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Critics list

Jordan Ruimy

Tomatometer-approved critic

Reviews

Movies TV Shows
Frankenstein (2025) 85% C EDIT “The script is full of inflated, theatrical moments that exist only because someone thought they’d look good on screen. ” – World of Reel Aug 31, 2025 Full Review Cover-Up (2025) 98% B+ EDIT “Watching “Cover-Up” feels like an encounter with history, journalism, and a man who won’t stop fighting the powerful, even as the powers-that-be continuously aim to shut him down. ” – World of Reel Aug 30, 2025 Full Review After the Hunt (2025) 37% C+ EDIT “In the end, “After the Hunt” frustrates, even alienates, but it refuses to comfort, and that defiance is worthy enough.” – World of Reel Aug 30, 2025 Full Review Orphan (2025) 63% C+ EDIT “The film drifts. The boy steals from shops, kicks around with friends, lashes out — Nemes, with his usual command of the camera, makes every frame beautiful, but you start to wonder if that beauty is all the film has.” – World of Reel Aug 30, 2025 Full Review No Other Choice (2025) 97% B EDIT “The film insists on its own logic, as absurd as it sounds. It is at once a satire, a violent thriller, a family melodrama, and a farce. ” – World of Reel Aug 30, 2025 Full Review Jay Kelly (2025) 75% B EDIT “In the end, it works because it’s anchored in performance, and because Baumbach, even at his most commercial, can still dig beneath the surface. ” – World of Reel Aug 30, 2025 Full Review La Grazia (2025) 81% C EDIT “The narrative itself is too stiff, repeating the same ideas in slightly different ways. Scenes change visually, but not emotionally or thematically, making the film feel mechanical.” – World of Reel Aug 30, 2025 Full Review Bugonia (2025) 88% B EDIT “A grotesque carnival of idiocy that somehow wildly entertains you.” – World of Reel Aug 30, 2025 Full Review Eddington (2025) 68% B- EDIT “I admired the swing, especially in the last hour. Few films dare to be this messy, this provocative. In a cinematic culture content with safe stories and sanitized emotions, “Eddington” feels like a slap in the face” – World of Reel Aug 1, 2025 Full Review Superman (2025) 83% C+ EDIT “Gunn wanted to reboot the DCU with heart, humor, and hope. What he’s made instead is a watchable, well-intentioned film — neither a triumph nor a disaster, just a movie that never quite figures out what it wants to say.” – World of Reel Aug 1, 2025 Full Review Sorry, Baby (2025) 97% C+ EDIT “The film, shot with an astute eye for comic detail by Victor, is filled with the quirks and story beats that have turned the token “Sundance movie” into its own cliche. ” – World of Reel Aug 1, 2025 Full Review F1 The Movie (2025) 82% B+ EDIT “There’s no denying that Joseph Kosinski’s “F1” is a feat of technical precision. Sometimes, that’s all a summer movie needs to soar. Check your brain at the door and envelop yourself in its frenzied images. ” – World of Reel Aug 1, 2025 Full Review 28 Years Later (2025) 88% C+ EDIT “The tonal shifts don’t always work. Yes, it comes apart. Defiantly so. Then again, the film doesn’t seem to care about narrative precision. It’s about dread, decay, and the unavoidable march of time.” – World of Reel Aug 1, 2025 Full Review Materialists (2025) 77% C+ EDIT “Song clearly has ideas, but here, she’s stuck between two modes and commits to neither. The result is a film about love and money that ends up feeling oddly cheap by its climax.” – World of Reel Aug 1, 2025 Full Review The Life of Chuck (2024) 80% C+ EDIT “There’s a part of me that wishes to embrace ‘Chuck’ a little more, especially in how beautifully the whole film is crafted, but Flanagan also can’t help himself with the schmaltz.” – World of Reel Aug 1, 2025 Full Review The Phoenician Scheme (2025) 77% C EDIT “Anderson stretches his diorama-like style to its breaking point here. In the end, we’re left with a film more admirable than affecting.” – World of Reel Aug 1, 2025 Full Review Bring Her Back (2025) 89% B+ EDIT “The genius of “Bring Her Back” isn’t just in the extremity of its imagery — which is extreme — it’s in the way the Philippous refuse to give you a comforting narrative roadmap. ” – World of Reel Aug 1, 2025 Full Review Mission: Impossible - The Final Reckoning (2025) 80% C EDIT “I was disappointed by this one—not because it’s a bad film, but because it’s a tangled, overcomplicated experience that forgets what made this series special in the first place. ” – World of Reel Aug 1, 2025 Full Review Friendship (2024) 88% B+ EDIT “This film has some of the year’s best laughs. Some of the irreverent gags and setpieces had me howling It plays like a gonzo, derange riff on “I Love You Man.”” – World of Reel Aug 1, 2025 Full Review Warfare (2025) 92% B+ EDIT “This is a minimalist war film. No character development, but viscerally penetrating action. Claustrophobic in its attempt to put you right inside the stakes.” – World of Reel Aug 1, 2025 Full Review Julie Keeps Quiet (2024) 93% B EDIT “A film filled with silence as its titular protagonist painstakingly hides her anxiety and anger. This is an absorbing and intense debut film for Dijl.” – World of Reel Aug 1, 2025 Full Review Magazine Dreams (2023) 80% B- EDIT “Ultimately, flaws and all, this should be seen as the Jonathan Majors show — the commitment he brings to his role is damn-near terrifying to behold. ” – World of Reel Aug 1, 2025 Full Review Misericordia (2024) 94% A- EDIT “An oddly delirious murder screwball. ” – World of Reel Aug 1, 2025 Full Review Black Bag (2025) 96% B- EDIT “I won’t lie in admitting that I expected more from Soderbergh’s stylish spy thriller. It can at times feel convoluted, too self-absorbed, to fully register. With that said, it’s an admirably light, and entertaining affair that runs a brisk 93 minutes.” – World of Reel Aug 1, 2025 Full Review Mickey 17 (2025) 78% C+ EDIT “I fear many critics are giving Bong a free pass on this one. For all its gonzo vision, the film meanders, and feels stitched up with incompatible parts. ” – World of Reel Aug 1, 2025 Full Review
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