Manuel Betancourt
Tomatometer-approved critic
Publications:
Variety,
Los Angeles Times,
Paste Magazine,
AV Club,
The Atlantic,
Film Comment Magazine,
The Film Experience,
Esquire Magazine,
Out Magazine,
Vice,
That Shelf,
Los Angeles Review of Books,
Mic.com,
Remezcla,
Vague Visages,
FilmWeek (LAist),
Electric Literature
All the Devils Are Here (2025)
61%
EDIT
“Still, boring, and listless, and there's a twist that had me rolling my eyes.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Plainclothes (2025)
83%
EDIT
“I really enjoyed the vibes of it all because it's really trying to capture a moment... The sense of surveillance feels integral rather than flashy.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Strange Journey: The Story of Rocky Horror (2025)
97%
EDIT
“It was too baggy without enough focus for it really honor the legacy of Rocky Horror.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Predators (2025)
97%
EDIT
“Pop culture anthropology at its best.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Dead of Winter (2025)
75%
EDIT
“I was trying to think if I've seen a worse Emma Thompson movie, and I couldn't come up with anything. ” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Eleanor the Great (2025)
67%
EDIT
“June Squibb is doing fantastic work, but for the most part I was baffled by the very concept of the movie.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
One Battle After Another (2025)
94%
EDIT
“It's so nimble, fleet-footed and moves with such pace that you really are along for this ride from the beginning.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Are We Good? (2025)
97%
EDIT
“You're always good when you're with Marc Maron.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The Ice Tower (2025)
80%
EDIT
“Any movie that gives me Marion Cotillard smoking a cigarette and staring out into space was always going to be in my wheelhouse. ” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Fairyland (2023)
96%
EDIT
“It all felt a bit slight and familiar.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The Lost Bus (2025)
88%
EDIT
“As a piece of disaster filmmaking, this is amazing, and it'll probably hit very close to home to a lot of us.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The Smashing Machine (2025)
70%
EDIT
“There's a muffled sensibility throughout that I think speaks to how [Benny Safdie] was trying to capture Mark Kerr, but to me, all it did was deflate the tension both in the fights and in the personal stuff.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Outerlands (2025)
EDIT
“What a lovely, lovely, small film -- and I say "small" as a compliment.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
A Magnificent Life (2025)
62%
EDIT
“It feels like you're just reading a Wikipedia page of Pagnol.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Eternity (2025)
77%
EDIT
“Schematically, this is kind of the perfect rom-com, but the high-concept gets so needlessly convoluted.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Zootopia 2 (2025)
91%
EDIT
“For what it is and what it's trying to do, it's a perfectly fine animated film.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Hamnet (2025)
86%
EDIT
“This is a movie designed for me to love, and I came away from it dry-[eyed].” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Wake Up Dead Man: A Knives Out Mystery (2025)
92%
EDIT
“What really sets it up to be more than just a murder mystery is that Johnson is really in these larger questions. Here, we're being presented with two ways of embracing the world.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The Choral (2025)
67%
EDIT
“The story feels both too small and trying to telegraph things that are too big. ” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Goodbye June (2025)
65%
EDIT
“I feel the note to point out [screenwriter] Anderson's age because what this movie lacks is the kind of gravitas and understanding of the emotional complexity that the setup he's given himself requires.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Anaconda (2025)
48%
EDIT
“A terrible movie with a fascinating premise.” –
FilmWeek (LAist)
Dec 30, 2025
Full Review
The Testament of Ann Lee (2025)
88%
EDIT
“It's been growing and blooming in my mind, and I think part of it is that it is a very odd proposition... The more I've thought about it, the more it keeps creeping up, the more I've come to respect and admire it. ” –
FilmWeek (LAist)
Dec 30, 2025
Full Review
No Other Choice (2025)
97%
EDIT
“I was so taken by the absurdity and ridiculousness used to portray this absurd system. ” –
FilmWeek (LAist)
Dec 30, 2025
Full Review
Song Sung Blue (2025)
78%
EDIT
“This movie is insane. It makes me feel insane when I think about it, and it makes me sound insane when I talk about it... I don't think any of it works. ” –
FilmWeek (LAist)
Dec 30, 2025
Full Review
Marty Supreme (2025)
93%
EDIT
“There's a frenetic, kinetic verve to the film... This is what [Josh Safdie] does, and he does it very well.” –
FilmWeek (LAist)
Dec 30, 2025
Full Review
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