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Hannah Strong

Tomatometer-approved critic

Reviews

Movies TV Shows
Saipan (2025) 90% 3/5 EDIT “Hardwicke’s magneticism aside, it’s an enjoyable but featherlight affair.” – Little White Lies Jan 22, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% 4/5 EDIT “The Bone Temple offers a heady mix of stomach-churning violence, absurdist humour and surprising glimmers of tenderness.” – Little White Lies Jan 17, 2026 Full Review The Housemaid (2025) 74% 2/5 EDIT “The Housemaid lacks the guile to transform its flaws into future camp classic material.” – Little White Lies Dec 30, 2025 Full Review Marty Supreme (2025) 93% 5/5 EDIT “Although the third act sags a little under the weight of Marty’s hubris, it’s impossible to deny Safdie is working at a remarkable technical level.” – Little White Lies Dec 24, 2025 Full Review Predators (2025) 97% 4/5 EDIT “It’s uncomfortable and often disturbing viewing, but Osit’s unsentimental, self-critical and refreshingly thoughtful approach makes Predators one of the most valuable entries into a saturated genre, prioritising ethics over emotion.” – Little White Lies Nov 14, 2025 Full Review The Mastermind (2025) 90% 4/5 EDIT “Kelly Reichardt's Vietnam-era heist drama is immediately engaging in its opaqueness.” – Little White Lies Oct 22, 2025 Full Review Lurker (2025) 95% 4/5 EDIT “Lurker is an excellent showcase for the talents of Théodore Pellerin and an intriguing first step as a feature filmmaker for Alex Russell.” – Little White Lies Sep 24, 2025 Full Review Remake (2025) EDIT “This film is a remarkable tribute to Adrian, poignant and precise, spliced together from clips and fragments like a moving family photo album.” – Little White Lies Sep 4, 2025 Full Review In the Hand of Dante (2025) 43% EDIT “Schnabel’s film isn’t even entertaining enough to count as a compelling disaster.” – Little White Lies Sep 3, 2025 Full Review Ish (2025) EDIT “Ish heralds the arrival of strong talent both behind and in front of the camera, presenting a fresh moving account of contemporary British childhood.” – Little White Lies Sep 2, 2025 Full Review The Stranger (2025) 88% EDIT “The Stranger transfers to film for a third time in mostly compelling fashion, and the small adjustments to Camus’ plot afford a little modernity without a more obvious update. ” – Little White Lies Sep 2, 2025 Full Review Marc by Sofia (2025) EDIT “By no means is it a drag, but Marc by Sofia is a missed opportunity, revealing very little to the extent one thinks it might as well have been a glossy coffee table photobook instead of a film. ” – Little White Lies Sep 2, 2025 Full Review The Smashing Machine (2025) 70% 4/5 EDIT “It's a film that feels gloriously alive, earnest in its depiction of masculinity that is fragile rather than toxic while still grappling with the question of why anyone would choose to make a living in such a barbaric way.” – Little White Lies Sep 2, 2025 Full Review The Testament of Ann Lee (2025) 88% EDIT “Despite its chilliness and sometimes perplexing lack of interest in interrogating the mythology of Ann Lee, there’s plenty that’s impressive and admirable about Fastvold’s work.” – Little White Lies Sep 2, 2025 Full Review No Other Choice (2025) 97% 5/5 EDIT “That the handsome but often pathetic Man-su is such a compelling character is a credit to both Director Park and the wonderful Lee Byung-hun, whose performance is a masterclass in the tension between comedy and tragedy.” – Little White Lies Sep 1, 2025 Full Review Late Fame (2026) 85% EDIT “Late Fame is nostalgic but always gestures at more interesting artists than presenting one of its own. ” – Little White Lies Sep 1, 2025 Full Review Frankenstein (2025) 85% EDIT “Operatic in both mode and scale, del Toro achieves a vision that channels Shelley’s spirit while avoiding a retread of old ground.” – Little White Lies Aug 30, 2025 Full Review After the Hunt (2025) 37% 3/5 EDIT “The smart, keenly observed and undoubtedly thorny power play of After the Hunt make it an arresting psychodrama, confronting our willingness to swallow our own suffering in the name of self-preservation.” – Little White Lies Aug 30, 2025 Full Review Jay Kelly (2025) 75% 3/5 EDIT “Noah Baumbach’s new dramedy isn’t breaking new ground, but it’s a charming, wistful take on what lies beneath the myth of celebrity.” – Little White Lies Aug 28, 2025 Full Review Bugonia (2025) 88% 4/5 EDIT “The droll, disturbing and unexpectedly moving Bugonia more than justifies its offshoot existence.” – Little White Lies Aug 28, 2025 Full Review Weapons (2025) 93% 3/5 EDIT “It's a shame that the film falls back on old ideas, because Weapons' first half is genuinely intriguing and some of the film's scares are effective in both shock value and bewilderment.” – Little White Lies Aug 12, 2025 Full Review Friendship (2024) 88% 4/5 EDIT “The same wildcard energy that made Robinson’s sketch series a cult classic is threaded through Friendship. There’s a feeling that anything could happen at any moment.” – Little White Lies Jul 18, 2025 Full Review Resurrection (2025) 89% EDIT “It’s a staggering feast for the senses (each segment revolves around one of them) but even more so a true love letter to cinema written bold and brilliant.” – Little White Lies May 27, 2025 Full Review The Wave (2025) 60% EDIT “It’s a film that understands there’s nothing to be gained from making oneself an island, but remains stoic and unsentimental in its vision of the past.” – Little White Lies May 27, 2025 Full Review Love on Trial (2025) EDIT “Love on Trial meanders along with all the drama of a gentle boat ride, never quite kicking into gear, and the lack of development afforded to the supporting characters reduces Mai’s studio opposition to cartoon-like villains. ” – Little White Lies May 23, 2025 Full Review
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