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Andy Crump

Andy Crump's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Dead Man's Wire (2025) 91% C+ EDIT “Judged solely by Skarsgård’s scenes, Dead Man’s Wire makes for an insightful and tense portrait of its subject. But judged by the limits of its perspective, the film is narrow to the story’s detriment. ” – AV Club Jan 7, 2026 Full Review One Battle After Another (2025) 94% 9.3/10 EDIT “[Anderson] supplies One Battle After Another little pockets of air to breathe in between sustained moments of dreadful tension.” – Paste Magazine Sep 26, 2025 Full Review Weapons (2025) 93% EDIT “Weapons is a feast; there’s light to dispel darkness in the climax, though Cregger adjusts the dimmer slightly to avoid illuminating the whole picture. ” – TIME Magazine Aug 12, 2025 Full Review Sorry, Baby (2025) 97% 8.7/10 EDIT “That’s the film’s sweet spot: the space between comedy and melancholy, the kind with ineluctable gravitational weight, pulling down the people unfortunate enough to know it and forcing their lives into holding patterns.” – Paste Magazine Jun 24, 2025 Full Review The Ritual (2025) 9% EDIT “It’s a sin that the film itself falls so short of its moment.” – Salon.com Jun 6, 2025 Full Review Tornado (2025) 66% B EDIT “It’s more that the specific combination of jidaigeki period piece, highland character study, and frontier justice that’s new, making Tornado a harrowing, blustery, violent amalgamation of an idiosyncratic spirit. ” – AV Club May 30, 2025 Full Review The Surfer (2024) 84% B EDIT “It’s a rare moment where what one knows of Cage’s methods as an actor crystallizes into a form that feels wholly unknown—discovering new ground in well-tread territory.” – AV Club May 1, 2025 Full Review The Legend of Ochi (2025) 75% 6.7/10 EDIT “All the labor and love funneled into the images and textures comprising The Legend of Ochi’s merits function as a wall behind which its weaknesses can only try to hide. It is plot-driven but scattershot, just overstuffed enough to cause that plot to bloat” – Paste Magazine Apr 21, 2025 Full Review Magazine Dreams (2023) 80% D EDIT “There is no character here, but a walking time bomb that only acts when compelled to by outside influences.” – AV Club Mar 24, 2025 Full Review On Becoming a Guinea Fowl (2024) 100% 9.1/10 EDIT “Its examination of generational riffs tends to side more with the successors than with the incumbents, which may be inevitable given what the former are railing against: a culture of hush hush, keep it down, where heinous sin is swept under the rug.” – Paste Magazine Mar 16, 2025 Full Review Rats! (2024) 80% 7.9/10 EDIT “Don’t let the film’s attitude or excess fool you: it takes a dim view of the culture in the neck of the U.S. where it’s set, but nonetheless cares deeply for the people trapped there who deserve to live better lives in better places.” – Paste Magazine Feb 25, 2025 Full Review Dog Man (2025) 82% B EDIT “Dog Man is a sugar rush. If Emmet Brickowski ever made a movie, it would have the same energy as this one, where the fourth wall is broken so many times you’d have to buy out Home Depot’s stock of joint compound to patch it.” – AV Club Jan 29, 2025 Full Review Flight Risk (2025) 29% C EDIT “Over-writing doesn’t delay Flight Risk’s pace or tension; Wahlberg does. The actor ended up apologizing for his boneheaded 9/11 remarks not long after making them. Maybe one day he’ll apologize for Flight Risk, too.” – AV Club Jan 23, 2025 Full Review Wolf Man (2025) 48% 5.9/10 EDIT “Whatever message Whannell means to communicate in Wolf Man’s gendered motifs, he jumbles. The movie’s ideas are in conflict with each other. ” – Paste Magazine Jan 15, 2025 Full Review Only the River Flows (2023) 85% 7.9/10 EDIT “[This crime thriller is] a gradual breakdown, complemented by Chengma Zhiyuan’s thoughtful and measured cinematography.” – Paste Magazine Jul 25, 2024 Full Review Chronicles of a Wandering Saint (2023) 100% 9.2/10 EDIT “Certain moments lend Chronicles of a Wandering Saint the feel of Renaissance paintings, pairing vibrant and cool colors with an encompassing emphasis on interplay between light and shadow.” – Paste Magazine Jul 5, 2024 Full Review Humanist Vampire Seeking Consenting Suicidal Person (2023) 90% 8.2/10 EDIT “Humanist Vampire Seeking Consenting Suicidal Person, is not only packing one of 2024’s standout titles; it’s the most original vampire film of the 2020s so far.” – Paste Magazine Jun 21, 2024 Full Review Terrestrial Verses (2023) 96% 8.9/10 EDIT “For all of its cosmic implications, the film remains steadfast in its human devotions.” – Paste Magazine May 28, 2024 Full Review All You Need Is Death (2023) 88% 7.4/10 EDIT “Ireland is a lush green country with at least one haunted house story for every village and hamlet, an ongoing contrast between timeless beauty and eldritch terror. Paul Duane puts that dynamic at the center of All You Need Is Death.” – Paste Magazine Apr 16, 2024 Full Review Yannick (2023) 95% 8.1/10 EDIT “Yannick finds Dupieux looking unexpectedly inward and demonstrating a vulnerability that’s absent elsewhere in his body of work — but not at the expense of either his tongue-firmly-in-cheek outlook, or his predilection for self-destruction.” – Paste Magazine Apr 15, 2024 Full Review Baghead (2023) 31% 4.2/10 EDIT “The cast can’t fix Baghead’s horror-movie-by-committee problems.” – Paste Magazine Apr 8, 2024 Full Review Blackout (2023) 75% 7.9/10 EDIT “What makes Fessenden’s movies stand out from their kin in whichever niche he chooses to explore is his prioritization of character—every character, from the primary actors to the supporting cast.” – Paste Magazine Apr 4, 2024 Full Review Femme (2023) 93% 7.8/10 EDIT “Quietly and discreetly, Femme is revenge cinema, a story about wronged parties exacting justice for themselves when the systems that should do so either can’t or don’t.” – Paste Magazine Mar 27, 2024 Full Review Riddle Of Fire (2023) 79% 8.3/10 EDIT “The aesthetic achieved in the movie evokes childhood while dispensing with arrested referentialism.” – Paste Magazine Mar 22, 2024 Full Review Glitter & Doom (2023) 47% 5.3/10 EDIT “You could eat a whole package of Oreos and chase it with a bag of Tootsie Pops, or you could watch Glitter & Doom; it all depends on how you prefer to get sent into toxic shock.” – Paste Magazine Mar 8, 2024 Full Review
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