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Martin Unsworth

Martin Unsworth's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Biography:

Assistant Editor of STARBURST MAGAZINE and writer of Horror Obscura.

Publications:

Reviews

Movies TV Shows
Scars of Dracula (1970) 67% 4/5 EDIT “Roy Ward Baker’s direction is solid and keeps things moving.” – Starburst Dec 3, 2025 Full Review Primitive War (2025) 65% 4/5 EDIT “Sparke’s film manages to surpass expectations with what he delivers on screen.” – Starburst Nov 24, 2025 Full Review Orion (2025) 4/5 EDIT “Orion is a neat piece of semi-hard sci-fi, which doesn’t rely on flashy effects (although there are some that impress) that will reward repeat viewing.” – Starburst Oct 28, 2025 Full Review From Beyond (1986) 74% EDIT “This is tons of fun. ” – Starburst Oct 20, 2025 Full Review The Drowned (2025) 4/5 EDIT “The film’s images and brooding sound design will linger long after the story is over, and the melding of myth and metaphysical will give fans plenty to debate.” – Starburst Oct 3, 2025 Full Review End Zone 2 (1970) 3/5 EDIT “It’s a talky, exposition-heavy production that focuses on the clichéd characters but delivers some hilarious shocks later on.” – Starburst Sep 29, 2025 Full Review The Once and Future Smash (2022) 3/5 EDIT “The Once and Future Smash provides universal entertainment in Spın̈al Tap fashion. ” – Starburst Sep 29, 2025 Full Review American Sweatshop (2025) 77% 4/5 EDIT “As Daisy gets further into the rabbit hole of depravity, the more depressing the film becomes. Briesewitz ramps up emotional levels and makes the viewer glad they’re not content moderators.” – Starburst Sep 29, 2025 Full Review The Cramps: A Period Piece (2025) 100% 4/5 EDIT “The visual style is that of a ‘70s grindhouse picture, and shooting on 35mm really elevates it above its lower budget. And while the comedy doesn’t land all the time (at least to this writer), the satire makes its point loud and clear.” – Starburst Sep 24, 2025 Full Review Captured Souls: In Conversation with Graham Humphreys (2025) 5/5 EDIT “It's a warmly engaging portrait of a man whose work has impressed us all for many years and has played a significant role in shaping the British horror fan's love of the genre.” – Starburst Sep 4, 2025 Full Review Sane Inside Insanity: The Phenomenon of Rocky Horror (2025) 4/5 EDIT “If you’re already a Rocky fan, you’ll likely still find out something new, but if you’ve never dipped your stocking-clad toe into the world of Transylvanian transsexuals, then this would be a good primer.” – Starburst Aug 28, 2025 Full Review Odyssey (2025) 93% 4/5 EDIT “Odyssey is a bleak, unnerving experience that showcases a breed of person who prioritises money and themselves and damn everyone else. It’s not an easy watch, and the climax won’t satisfy everyone, but it’s well-made and compelling.” – Starburst Aug 25, 2025 Full Review Super Happy Fun Clown (2025) 83% 4/5 EDIT “There’s an oppressive atmosphere throughout, which enhances the juxtaposition of the brutal murders and Jenn-O’s stoic demeanour. Rea also peppers the movie with pitch-black humour, making the grim realities of Jen’s world a little more palatable.” – Starburst Aug 25, 2025 Full Review Cover (2025) 4/5 EDIT “While the destination the plot takes may not be new, it’s confidently directed (impressive since it’s Francis’ first feature) and is always engaging. ” – Starburst Aug 25, 2025 Full Review A Serbian Documentary (2025) 4/5 EDIT “Everyone involved is incredibly honest, detailing the problems the movie had getting made and even getting the film elements developed. The documentary might not make you want to sit through A Serbian Film again, but you might gain a deeper understanding.” – Starburst Aug 25, 2025 Full Review The Degenerate: The Life and Films of Andy Milligan (2025) 5/5 EDIT “The Degenerate is a revealing, no-holes-barred overview of Milligan, as told by his friends and those who’ve studied his work. It’s often touching, but never delusional about its subject. ” – Starburst Aug 25, 2025 Full Review The Home (2025) 29% 3/5 EDIT “Given the shock and gore, the film’s strength lies in the quieter character interactions, particularly between Max and Norma. While it may not hit home completely – the tone shifts far too often – the cast and some gnarly effects save it.” – Starburst Aug 25, 2025 Full Review Witchboard (2024) 59% 3/5 EDIT “It’s doubtful Russell’s Witchboard will gain the cult following the original has, but even with some flaws, it’s an entertaining picture.” – Starburst Aug 16, 2025 Full Review Occupy Cannes (2025) 4/5 EDIT “It’s a fascinating look at the resilience of the little guy and the crushing power of the juggernaut of the big studios, who’ll think nothing of spending hundreds of thousands on big billboards, yet seem to be so afraid of the indies. Vive la révolution!” – Starburst Aug 6, 2025 Full Review Hold the Fort (2025) 100% 4/5 EDIT “Bagley succeeds in making us care for the motley bunch, despite the slight characterisation the running time allows. This also means there's fat, and Bagley balances the humour and horror perfectly. ” – Starburst Jul 22, 2025 Full Review King of the Ants (2003) 4/5 EDIT “Gordon takes a gritty crime drama and blows it into a delightfully twisted and brutal Coen-esque nightmare.” – Starburst Jul 3, 2025 Full Review The Reign of Queen Ginnarra (2025) 3/5 EDIT “It’s a bold endeavour that succeeds more than it falters and could easily sit in the pantheon of medieval epics.” – Starburst Jun 4, 2025 Full Review Up! (1976) 78% 4/5 EDIT “It’s a testament to Meyer that everything rises above its origins in exploitation. It’s beautifully shot; as director, cameraman, and editor, Meyer certainly gets the most out of his surroundings and cast. ” – Starburst Apr 29, 2025 Full Review Motorpsycho (1965) 80% 3/5 EDIT “One of Russ Meyer’s gritty black and white pictures, Motorpsycho! delivers a mix of sex and violence that delivers more of the latter than the former.” – Starburst Apr 29, 2025 Full Review Freaky Tales (2024) 75% 4/5 EDIT “Writer/director duo Anna Boden and Ryan Fleck present an ode to individualism in this ’80s-set anthology that’s humorous, violent and highly entertaining.” – Starburst Apr 21, 2025 Full Review
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