Toy Story (1995)
100%
EDIT
“The easy-to-follow screenplay, about the rivalry between two toys—cowboy Woody and spaceman Buzz Lightyear—should excite young children; teen-agers and parents can enjoy the brilliantly executed action sequences.” –
The New Yorker
Sep 9, 2025
Full Review
The Polymath, or The Life and Opinions of Samuel R. Delany, Gentleman (2007)
EDIT
“A lively and thoughtful look at a deeply lived-in life.” –
The New Yorker
May 13, 2019
Full Review
Don't Breathe (2016)
88%
EDIT
“The suspense is built as carefully as it is in a good John Carpenter movie; Alvarez uses the camera like a stealth weapon, exploring dark corners and hidden areas of the house with devilish glee.” –
The New Yorker
Sep 26, 2016
Full Review
Lights Out (2016)
74%
EDIT
“Although the movie doesn't offer much in the way of characterization, its cheap thrills are manufactured effectively, like an amusement-park ride designed to rattle the nerves.” –
The New Yorker
Aug 1, 2016
Full Review
Finding Dory (2016)
94%
EDIT
“While not as visually dazzling as its predecessor, the film is still colorful and immersive; the script, while predictable, puts an engaging spin on the issues of home and identity.” –
The New Yorker
Jun 27, 2016
Full Review
Manhattan Night (2016)
35%
EDIT
“The thrilling twists and turns of Harrison's plot are here, but DeCubellis's hazy pacing drains the film of the book's zest. Though great material mishandled is frustrating to view, there are nonetheless some bright spots.” –
The New Yorker
May 30, 2016
Full Review
Criminal (2016)
30%
EDIT
“The movie is a little more fun than it has any right to be, thanks to its super-serious cast (including Tommy Lee Jones, Ryan Reynolds, Gary Oldman, and Gal Gadot) and the straight-faced approach to its ridiculous shenanigans.” –
The New Yorker
Apr 25, 2016
Full Review
Hardcore Henry (2015)
51%
EDIT
“This first-person-shooter extravaganza has little purpose besides showing what happens when a GoPro is strapped to a series of stuntmen as they run through their repertoire of extraordinary action moves.” –
The New Yorker
Apr 18, 2016
Full Review
John Wick (2014)
86%
EDIT
“Stylishly violent and not much else.” –
The New Yorker
Nov 10, 2014
Full Review
Annabelle (2014)
28%
EDIT
“The script, by Gary Dauberman, is a clichd mess, lacking humor and surprises. But Leonetti stages some fright-worthy sequences ...” –
The New Yorker
Oct 13, 2014
Full Review
The Cabin in the Woods (2011)
92%
EDIT
“The filmmakers are less interested in providing a slow buildup to their frights than in splattering the clichés of the form in funny, spirited ways.” –
The New Yorker
Oct 6, 2014
Full Review
The Maze Runner (2014)
66%
EDIT
“It's all familiar territory, but it's realized with flair.” –
The New Yorker
Oct 6, 2014
Full Review
The Guest (2014)
92%
EDIT
“The director Adam Wingard joins the ranks of the current masters of unease with this suspenseful horror tale.” –
The New Yorker
Oct 6, 2014
Full Review
Guardians of the Galaxy (2014)
91%
EDIT
“Chris Pratt, overflowing with charisma, plays the leader of the pack of misfits, and his blissed-out space cowboy (with a love for seventies music) is so full of good will that he buoys the film and its requisite whizbang special effects.” –
The New Yorker
Sep 5, 2014
Full Review
The Ring (2002)
72%
EDIT
“The movie's nifty beginning-all anxiety and dread-suggests that the audience is in for a fearful ride, but the one-dimensional story quickly runs out of fuel.” –
The New Yorker
Jul 25, 2014
Full Review
Coherence (2013)
89%
EDIT
“The film's not perfect-the hand-held camerawork sometimes distracts from the unnerving mood-but it's a good, spooky mind-bender.” –
The New Yorker
Jun 30, 2014
Full Review
How to Train Your Dragon 2 (2014)
92%
EDIT
“The writer and director Dean DeBlois takes the comedy to a deeper, more satisfying place than he did in the original franchise-launching animated film.” –
The New Yorker
Jun 23, 2014
Full Review
The Fault in Our Stars (2014)
81%
EDIT
“The film dodges most of the pitfalls of clichd cancer dramas with humor and natural warmth.” –
The New Yorker
Jun 16, 2014
Full Review
Bad Boys II (2003)
23%
EDIT
“The producer Jerry Bruckheimer and the director Michael Bay's buddy-cop destructorama has all the editing beats of a sex film.” –
The New Yorker
Jun 6, 2014
Full Review
Mr. 3000 (2004)
54%
EDIT
“This fuzzy baseball story about a conceited player (Bernie Mac) who comes out of retirement to fix his record (he's three hits short of the magic three thousand) is a major letdown.” –
The New Yorker
May 12, 2014
Full Review
Catwoman (2004)
8%
EDIT
“Another hundred million dollars down the drain.” –
The New Yorker
May 2, 2014
Full Review
Divergent (2014)
41%
EDIT
“Barely diverting.” –
The New Yorker
Mar 31, 2014
Full Review
Veronica Mars (2014)
80%
EDIT
“The film is an obvious labor of love for all concerned, and the good times are infectious.” –
The New Yorker
Mar 24, 2014
Full Review
Bottle Rocket (1996)
86%
EDIT
“[Bottle Rocket] meanders pleasantly, like a road movie, with a seventies-style, anything-goes offhandedness that whisks the audience through the rough spots.” –
The New Yorker
Mar 4, 2014
Full Review
The Hobbit: The Desolation of Smaug (2013)
74%
EDIT
“The tale has no emotional resonance, and the thinness of the plot (only five of the book's chapters are adapted here) and the colorless depictions of the leading characters do it no favors.” –
The New Yorker
Dec 30, 2013
Full Review
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