Union County (2026)
100%
EDIT
“Instead of leaning into the histrionic hallmarks of the genre, Poulter opts for something more inward. ” –
The Film Stage
Jan 26, 2026
Full Review
Christy (2025)
67%
EDIT
“David Michod’s conventional but compelling biopic, which hinges on Sweeney’s nuanced, and physical performance. The movie wouldn’t be nearly as good or unnerving without her.” –
GQ Magazine [UK]
Dec 6, 2025
Full Review
Stiller & Meara: Nothing Is Lost (2025)
93%
EDIT
“What makes this feel like a worthy endeavor is the extent to which Stiller is willing to be vulnerable and interrogate his own role within his family.” –
The Film Stage
Oct 9, 2025
Full Review
Anemone (2025)
53%
EDIT
“Day-Lewis has crafted something haunting and exquisite, a slow-burning, two-handed meditation about grief, regret, and the kind of absence that irreparably fractures a family.” –
The Film Stage
Sep 28, 2025
Full Review
The Lost Bus (2025)
88%
EDIT
“Paul Greengrass has such a natural feel for depicting disaster––the kind of kinetic, high-stakes action that keeps moving and escalating and pivoting––that it’s easy to forget how few directors get it right.” –
The Film Stage
Sep 16, 2025
Full Review
Steve (2025)
78%
EDIT
“Murphy’s intricate, calibrated performance struggles to break through in the same way, burdened by Mielants’ jarring shifts in tone and constrained by Porter’s jittery script.” –
The Film Stage
Sep 15, 2025
Full Review
Maddie's Secret (2025)
88%
EDIT
“Early has a natural way with the camera, leaning on close-ups to capture micro expressions and further sud up all the soapiness. In both words and images, Maddie’s Secret is ripped straight from the afterschool-special playbook. ” –
The Film Stage
Sep 14, 2025
Full Review
Eternity (2025)
77%
EDIT
“The only consistent comedy comes from Anna and Ryan, whose battling allegiances––and own romantic subplot––provide Eternity temporary relief from its cyclical plot. ” –
The Film Stage
Sep 12, 2025
Full Review
Teenage Wasteland (2025)
100%
B
EDIT
“It’s inspiring to watch. Isseks provided the tools and the idea, but the students took the cause to new heights, a symptom of their strong feelings about the governmental negligence occurring in their backyards.” –
The Film Stage
Feb 7, 2025
Full Review
Atropia (2025)
41%
C+
EDIT
“At its worst, Atropia can suggest a glorified second-half SNL sketch, not nearly as funny or incisive as it wants to be. ” –
The Film Stage
Feb 5, 2025
Full Review
Omaha (2025)
89%
B
EDIT
“Quiet and heartbreaking, if not slightly conventional, Omaha unfolds like a slow-burning mystery, mostly taking Ella’s skeptical, worried perspective as she tries piecing together clues about this unexpected family road trip.” –
The Film Stage
Feb 4, 2025
Full Review
Twinless (2025)
97%
B+
EDIT
“[Sweeney has] got an acute feel for how to deploy humor and grief into the same space, especially as more backstory unwinds and the movie’s heightened stakes infiltrate the perception of his characters. ” –
The Film Stage
Feb 3, 2025
Full Review
Love, Brooklyn (2025)
69%
B-
EDIT
“You can feel the warm breeze filtering through Love, Brooklyn, a gentle, dream-like summer movie that often teeters on the edge of reality. ” –
The Film Stage
Jan 31, 2025
Full Review
Suburban Fury (2024)
100%
B-
EDIT
“A formally audacious and perplexing portrait of Moore that contextualizes her extremist actions within one of the most transformative periods in American history.” –
The Film Stage
Oct 18, 2024
Full Review
Inside Out 2 (2024)
91%
B
EDIT
“A perfectly enjoyable, reliably entertaining, if safer and less awe-inspiring second installment in what could be a long-running franchise if Pixar so wanted. ” –
The Film Stage
Jun 13, 2024
Full Review
Winner (2024)
54%
C
EDIT
“It’s hard to feel righteous indignation from this story. Even at its most effective dramatic moments, when you should be clenching your fists, you only end up shrugging. ” –
The Film Stage
Jan 29, 2024
Full Review
A Different Man (2024)
93%
A-
EDIT
“It’s a dark, hilarious, and deeply unsettling portrait of a disfigured man that’s also an unflinching mirror of a looks-focused industry. ” –
The Film Stage
Jan 26, 2024
Full Review
Freaky Tales (2024)
75%
C-
EDIT
“Incorporating sci-fi elements and animation with a hip-hop, punk, and classic rock-inspired soundtrack, Freaky Tales wants the verve of Pulp Fiction but seems to have been reverse-engineered from its structural conceit. ” –
The Film Stage
Jan 25, 2024
Full Review
Look Into My Eyes (2024)
91%
B+
EDIT
“In this deeply moving, compassionate exploration, determining whether this small and goofy group actually has real powers is beside the point. ” –
The Film Stage
Jan 24, 2024
Full Review
Love Lies Bleeding (2024)
94%
B+
EDIT
“Glass handles the whiplash of romance to murder with a deft touch, riding the highs of a haunting synth score and two performances that work in-tandem. ” –
The Film Stage
Jan 24, 2024
Full Review
Girls State (2024)
95%
B
EDIT
“One senses friction between the movie McBaine and Moss set out to make and the one developing in front of them. ” –
The Film Stage
Jan 24, 2024
Full Review
Love Me (2024)
46%
C+
EDIT
“I wish the Zucheros spent more time unpacking the way these two operating systems sense the thinness of the characters they think they’re supposed to be playing and the feelings they’re supposed to be feeling. ” –
The Film Stage
Jan 24, 2024
Full Review
Thelma (2024)
98%
B
EDIT
“A loveable, low-stakes joyride from director Josh Margolin.” –
The Film Stage
Jan 20, 2024
Full Review
Silent Night (2023)
60%
D+
EDIT
“As much as Woo likes incorporating old techniques that have become contemporary ones, he just as haphazardly mimics his disciples. ” –
The Film Stage
Nov 30, 2023
Full Review
Janet Planet (2023)
85%
A-
EDIT
“Baker casts a warm, humid spell with her keen eye and ear––she uses up the entire width of the frame with compositions that provoke mystery, and builds an organic soundscape of bird calls and cricket chirps that lull you into Lacy’s world. ” –
The Film Stage
Oct 9, 2023
Full Review
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