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Critics list

Marisa Mirabal

Tomatometer-approved critic

Reviews

Movies TV Shows
Air (2023) 93% A+ EDIT “AIR is a slam dunk and ultimately one of the best sports movies ever made. ” – IndieWire Mar 19, 2023 Full Review Joy Ride (2023) 90% A- EDIT ““Joy Ride” is a prime example of how important representation is on screen and proves that Asian American comedians can be just as funny, raunchy, and successful as their white male counterparts. ” – IndieWire Mar 19, 2023 Full Review Evil Dead Rise (2023) 85% B+ EDIT “Cronin successfully delivers a new chapter in the Necronomicon and slays the screen with artistic rigor until the credits roll. ” – IndieWire Mar 16, 2023 Full Review Dungeons & Dragons: Honor Among Thieves (2023) 91% A- EDIT “The heartfelt story, enchanting characters, dazzling visual effects, and fun-filled nature will allow the film to be a treasured classic. ” – IndieWire Mar 13, 2023 Full Review Medusa Deluxe (2022) 72% B- EDIT “An arresting and visually stunning achievement, Medusa Deluxe breaks the framework on storytelling and sheds the skin of a subculture in the process.” – IndieWire Sep 30, 2022 Full Review Werewolf by Night (2022) 90% B+ EDIT “Utilizing elements of dark comedy, light romance, and friendship, Werewolf by Night is successfully able to balance fun and fright.” – IndieWire Sep 27, 2022 Full Review Smile (2022) 80% B- EDIT ““Smile” navigates unhealed trauma through a supernatural lens and mischievous juxtaposition, despite feeling like a shadow of other stories.” – IndieWire Sep 24, 2022 Full Review The Black Phone (2021) 81% A- EDIT “A film with a bleak yet entertaining reminder that horror is omnipresent, but sometimes you can find a lifeline in the darkest of hours if you just listen.” – IndieWire Sep 27, 2021 Full Review Boys from County Hell (2020) 82% 7/10 EDIT “Boys from County Hell unearths a refreshing spin on vampire lore and provides a dark tale of camaraderie that can be legendary in its own right.” – Slashfilm Apr 22, 2021 Full Review Woodlands Dark and Days Bewitched: A History of Folk Horror (2021) 100% 5/5 EDIT “Filled with thoughtful commentary, lush visuals and a myriad of perspectives, Woodlands Dark and Days Bewitched: A History of Folk Horror is a must-watch that chronicles humankind's most intriguing cinematic stories.” – Slashfilm Apr 11, 2021 Full Review Here Before (2021) 86% 3.5/5 EDIT “Gregg delivers an intoxicating and impressive directorial debut.” – Slashfilm Apr 11, 2021 Full Review I'M FINE (Thanks for Asking) (2021) 88% 5/5 EDIT “I'm Fine (Thanks for Asking) is a vibrant and inspiring story to come out of the COVID cataclysm both in its narrative and also with its production.” – Slashfilm Apr 11, 2021 Full Review Introducing, Selma Blair (2021) 100% 4/5 EDIT “Introducing, Selma Blair rips the Band-Aid off society's view of chronic illness with a raw portrayal of her medical diagnosis that is authenticated in its emotional and physical intensity.” – Slashfilm Apr 11, 2021 Full Review Luchadoras (2021) 94% 3.5/5 EDIT “Luchadoras is a powerful portrayal of female resistance and breaking the status quo.” – Slashfilm Apr 11, 2021 Full Review Relic (2020) 92% 8/10 EDIT “Natalie Erika James' debut doesn't just tug at the heart, Relic wraps around it and steadily sinks its teeth into it.” – Slashfilm Feb 16, 2021 Full Review Honeydew (2020) 65% 3/5 EDIT “Milburn's directorial debut is sinister, shocking, and unlike its title, far from sweet.” – Slashfilm Oct 20, 2020 Full Review Bloodthirsty (2020) 80% 3/5 EDIT “Bloodthirsty successfully approaches themes of hunger through carnal pleasures, fame, and self-discovery. Moses approaches the concept of transformation in a multi-faceted manner and delivers a captivating film worth hunting down.” – Slashfilm Oct 12, 2020 Full Review Teddy (2020) 75% 4/5 EDIT “An inventive and emotional take on the werewolf sub-genre, Teddy is both a comfort and a curse in its depiction of the universal experience regarding change and growing up.” – Slashfilm Oct 7, 2020 Full Review How to Deter a Robber (2020) 70% 3/5 EDIT “How to Deter a Robber is a cinematic gift that keeps on giving, and Bissell knows how to deliver smiles disguised as scares.” – Slashfilm Oct 7, 2020 Full Review The Boy Behind the Door (2020) 97% 5/5 EDIT “Charbonier and Powell are two creatives that clearly command attention and have a knack for relentlessly inducing dread, tension and a whole lot of heart within a world of peril.” – Slashfilm Oct 7, 2020 Full Review The Stylist (2020) 93% 4/5 EDIT “The Stylist is a delicately deranged glimpse into social anxiety and loneliness. Its beautiful cinematography and camerawork is supported with a gruesome ferocity that aptly captures the emotional pain of the film's main character.” – Slashfilm Oct 7, 2020 Full Review First Love (2019) 98% 4/5 EDIT “Rich in components of fear, revenge, anger, and sweetness, Miike delivers a pure knockout in his latest film.” – Slashfilm Oct 4, 2019 Full Review The Deeper You Dig (2019) 94% 3.5/5 EDIT “An exemplary work of low-budget filmmaking, The Deeper You Dig is an eldritch and well-crafted film that is far from shallow.” – Slashfilm Oct 4, 2019 Full Review Pelican Blood (2019) 74% 3/5 EDIT “Pelican Blood is a cinematic lesson in love, patience, and empathy.” – Slashfilm Oct 4, 2019 Full Review The Other Lamb (2019) 74% 4/5 EDIT “The Other Lamb is a festering wound of a film, one that elicits prolonged pain and suffering but offers a collective understanding. Its gorgeous imagery is juxtaposed with a growing defiance and resentment that women will know all too well.” – Slashfilm Oct 4, 2019 Full Review
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