2013
Full Review
The Dead Man and Being Happy (2012)
EDIT
“At once familiar and enigmatic, Javier Rebollo's The Dead Man and Being Happy feels like a connect-the-dots film with a few lines artfully blurred.” –
Slant Magazine
Sep 29, 2013
Full Review
The Servant (1963)
90%
4/4
EDIT
“The film's sidelong narrative glances suggest a privileged world brimming with innuendo-laden excess and barely concealed sexual jealousies.” –
Slant Magazine
Jul 22, 2013
Full Review
The Broken Tower (2011)
20%
2/4
EDIT
“James Franco's film is tonally flat and a little too impressed with its own elliptical construction.” –
Slant Magazine
Apr 24, 2012
Full Review
Snow on Tha Bluff (2011)
3/4
EDIT
“Questions of authenticity aside, Damon Russell evinces a shrewd understanding of how to juxtapose the handheld camera's finite sightline with the bursts of chaos that suddenly invade it.” –
Slant Magazine
Apr 17, 2012
Full Review
Donoma (2010)
3/4
EDIT
“Unlike similarly interconnected narratives, Donoma refuses to lay out its complete collection of characters up front” –
Slant Magazine
Mar 27, 2012
Full Review
Domain (2009)
77%
3.5/4
EDIT
“The ultimate drama of Domain becomes how long he can be a witness to her self-destruction.” –
Slant Magazine
Jan 8, 2012
Full Review
La Dolce Vita (1960)
95%
4/4
EDIT
“What is happiness within the film's world? Fellini offers no easy answers.” –
Slant Magazine
Jun 3, 2011
Full Review
Accident (2009)
EDIT
“Form and content merge nicely throughout the first half of Accident, which is nothing if not the story of how skilled professionals work to make their complex efforts appear spontaneous and, well, effortless.” –
House Next Door
Feb 24, 2011
Full Review
La maison Nucingen (Nucingen House) (2008)
EDIT
“It's fitting that the title of Ral Ruiz's latest, Nucingen House, should not place primacy on character, plot, or theme, but on the physical setting itself.” –
House Next Door
Feb 24, 2011
Full Review
Sois Sage (Be Good) (2008)
EDIT
“The problem with Be Good, Juliette Garcias's moody, visually-striking directorial debut, is one the film shares with other, similarly ambiguous character studies about people with hidden pasts.” –
House Next Door
Feb 24, 2011
Full Review
Cold Fish (2010)
75%
EDIT
“Sono orchestrates the escalating body count and psychosexual perversity with near-unrelenting frenzy.” –
House Next Door
Feb 24, 2011
Full Review
The African Queen (1951)
96%
3/4
EDIT
“Huston understands the majestic savagery of his surroundings well enough to let it exert some dramatic pressure on what is primarily a buoyant romantic comedy.” –
Slant Magazine
Feb 9, 2011
Full Review
Cluny Brown (1946)
94%
3.5/4
EDIT
“What is the famed "Lubitsch touch" if not the quiet thrill of being in on the joke?” –
Slant Magazine
Dec 20, 2010
Full Review
Raging Bull (1980)
92%
4/4
EDIT
“Scorsese might never again find a subject as ideal as Jake LaMotta, the Bronx-based boxer whose public bouts and private demons Raging Bull chronicles with such bruising acuity.” –
Slant Magazine
Nov 2, 2010
Full Review
Waiting for Superman (2010)
89%
3/4
EDIT
“Guggenheim wants you to know that he has an education problem, and that you should too.” –
Slant Magazine
Sep 26, 2010
Full Review
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