La llorona (2019)
96%
EDIT
“Postcolonial critique - and a bold comment on Guatemala's failure to atone for crimes against its Mayan population.” –
Sight & Sound
Aug 3, 2020
Full Review
Queen of the Desert (2015)
18%
EDIT
“Herzog has created by far the greatest failure of his career” –
Movie Mezzanine
Feb 18, 2015
Full Review
Queen of Earth (2015)
93%
EDIT
“A solid stab at channelling its influences into the horror of modern self obsession” –
Movie Mezzanine
Feb 18, 2015
Full Review
Taxi (2015)
96%
4/4
EDIT
“An elegantly coded, surprisingly sprightly work, made in the face of adversity.” –
Movie Mezzanine
Feb 18, 2015
Full Review
A Late Quartet (2012)
77%
2/5
EDIT
“Not without its touching moments, A Late Quartet nevertheless can't truly escape the eye-rolling determinism of its script, with only a pragmatic, wry Christopher Walken truly convincing as a man who has lived inextricably bound with his music.” –
Fan The Fire
Jun 12, 2013
Full Review
Antiviral (2012)
65%
3/5
EDIT
“Cronenberg's use of his Toronto setting is a clever exercise in making the minimal look futuristic, with its cold white surfaces - like Landry Jones' own waify presence - an effective canvas for a plot that grows increasingly bloody.” –
Fan The Fire
Mar 17, 2013
Full Review
Hitchcock (2012)
59%
2/5
EDIT
“A half-hearted, clunky stab at psychodrama.” –
Fan The Fire
Mar 17, 2013
Full Review
Holy Motors (2012)
91%
3/5
EDIT
“Offering a weird and wonderful tangle of ideas, Carax and Lavant are clearly reveling in the madcap vibe, and together they have created an entertainingly barmy and gag-filled ode to both cinema and what Oscar calls 'the beauty in the act'.” –
Fan The Fire
Jan 20, 2013
Full Review
On the Road (2012)
47%
2/5
EDIT
“In the end, it retains its status as a journey to who-knows-where, yet probably not in the way its original author intended.” –
Fan The Fire
Jan 20, 2013
Full Review
The Master (2012)
85%
4/5
EDIT
“Refusing to wrestle with the veracity or the real implications of The Cause, one begins to question what is underpinning the entire exercise, an ambiguity that, as with Kubrick, will require multiple viewings to unravel.” –
Fan The Fire
Jan 20, 2013
Full Review
West of Memphis (2012)
95%
3/5
EDIT
“After your blood has stopped boiling, it's the quieter moments that stay with you. Now go see Paradise Lost.” –
Little White Lies
Dec 19, 2012
Full Review
Mea Maxima Culpa: Silence in the House of God (2012)
98%
EDIT
“Gibney's most successful and rich work since Taxi To The Dark Side, Mea Maxima Culpa ultimately proves most successful in the way it balances public scandal with a tribute to human frailty and heroism.” –
Little White Lies
Oct 26, 2012
Full Review
Dredd (2012)
80%
3/5
EDIT
“It's all good, grisly fun, and as Dredd draws to a close with an inevitable setup for a second instalment, what emerges is a stylish film that celebrates and occasionally transcends its B-Movie origins.” –
Fan The Fire
Sep 30, 2012
Full Review
The Campaign (2012)
66%
1/5
EDIT
“Using tired, lazy stereotypes that swerve any relevance to the times, it ironically treats both Americans and its audience with the same contempt as the politicians it lampoons.” –
Fan The Fire
Sep 30, 2012
Full Review
Snow White and the Huntsman (2012)
48%
3/5
EDIT
“With an aesthetic that will draw inevitable comparisons to Mordor and the series Game of Thrones, his is a medieval world full of death and decay, whose evil queen toys with dead animals and quite literally sucks the life out of her subjects.” –
Fan The Fire
Jun 2, 2012
Full Review
Headhunters (2011)
93%
3/5
EDIT
“Headhunters works best when punishing its lead excessively, continuously, and for no apparent reason.” –
Fan The Fire
Apr 30, 2012
Full Review
Martha Marcy May Marlene (2011)
90%
3/5
EDIT
“The performance of Olsen, effortlessly moving between playful girlishness, catatonia and hysterical paranoia, is remarkable.” –
Fan The Fire
Mar 1, 2012
Full Review
Rampart (2011)
74%
5/5
EDIT
“Rampart's eccentricities will offend those committed to a straighter, chillier style, but its stylistic looseness only serves to underline Brown's utter disconnect from reality.” –
Fan The Fire
Mar 1, 2012
Full Review
The Descendants (2011)
88%
5/5
EDIT
“The sharp wit and commitment to damaged men remain, but with his newfound appreciation of what goes unsaid, The Descendants sees Payne finally becoming the filmmaker many have claimed he was all along.” –
Fan The Fire
Feb 2, 2012
Full Review
Carnage (2011)
71%
4/5
EDIT
“One suspects that Alan is the closest thing to Polanski's spirit on-screen, and indeed it is Polanski himself who is the God of Carnage here, overseeing a deliciously brutal assassination of bourgeois dishonesty.” –
Fan The Fire
Feb 2, 2012
Full Review
Tower Heist (2011)
67%
2/5
EDIT
“The presence of an almost sleepwalking Eddie Murphy as a motor mouth criminal simply adds to the sense of resources neglected.” –
Fan The Fire
Dec 8, 2011
Full Review
Straw Dogs (2011)
42%
2/5
EDIT
“The hunting scenes and the brutal farm siege are solidly gripping, and Lurie doesn't shy away from David embracing his inner savage.” –
Fan The Fire
Dec 8, 2011
Full Review
The Thing (2011)
34%
2/5
EDIT
“Van Heijningen has again reinterpreted the material, he has instead done so for an era in which horror films are remade by commercials directors who get the look, but miss the feel, of the original article.” –
Fan The Fire
Dec 8, 2011
Full Review
Everything Must Go (2010)
73%
2/5
EDIT
“For a film that preaches giving it all away, Everything Must Go could have done with being a little more bold.” –
Fan The Fire
Oct 21, 2011
Full Review
Trollhunter (2010)
83%
3/5
EDIT
“It may be an ultimately gimmicky post-modern take on local folklore, but it is still something of a hoot.” –
Fan The Fire
Sep 2, 2011
Full Review
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