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Brogan Morris

Brogan Morris's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Urchin (2025) 96% 8.0/10 EDIT “The compassion that Dickinson has for his protagonist – that is, a measured compassion, which generously allows room for Mike to be despicable as well as charming – is matched by Dillane’s own evident feeling for the character. ” – Paste Magazine Oct 10, 2025 Full Review Made in England: The Films of Powell and Pressburger (2024) 99% 8.0/10 EDIT “Having made Powell and Pressburger legendary, Scorsese with Made in England finally helps to mortalize them.” – Paste Magazine Jul 10, 2024 Full Review Back to Black (2024) 35% D+ EDIT “It’s a point made without a hint of irony, the film making minimal effort to understand Amy Winehouse while carrying out what would seem its primary purpose: Treating a late, great musician as a property to exploit.” – AV Club May 15, 2024 Full Review Double Play: James Benning and Richard Linklater (2013) 100% B EDIT “A valuable introduction to these two filmmakers' work for budding film enthusiasts.” – Movie Mezzanine May 2, 2024 Full Review The Old Oak (2023) 82% 6.5/10 EDIT “If The Old Oak really is Loach’s final film, that’s a bittersweet and, yes, overly-simplistic parting message, but it’s a comfortingly familiar one from a director who has been unshakably consistent over six decades.” – Paste Magazine Apr 4, 2024 Full Review One Life (2023) 91% 6.5/10 EDIT “One Life arrives in the wake of two of the most formally and intellectually rigorous examples of cinema yet made on the Holocaust, and it can’t help but appear a little flimsy in comparison.” – Paste Magazine Mar 12, 2024 Full Review Sour Grapes (2016) 96% EDIT “The film leaves us with some frustrating lingering questions about who Rudy Kurniawan really was, although the journey is no less enjoyable for it.” – Little White Lies May 6, 2020 Full Review Free Fire (2016) 69% 8/10 EDIT “Really Free Fire's a movie about its own craft and the interplay between its actors-not to mention a trial run at bigger budgeted and more "mainstream" filmmaking for Wheatley.” – Paste Magazine Apr 21, 2017 Full Review The Lost City of Z (2016) 85% 8/10 EDIT “Khondji's cinematography doesn't just complement Gray's movie, it deepens its meaning, strengthening the appeal of Fawcett's jungle, endlessly verdant and mysterious where home in England appears dull and monotone.” – Paste Magazine Apr 14, 2017 Full Review My Scientology Movie (2015) 89% 6/10 EDIT “My Scientology Movie isn't particularly deep-Alex Gibney's Going Clear comfortably remains the definitive film on this subject-but Theroux tackles what you might already know in a wryly compelling way.” – Paste Magazine Mar 16, 2017 Full Review The Age of Consequences (2016) 67% EDIT “Scott clearly isn't trying to make a definitive statement on the consequences of global warming -- instead he appears determined to encourage a new line of thinking.” – Little White Lies Feb 15, 2017 Full Review Arsenal (2017) 3% 3/10 EDIT “Even by Nicolas Cage's now shockingly low standards, Arsenal is bad.” – We Got This Covered Jan 10, 2017 Full Review I, Daniel Blake (2016) 92% 8/10 EDIT “If you want reality -- if you want an idea, for one, as to how the British people could become so despairing that they would do something as drastic as vote to leave the European Union -- see I, Daniel Blake.” – Paste Magazine Jan 5, 2017 Full Review Paterson (2016) 96% 8/10 EDIT “It's a turn of minor gestures that lacks the obvious Best Actor grandstanding to, say, win an Oscar, but rest assured Driver's performance is one of the most impressive given this year.” – Paste Magazine Dec 29, 2016 Full Review Frank & Lola (2016) 68% 8/10 EDIT “Anyone who's ever wondered how Michael Shannon would fare as a smoldering romantic lead or how Imogen Poots might handle the role of a femme fatale has their answer in Matthew Ross' engaging psycho-thriller.” – We Got This Covered Dec 9, 2016 Full Review The Duelist (2016) 43% 4/10 EDIT “Gorgeously empty, The Duelist is more interesting as a reflection of the Russian sociopolitical climate today than it is as an actual goddamn movie.” – We Got This Covered Dec 3, 2016 Full Review Lady Macbeth (2016) 89% 8/10 EDIT “Lady Macbeth begins as a biting tale of female empowerment but slowly reveals itself to be something much crueler. Period pieces rarely feel this contemporary.” – We Got This Covered Nov 26, 2016 Full Review Nocturnal Animals (2016) 74% 8/10 EDIT “Male anger and resentment drive this savage tale, a thriller as gripping as it is stomach-churningly frank.” – Paste Magazine Nov 22, 2016 Full Review Under the Shadow (2016) 99% 7.5/10 EDIT “Under the Shadow features two major breakouts: [star] Narges Rashidi... and [director Babak] Anvari, who with his debut proves himself as adept at politically-charged social-realism as he is at horror.” – Paste Magazine Oct 6, 2016 Full Review Warcraft (2016) 29% 1.5/10 EDIT “Already seriously in the running to take the prize for Worst Movie of 2016, Warcraft may prove that the fabled video game adaption "curse" is so strong that it can bring even the most talented of young filmmakers to their knees.” – Paste Magazine Jun 3, 2016 Full Review The Brothers Grimsby (2016) 37% 4/10 EDIT “When disappointments rack up, there comes a point where fans have to question whether the "comic genius" is really worthy of the label-and for Sacha Baron Cohen, The Brothers Grimsby will be that moment to take stock.” – Paste Magazine Mar 11, 2016 Full Review Triple 9 (2016) 54% 8/10 EDIT “The strange, bright scuzziness of the overall style elevates Triple 9's more familiar elements, such as the Heat-like heists and the tense cop vs. crook stand-offs.” – Paste Magazine Feb 24, 2016 Full Review The Last Man on the Moon (2014) 94% 4/5 EDIT “The Last Man on the Moon is not just a tribute to one man, though -- it's also an elegy for a time when humankind still appeared determined to achieve impossible goals.” – We Got This Covered Feb 24, 2016 Full Review Deadpool (2016) 85% 7/10 EDIT “If it were a regular R-rated comedy, Deadpool's "taboo" ingredients wouldn't be considered boundary-breaking at all. But in a superhero movie, this stuff feels revolutionary.” – Paste Magazine Feb 12, 2016 Full Review Legend (2015) 60% 4.5/10 EDIT “Past dissecting Hardy the public image, as a biography of two real-life subjects, Legend is less satisfying.” – Paste Magazine Nov 19, 2015 Full Review
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