John Oursler
John Oursler's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Sophie's Choice (1982)
74%
6/10
EDIT
“Whatever the film's weaknesses are, it is, albeit unsurprisingly, saved by Streep.” –
PopMatters
Jun 17, 2020
Full Review
Nashville (1975)
89%
9/10
EDIT
“Politics and art collide in Altman's dense tapestry, showing that part of American's beguiling promise is the inevitability of commodification.” –
PopMatters
Nov 20, 2018
Full Review
Julieta (2016)
84%
EDIT
“This sort of stunning classicism and bristling pace has come to signify Almodvar's later work.” –
Brooklyn Magazine
Dec 21, 2016
Full Review
The Danish Girl (2015)
66%
2.5/4
EDIT
“This style may make the film's subject matter more "acceptable" to a wider audience, but it also greatly stifles its impact, making it a largely unmemorable experience that illuminates little and impresses even less.” –
Movie Mezzanine
Dec 4, 2015
Full Review
Nostalghia (1983)
88%
8/10
EDIT
“Tarkovsky's hypnotic framing of Gorchakov's experience is made possible through his signature pacing, extended tracking shots, and slow zooms and focusing.” –
PopMatters
Mar 4, 2015
Full Review
Beloved Sisters (2014)
71%
7/10
EDIT
“Dominik Graf's Beloved Sisters [displays] a fascinating visual approach that distinguishes the film apart from its period counterparts.” –
Under the Radar
Jan 24, 2015
Full Review
Under the Skin (2013)
83%
9/10
EDIT
“A visionary, thought-provoking sci-fi masterpiece ...” –
Under the Radar
Jan 5, 2015
Full Review
Naked as We Came (2011)
EDIT
“As in too much queer cinema, Naked is weighed down by wooden, charisma-free hunks in leading roles, but McWilliams proves a revelation whose passionate performance more than compensates for the distracting eye candy.” –
Village Voice
Jan 21, 2014
Full Review
Indigo Children (2012)
20%
EDIT
“A film about an adolescent romance based on the pseudoscientific concept that some children possess special or supernatural powers.” –
Village Voice
Jan 14, 2014
Full Review
Summer in February (2013)
32%
EDIT
“A ceaselessly bland take on the famed Lamorna artists' colony in Cornwall, circa 1911.” –
Village Voice
Jan 14, 2014
Full Review
The Rocket (2013)
95%
EDIT
“A coming-of-age tale infused with fantastic elements that more than compensate for its predictability.” –
Village Voice
Jan 9, 2014
Full Review
Liv & Ingmar (2012)
93%
EDIT
“Liv & Ingmar is an anecdotal treasure chest for cinephiles, but more than that, it's a beautifully told love story.” –
Village Voice
Dec 10, 2013
Full Review
The Great Fallacy (2013)
EDIT
“Each theory and statistic supports the thesis, but the degree to which everyone and everything agrees elicits suspicion rather than interest.” –
Village Voice
Nov 12, 2013
Full Review
Sunlight Jr. (2013)
63%
EDIT
“Collyer has a keen eye for underrepresented populations, but she'd be better served in the future to scale back on the overstatement.” –
Village Voice
Nov 12, 2013
Full Review
Following the Ninth: In the Footsteps of Beethoven's Final Symphony (2011)
86%
EDIT
“Each anecdote builds upon the next to create that rarest of films: a documentary as ineffable and transformative in its reach as it sets out to be.” –
Village Voice
Oct 31, 2013
Full Review
These Birds Walk (2013)
96%
EDIT
“A touching portrait of youthful resilience and displacement set amid the drab backdrop of war-ravaged Karachi, Pakistan.” –
Village Voice
Oct 31, 2013
Full Review
Forced March (1989)
EDIT
“The film's meta qualities resonate mostly due to King's understanding of the ways in which media can help people process the past.” –
Village Voice
Oct 29, 2013
Full Review
In the Name Of (2013)
79%
EDIT
“The exogenous factors contributing to his turmoil are the ones in which he's most indoctrinated, and by humanizing this broader struggle, Szumowska's institutional denouncements are even more heartbreaking and scathing.” –
Village Voice
Oct 29, 2013
Full Review
Kill Your Darlings (2013)
77%
7/10
EDIT
“The film works best when the characters' freewheeling creative process is channeled into Krokidas's filmmaking techniques, namely through exhilarating montages, snappy dialogue, and frenetic, charismatic performances.” –
Paste Magazine
Oct 17, 2013
Full Review
Torn (2013)
100%
EDIT
“Michael Richter's intimate script traverses this mercurial territory without veering into hysterics-a great accomplishment.” –
Village Voice
Oct 15, 2013
Full Review
Symphony of the Soil (2012)
63%
EDIT
“Despite director Deborah Koons Garcia's mighty effort to create a stimulating and visually engaging product, Symphony plays mostly like a taped lecture.” –
Village Voice
Oct 8, 2013
Full Review
The Network (2013)
67%
EDIT
“Orner relies almost exclusively on interviews, and while not every story calls for bells and whistles, such a ho-hum approach doesn't do much for TOLO's inspiring work.” –
Village Voice
Sep 24, 2013
Full Review
Zaytoun (2012)
46%
EDIT
“By the end ... the director's ambivalence is overwhelming, obscuring an important story with undeniable modern parallels.” –
Village Voice
Sep 17, 2013
Full Review
Adore (2013)
32%
EDIT
“The disparity between the inherently trashy appeal of the story and the self-serious way it's presented cripples much of the potential for enjoyment.” –
Village Voice
Sep 3, 2013
Full Review
The Future (2013)
80%
EDIT
“Alicia Scherson's enthralling Il Futuro asks the question no one wants to hear: How would you see the world after a personal tragedy?” –
Village Voice
Sep 3, 2013
Full Review
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