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Andrew Reichel

Andrew Reichel's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

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Dead Man's Wire (2025) 91% EDIT “While Dead Man’s Wire is hardly as minimal as Van Sant’s Tarr-influenced Death Trilogy titles from the 2000s, it’s a movie that keeps its scale appropriately mano a mano.” – In Review Online Dec 12, 2025 Full Review Dracula (2025) 66% EDIT “Jude’s commitment to excess and not settling down means the movie is materially coherent by virtue of explicitly being about contemporary incoherencies, and its points are being expressed in a way that no one else has quite done before.” – In Review Online Oct 2, 2025 Full Review In Whose Name? (2025) EDIT “Fascinating and frustrating... It’s undeniably powerful material: more salacious than insightful, but it’s also not like too many other musician documentaries.” – In Review Online Sep 24, 2025 Full Review The Blue Trail (2025) 100% EDIT “The Blue Trail... makes its way through its low-stakes journey fairly quickly, but that’s to its benefit: it’s a short story about a woman’s minor late-in-life epiphanies and finding herself, and it keeps things moving at a sprightly pace.” – In Review Online Sep 15, 2025 Full Review Thug Life (2025) 25% EDIT “All empty tropes in possession of little verve, with A.R. Rahman’s score trying every trick in the book to try and supply a lifeforce to something that’s mostly dead.” – In Review Online Jun 23, 2025 Full Review Reflection in a Dead Diamond (2025) 84% EDIT “[Cattet and Forzani's] finest film to date, and something like the ultimate postscript to James Bond and the spy movie as a whole... a playful reconfiguration of the so-called magic of the movies.” – In Review Online Jun 18, 2025 Full Review Drop (2025) 83% EDIT “A little too committed to its hyper-contemporary high-tech premise, and its flirtations with something weightier mean that viewers are ultimately left... wondering whether the vacillations between sincerity and affectation are charming or merely annoying.” – In Review Online Apr 11, 2025 Full Review It's Not Me (2024) 91% EDIT “The world no longer blinks and is going blind from too many images as a result, claims Carax — hence the recent barrage of fascist politicians who claim to see the problem. It’s a great provocation to leave us with.” – In Review Online Oct 9, 2024 Full Review Youth (Hard Times) (2024) 94% EDIT “What comes across fiercely... is the fact that no one is stuck in a rut yet: not Wang’s ever watchful camera, and certainly not the people in front of it. ” – In Review Online Aug 19, 2024 Full Review Crossing (2024) 97% EDIT “If you’ve seen one movie about a tough old lady bonding with a younger boy, you’ve probably seen them all.” – In Review Online Jul 17, 2024 Full Review Shadow of Fire (2023) 89% EDIT “No one could accuse [him] of being dishonest by portraying post-war Japan so gloomily, and the film isn’t monotonous, but removing names and most backstories didn’t necessarily have to mean abandoning psychological specificity for the woman and the child.” – In Review Online Jan 31, 2024 Full Review The Crime Is Mine (2023) 98% EDIT “By the time The Crime is Mine comes to its conclusion... the sanitized dynamics and false cheer have resulted in a film that immediately dissipates from the mind.” – In Review Online Dec 19, 2023 Full Review
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