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Critics list

Josefine A.

Josefine A.'s reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Night Raiders (2021) 83% 4/5 EDIT “With impressive performances by the ensemble cast, Night Raiders is an exciting addition to the rising body of indigenous genre films, firmly establishing Goulet as a thrilling -- and skillful -- storyteller.” – One Room With A View Mar 5, 2021 Full Review Beans (2020) 91% 4/5 EDIT “Fueled and propelled by the personal experiences it is based on, Beans is a deeply moving film, wrenching the heart as well as the gut in its raw urgency.” – One Room With A View Mar 3, 2021 Full Review Memory Box (2021) 93% 4/5 EDIT “Ultimately transcending the personal, Memory Box documents a greater part of Lebanese history through the lives of its characters. The film itself becomes a curated time capsule, filled with sensual and visual impressions that last long after viewing.” – One Room With A View Mar 3, 2021 Full Review Moon, 66 Questions (2021) 97% 4/5 EDIT “Delicate and empathetic, Moon, 66 Questions is an impressive debut feature. Part coming-of-age, part illness narrative, the film is above all an intimate portrait of Artemis as she is forced to reevaluate her relationship with her father.” – One Room With A View Mar 3, 2021 Full Review Language Lessons (2021) 96% 3/5 EDIT “A charming small-scale production made to be viewed on a laptop screen, Language Lessons is still an admirable feat, successfully highlighting the importance of emotional connections above anything else.” – One Room With A View Mar 3, 2021 Full Review Charlatan (2020) 87% 3/5 EDIT “Despite the turbulent events of Mikoláek's life, Holland and screenwriter Marek Epstein have produced a remarkably calm film.” – One Room With A View Mar 9, 2020 Full Review Welcome to Chechnya (2020) 100% 5/5 EDIT “[David] France has created a documentary which is both incendiary and vital: we must bear witness to these atrocities and cannot allow them to be forgotten.” – One Room With A View Mar 6, 2020 Full Review Dry Wind (2020) 89% 4/5 EDIT “Dry Wind's powerful and unabashed representation of homosexuality is momentous, all the more so when viewed against the backdrop of Brazil's current political climate.” – One Room With A View Mar 5, 2020 Full Review Delete History (2020) 83% 2/5 EDIT “Drawn into complete ridicule, there is very little that remains relatable, and the superficial narrative which leads all three to ultimately renounce their digital dependency (at least for a while) fails to move.” – One Room With A View Mar 2, 2020 Full Review Surge (2020) 79% 3/5 EDIT “It's undoubtedly Whishaw who keeps the film compelling with his startling performance, even when the script stumbles somewhat in the final half hour.” – One Room With A View Mar 2, 2020 Full Review Shirley (2020) 88% 4/5 EDIT “Shirley unquestionably does its subject justice, both on a personal level and in the wider context of female authorship.” – One Room With A View Mar 2, 2020 Full Review Never Rarely Sometimes Always (2020) 99% 5/5 EDIT “With a narrative that is both universal and deeply personal, Never Rarely Sometimes Always is a film of the utmost urgency, a gut punch of the very best kind.” – One Room With A View Mar 2, 2020 Full Review The Roads Not Taken (2020) 44% 2/5 EDIT “The film's potential is still visible, but despite an all-star cast and beautiful cinematography, its execution falls woefully flat.” – One Room With A View Mar 2, 2020 Full Review The Intruder (2020) 54% 4/5 EDIT “Fully committed to the narrative ambiguity, The Intruder is a well-paced and atmospheric thriller which remains captivating until the very end, culminating in a most rewarding final scene.” – One Room With A View Mar 2, 2020 Full Review My Little Sister (2020) 94% 4/5 EDIT “This is a quietly stunning film that strikes chords of emotional truth, lingering long after viewing.” – One Room With A View Mar 2, 2020 Full Review Pinocchio (2019) 84% 3/5 EDIT “Pinocchio is still an enjoyable film, boasting an appropriately whimsical score and beautiful production design, and succeeds in creating a fairy tale even among the realism of poverty-stricken rural Italy.” – One Room With A View Feb 26, 2020 Full Review The Extraordinary Journey of Celeste Garcia (El viaje extraordinario de Celeste García) (2018) 67% 3/5 EDIT “Celeste García is a truly original and affectionately humorous take on the sci-fi genre. Instead of focusing on the actual space travel, the film foregrounds the very human emotions of those desperate to escape their mundane existence.” – One Room With A View Jul 8, 2019 Full Review Bacurau (2019) 93% 3/5 EDIT “With a set up as large as this, Bacurau would have benefitted from the more generous space of a (mini-)series in order to explore the nuances of this highly ambitious concept more fully.” – One Room With A View Jul 8, 2019 Full Review Vita & Virginia (2018) 41% 2/5 EDIT “Vita & Virginia is filled with odd stylistic choices - all of which ultimately leaves the viewer cold.” – One Room With A View Jul 5, 2019 Full Review Esto no es Berlín (2019) 82% 5/5 EDIT “To tell the story of Carlos and his exploration of identity, (Hari) Sama expertly draws on the full potential of the cinematic medium.” – One Room With A View Jul 5, 2019 Full Review Golden Youth (2019) 40% 2/5 EDIT “Golden Youth is, at times, visually stunning: both costumes and cinematography stand out, but ultimately cannot distract from a weak script.” – One Room With A View Jul 5, 2019 Full Review 4/5 EDIT “The script by writer-director team Fernando Perez and Laura Cazador is taut and full of tension, bringing to life this tale of epic proportions in a dense 94 minutes.” – One Room With A View Jul 5, 2019 Full Review Destination Wedding (2018) 51% 2/5 EDIT “Destination Wedding is nothing if not wasted potential, weighed down by a script which fails to produce any spark on screen, underlined by an incongruously cheesy score.” – One Room With A View May 13, 2019 Full Review Woman at War (2018) 97% 4/5 EDIT “Woman at War is a thoroughly original film and presents a wonderfully quirky antidote to the mass of Hollywood blockbusters.” – One Room With A View May 6, 2019 Full Review Hannah (2017) 82% 3/5 EDIT “The film's stripped down minimalism, paired with the subtle cinematography of Chayse Irvin, working on 35mm film, creates the perfect vehicle for Rampling's formidable craft.” – One Room With A View Mar 6, 2019 Full Review
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