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Critics list

Elissa Suh

Tomatometer-approved critic

Reviews

Movies TV Shows
Familiar Touch (2024) 98% EDIT “It sneaks up on you in the gentlest, loveliest way.” – Moviepudding (Substack) Jan 9, 2026 Full Review Mad Bills to Pay (or Destiny, dile que no soy malo) (2025) 85% EDIT “A gentle, unsparing, and through-and-through New York movie.” – Moviepudding (Substack) Jan 2, 2026 Full Review The Hand That Rocks The Cradle (2025) 42% EDIT “As a cultural document, the movie is revealing, and more politically correct and psychologically responsible. But it’s not very compelling either.” – Moviepudding (Substack) Dec 11, 2025 Full Review Highest 2 Lowest (2025) 83% EDIT “Spike Lee’s remake of Kurosawa’s High and Low has that distinct feel of a "late" film, the kind a great director makes on autopilot: pleasant enough, competent enough, but strangely limp.” – Moviepudding (Substack) Dec 11, 2025 Full Review Bugonia (2025) 88% EDIT “Yorgos’s remake is markedly different in tone, more tongue-in-cheek and teeth-grindingly cynical, like Kinds of Kindness before it.” – Moviepudding (Substack) Dec 11, 2025 Full Review Die My Love (2025) 74% EDIT “For all its noise, Die My Love ends up saying very little about this woman in trouble—except that she makes trouble beautifully.” – Moviepudding (Substack) Nov 22, 2025 Full Review The Mastermind (2025) 90% EDIT “Drained of glamour, the film reveals itself as a parable of failed escape—futility disguised as crime.” – Moviepudding (Substack) Oct 17, 2025 Full Review The Smashing Machine (2025) 70% EDIT “Benny’s solo act is less a sports biopic than a melancholic jazz riff on one, smudging the genre’s usual sweaty triumphalism into something looser, more subdued, and unexpectedly delicate ” – Moviepudding (Substack) Oct 10, 2025 Full Review Urchin (2025) 96% EDIT “A film of directorial talent still in search of its own frequency. Harris Dickinson hasn’t calibrated his balance of storytelling and political instinct with his cinematic sensibilities. ” – Moviepudding (Substack) Oct 10, 2025 Full Review Shell (2024) 63% EDIT “This movie is well-concocted surface-level thrill and therein lies the charm.” – Moviepudding (Substack) Oct 10, 2025 Full Review Blue Moon (2025) 90% EDIT “Agreeably superb.” – Moviepudding (Substack) Sep 15, 2025 Full Review Erupcja (2025) 85% EDIT “Dialogue is clumsy, exposition flaunts itself, and a dry Andersonian voiceover functions as a necessary buttress against the dead air. ” – Moviepudding (Substack) Sep 15, 2025 Full Review Poetic License (2025) 90% EDIT “Showcases Apatow’s comic instincts and sparkles with scene-stealing performances” – Moviepudding (Substack) Sep 15, 2025 Full Review Maddie's Secret (2025) 88% EDIT “The culmination of Early’s usual wit and what appears to be an impressive cinematic sensibility. ” – Moviepudding (Substack) Sep 15, 2025 Full Review Cloud (2024) 93% EDIT “An unflaggingly weird, delightfully fun portrait of an online reseller. ” – Moviepudding (Substack) Jul 14, 2025 Full Review To a Land Unknown (2024) 98% EDIT “For all its slick taut style, the film remains deeply humane and empathetic. Coming from a documentary background, Fleifel brings a neorealist rigor to the story, weaving in vivid textures and the occasional bit of humor.” – Moviepudding (Substack) Jul 14, 2025 Full Review Materialists (2025) 77% EDIT “Still in the grips of theater, Songs thinks in metaphors and dismisses the ample possibilities of cinema, isolating her characters into their own tiny planets.” – Moviepudding (Substack) Jun 29, 2025 Full Review Bonjour Tristesse (2024) 68% EDIT “Bonjour Tristesse flings us into the frictionless existence of bourgeois life and the seductively stalled momentum of a hazy summer.” – Moviepudding (Substack) May 2, 2025 Full Review The Annihilation of Fish (1999) 76% EDIT “An unexpected love story between two self-professed “kooky old people” that balances humor and depth without reducing the them to pitiable caricatures of age.” – Moviepudding (Substack) Feb 16, 2025 Full Review Babygirl (2024) 76% EDIT “A tale of middle-aged self-discovery and a middling marriage drama parading as an erotic thriller.” – Moviepudding (Substack) Jan 9, 2025 Full Review Christmas Eve in Miller's Point (2024) 80% EDIT “ The memory piece is nostalgic but not sentimental, undercut with a specter of settled regret.” – Moviepudding (Substack) Dec 23, 2024 Full Review The Girl With the Needle (2024) 92% EDIT “Despite this sweeping portentousness, Von Horn forces us to look at what happens when women's bodies are patrolled.” – Moviepudding (Substack) Dec 9, 2024 Full Review Oh Canada (2024) 66% EDIT “What was poised to be a takedown of the documentary is deflated a bit by sentimentality.” – Moviepudding (Substack) Dec 9, 2024 Full Review The End (2024) 56% EDIT “The End falls short of the achieving the grandiosity of the themes it admirably takes on” – Moviepudding (Substack) Dec 9, 2024 Full Review A Real Pain (2024) 96% EDIT “The film feels narratively affixed to traditional beats, but more intriguing in its smaller moments.” – Moviepudding (Substack) Nov 26, 2024 Full Review
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