Shelby Oaks (2023)
55%
C-
EDIT
“Though Shelby Oaks sets out with admirable intentions to create a new, atmospheric nightmare for audiences, the film’s pervasive lack of personality and inability to commit to a subgenre result in a muddled, often frustrating debut from Stuckmann.” –
Nerdspin
Dec 14, 2025
Full Review
Weapons (2025)
93%
A-
EDIT
“Infused with a singular blend of horror-comedy, Weapons (produced, written, and directed by Cregger) is a gripping, tonally dizzying film that’s as funny as it is frightening. ” –
Nerdspin
Dec 14, 2025
Full Review
The Old Guard 2 (2025)
27%
C
EDIT
“Though Greg Rucka and Sarah L. Walker’s script adds intriguing new lore and depth to the rules around immortality, The Old Guard 2 feels less like a film that can stand on its own two feet and more of a stepping-stone towards a finale.” –
Nerdspin
Jul 2, 2025
Full Review
Jurassic World Rebirth (2025)
50%
C
EDIT
“Though Edwards has had success with monster movies and action-adventure films in the past (Godzilla, Rogue One: A Star Wars Story), his stab at a Jurassic Park story lacks the ethos that made Spielberg’s ‘93 adaptation a classic.” –
Nerdspin
Jul 1, 2025
Full Review
Queen of the Ring (2024)
73%
B-
EDIT
“Though ambitious scope renders the script clunky and the runtime slightly overlong, the film’s impressive in-ring sequences (driven by inspired casting) and commitment to honoring the history and craft of wrestling make it a winning (if cliche) bout.” –
Nerdspin
Mar 5, 2025
Full Review
Babygirl (2024)
76%
C
EDIT
“While Babygirl’s slick editing and sound design make for a memorable theatrical experience, the film’s vague, half-hearted script smothers any heat generated by Kidman’s full-bodied performance. ” –
Nerdspin
Dec 30, 2024
Full Review
Wicked (2024)
88%
C+
EDIT
“But while Wicked boasts delightfully ethereal costuming and a pair of impassioned leads in Ariana Grande and Cynthia Erivo, the film’s bloated runtime and pervasive tone and pacing issues bog down what should be a feather-light movie-musical.” –
Nerdspin
Nov 23, 2024
Full Review
Your Monster (2024)
79%
EDIT
“Where Lindy’s script may be slightly lacking, Barrera and Dewey are a match made in heaven, with a simple yet undeniable opposites-attract, will-they-won’t-they dynamic that left this writer longing for a series following their domestic exploits. ” –
Chicago Reader
Nov 20, 2024
Full Review
Martha (2024)
90%
7/10
EDIT
“It’s a bold, bracing documentary that’s valuable as both an insight into Stewart’s life and a larger examination of the evolving idea of American women in the home.” –
Next Best Picture
Nov 4, 2024
Full Review
We Live in Time (2024)
79%
EDIT
“hough Pugh and Garfield (particularly the latter) bring intense, raw emotionality to otherwise by-the-numbers material, We Live in Time is an overall predictable addition to a strangely prevalent romantic subgenre. ” –
Chicago Reader
Nov 2, 2024
Full Review
Piece By Piece (2024)
83%
EDIT
“Earnest and inventive, Piece by Piece in an undeniable sensory delight and a singular approach to biographical/documentary filmmaking.” –
Chicago Reader
Nov 2, 2024
Full Review
The Substance (2024)
89%
EDIT
“A slick, cynical entry in the world of feminist horror and an instant genre classic.” –
The Mary Sue
Sep 25, 2024
Full Review
The Killer's Game (2024)
46%
6/10
EDIT
“While “The Killer’s Game“ may tread familiar territory in terms of its premise, director JJ Perry’s extensive experience with stunts elevates the formulaic script” –
Next Best Picture
Sep 16, 2024
Full Review
Borderlands (2024)
10%
EDIT
“A video game adaptation that completely misses the mark.” –
Chicago Reader
Aug 22, 2024
Full Review
Humanist Vampire Seeking Consenting Suicidal Person (2023)
90%
EDIT
“This French vampire dramedy may not be groundbreaking, but its strong leads and dry humor make it well worth watching.” –
Chicago Reader
Jul 10, 2024
Full Review
The Ministry of Ungentlemanly Warfare (2024)
68%
C
EDIT
“Never reaches beyond familiar low-hanging fruit.” –
AV Club
Apr 22, 2024
Full Review
Ghostbusters: Frozen Empire (2024)
42%
2/4
EDIT
“Despite an intriguing subplot for Phoebe, Ghostbusters: Frozen Empire is an incohesive, unoriginal entry. It coasts on fan service to carry a paper-thin plot and a lukewarm crop of characters, new and old.” –
The Spool
Mar 23, 2024
Full Review
Immaculate (2024)
72%
EDIT
“Unfortunately, between Immaculate’s cliches, incoherent direction, and shallow characters, not even the ethereal power of Sydney Sweeney can rescue this nunsploitation flick from damnation.” –
Chicago Reader
Mar 22, 2024
Full Review
Every Little Thing (2024)
95%
A
EDIT
“Through simple, thoughtful filmmaking choices and an eloquent, honest subject, “Every Little Thing” (like the birds themselves) is a small but mighty documentary that finds beauty in the little things.
” –
Offscreen Central
Mar 20, 2024
Full Review
Frida (2024)
89%
B+
EDIT
“It’s not the first film to tackle the wild, colorful world of Kahlo, and it won’t be the last, but Gutierrez’s stylistic sensibilities lend “Frida” a vibrance and rawness to her story that transcends typical documentary filmmaking convention.
” –
Offscreen Central
Mar 20, 2024
Full Review
Kneecap (2024)
96%
A-
EDIT
“Fierce, foul-mouthed, and spearheaded by Peppiatt’s fearless direction, Kneecap pays delightful, dirty homage to a trio of unlikely revolutionaries. ” –
Offscreen Central
Mar 20, 2024
Full Review
This Is Me... Now: A Love Story (2024)
75%
EDIT
“Equal parts music video, autobiography, and extensive therapeutic fantasy, JLo’s This Is Me… Now is an opulent, self-indulgent musical fantasy that makes for a fascinating (if dizzying) viewing experience.” –
The Mary Sue
Mar 1, 2024
Full Review
Lisa Frankenstein (2024)
52%
4.5/5
EDIT
“ Though it may struggle to balance tone, Lisa Frankenstein is a crass, unapologetic love letter to the horrors of teenage girlhood, spearheaded by an electric turn from Kathryn Newton.” –
Chicago Reader
Feb 15, 2024
Full Review
Argylle (2024)
33%
2.5/5
EDIT
“Argylle ultimately buckles under the weight of its own ambition, and the end result is a messy, overlong (if entertaining) romp. ” –
Chicago Reader
Feb 15, 2024
Full Review
Mean Girls (2024)
68%
1.5/4
EDIT
“Between the inconsistent vocals, bizarre musical arrangements, and misguided script updates, Mean Girls (2024) is a letdown, whether you’re a fan of the 2004 film or the 2017 musical.” –
Nerdist
Jan 13, 2024
Full Review
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