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Kahron Spearman

Kahron Spearman's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Apprentice (2024) 82% EDIT “While the film offers compelling performances by Stan and Strong (as Cohn) and moments of genuine unease and vileness, its premise is fundamentally flawed. ” – The Mary Sue Oct 18, 2024 Full Review 4.5/5 EDIT “Torn Apart nails down the bleak realities of the Trump administration's version of immigration policy, which has made family separation a central tenet.” – The Daily Dot Oct 12, 2019 Full Review Alternate Endings: Six New Ways To Die In America (2019) 90% 4/5 EDIT “Alternate Endings doesn't push the viewer down particular philosophical alleys. Each story, each life, yields its own lessons.” – The Daily Dot Aug 14, 2019 Full Review The Red Sea Diving Resort (2019) 27% 1.5/5 EDIT “Black people get reduced to victims or despots who are at the mercy of paternalistic, good-hearted white Israelis who take ridiculous risks.” – The Daily Dot Aug 1, 2019 Full Review Mo Amer: The Vagabond (2018) 4/5 EDIT “In a breakout performance filmed at Austin's Paramount Theater, Amer tackles identification, code-switching, "Mohammed" keychains, and contingency plans, with the observant nuance of a man who's lived two lifetimes.” – The Daily Dot Jul 17, 2019 Full Review Point Blank (2019) 41% 2/5 EDIT “Point Blank makes sense as a Netflix release, given the flimsy potting and lack of electricity from its main cast.” – The Daily Dot Jul 17, 2019 Full Review Trevor Noah: Afraid of the Dark (2017) 100% EDIT “The South African comic uses comparisons of his home and New York for foundational, scene-building material, but he really shines when he breaks out of that formula and gets a little more political.” – The Daily Dot Jul 12, 2019 Full Review 4/5 EDIT “ReMastered: Devil at the Crossroads is a well-done, fact-setting reconsideration of Robert Johnson's brief but critical career.” – The Daily Dot May 3, 2019 Full Review 3.5/5 EDIT “The Miami Showband Massacre quickly swells into a labyrinth of vast conspiracy... and one man's desperate quest for the truth.” – The Daily Dot Mar 26, 2019 Full Review Bob Lazar: Area 51 & Flying Saucers (2018) 20% 1/5 EDIT “Even worse, Corbell never digs directly into Lazar's claims. His failure to locate any sort of authenticity proves to be the film's worst feature, of many.” – The Daily Dot Feb 28, 2019 Full Review Kevin Hart's Guide to Black History (2019) 100% 3/5 EDIT “Kevin Hart's Guide to Black History accomplishes the comedian's goal of presenting Black history with a palatable vocabulary for children.” – The Daily Dot Feb 14, 2019 Full Review Breslin and Hamill: Deadline Artists (2018) 100% 4/5 EDIT “Aside from highlighting two of the Big Apple's print journalism beacons, the film also rekindles a romance for the written word.” – The Daily Dot Feb 2, 2019 Full Review ReMastered: Massacre at the Stadium - A Victor Jara Story (2018) 4/5 EDIT “With its rich mix of politics, music, and Perlmutt's effective peering into the human condition, it's the series' best offering by far.” – The Daily Dot Jan 14, 2019 Full Review Joe Rogan: Strange Times (2018) 3.5/5 EDIT “Anyone who can make a bit on the return of Christ via a true story of a knife stabbing and a woman's underdeveloped reproductive system is at the peak of his powers.” – The Daily Dot Dec 28, 2018 Full Review ReMastered: Who Killed Jam Master Jay? (2018) 3.5/5 EDIT “The episode adds to the collective curiosity surrounding these deaths but never quite satiates.” – The Daily Dot Dec 11, 2018 Full Review The World Is Yours (2018) 95% 4/5 EDIT “Fast-rising director Romain Gavras takes a giant leap forward in the feature film arena with his ballsy, Cannes-approved pulp/crime comedy The World Is Yours.” – The Daily Dot Dec 3, 2018 Full Review John Leguizamo's Latin History For Morons (2018) 100% 3.5/5 EDIT “[Leguizamo] makes a valiant attempt to connect modern-day oppression with an excruciatingly violent past-and realizes they have the same root.” – The Daily Dot Nov 5, 2018 Full Review Remastered: Who Shot The Sheriff (2018) 3/5 EDIT “ReMastered: Who Shot The Sheriff? ultimately solves little, and the film often sinks into a history lesson on Jamaica's muddled politics.” – The Daily Dot Oct 17, 2018 Full Review Nappily Ever After (2018) 71% EDIT “The entirely-too-safe comedy doesn't entirely work in plotting or script, but the film still feels vital in its message.” – The Daily Dot Sep 24, 2018 Full Review The Angel (2018) 67% 4/5 EDIT “Ultimately The Angel works on its whole, largely on Vromen's excellent direction and the stiff back of Kenzari, who turns in a masterful performance.” – The Daily Dot Sep 17, 2018 Full Review The Laws of Thermodynamics (2017) 50% 2.5/5 EDIT “Though playful and occasionally bright, the high concept's never taken into the deep end of the imagination pool to leave a mark.” – The Daily Dot Sep 7, 2018 Full Review The Skin of the Wolf (2017) 75% 3/5 EDIT “...a spectacular effort of visual storytelling.” – The Daily Dot Jul 23, 2018 Full Review Tau (2018) 30% EDIT “By the end of TAU, if you've made it beyond the hand-wrung bargaining, the humans are inconsequential, and ultimately serve as systemic throughputs.” – The Daily Dot Jul 6, 2018 Full Review Believer (2018) 64% EDIT “HBO's genuinely moving Believer puts an attractive bow tie on the observance of Pride month, laying bare the ostracization of (and embarrassingly slow progress for) the Mormon Church's queer community.” – The Daily Dot Jul 2, 2018 Full Review Recovery Boys (2018) 100% EDIT “Accomplished without exaggeration and putting additional faces onto oft-stereotyped members of America, making them multi-faceted men and bursting through backwoods hillbilly convention. The immediate social impression of Recovery Boys is tremendous.” – The Daily Dot Jul 2, 2018 Full Review
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