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Andrew Marshall

Andrew Marshall's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Synchronic (2019) 79% 4/5 EDIT “Meditating on mortality, the passage of time and the cycle of life, Synchronic is a deep and meaningful experience that requires some thought to fully absorb the significance of.” – Starburst Jan 12, 2021 Full Review The Mortuary Collection (2019) 97% 7/10 EDIT “The Mortuary Collection is a mixed bag that won't be for everyone, but a distinct assortment of tales of humorous death with practical effects that add to its charm and amplify the retro stylings make the collection as a whole worth seeking out.” – Starburst Oct 21, 2020 Full Review Death of a Vlogger (2019) 100% 8/10 EDIT “Death of a Vlogger is a sinister and compelling tale of how perception affects the nature of an observed reality...” – Starburst May 12, 2020 Full Review The Perished (2019) 50% 8/10 EDIT “The Perished is not an easy watch, and was never intended to be one.” – Starburst Oct 1, 2019 Full Review The Vast of Night (2019) 92% 6/10 EDIT “The Vast of Night is a well-made film that perfectly evokes the time and place in which it's set, but narratively everything about it feels too familiar to stand out, ultimately failing to distinguish itself.” – Starburst Jul 30, 2019 Full Review Body at Brighton Rock (2019) 60% 7/10 EDIT “Body at Brighton Rock is a insidiously sinister piece of psychological horror.” – Starburst Jul 30, 2019 Full Review Darlin' (2019) 69% 8/10 EDIT “Darlin' is an enthralling mix of incisive social commentary and unapologetic violence that surpasses its predecessor with more to say about issues of abuse, autonomy, religion, homophobia and misogyny.” – Starburst Jul 30, 2019 Full Review Carmilla (2019) 77% 8/10 EDIT “It portrays its central relationship as playful, sensual and exciting rather than driven by plain lust and is all the more an affecting tale as a result, while the performances from its young leads are mesmerising in their raw empathy.” – Starburst Jul 30, 2019 Full Review The Furies (2019) 71% 4/10 EDIT “The Furies squanders its potential on an overly familiar progression of events, resulting in a half-baked film that could have been so much more, yet is content to retread the same paths as countless films before it.” – Starburst Jul 8, 2019 Full Review I See You (2019) 73% 4/10 EDIT “I See You's primary stumbling point in its lacklustre effort to build compelling ambiguity, along with its unclear sense of what kind of film it's trying to be.” – Starburst Jul 8, 2019 Full Review Aniara (2018) 70% 5/10 EDIT “Aniara is an assortment of ideas that never gel together into a single narrative, instead half-forming into a fractured tale that fails to connect with the human emotion it tries to portray.” – Starburst Jul 5, 2019 Full Review Get Duked! (2019) 88% 9/10 EDIT “Boyz in the Wood is an alchemical concoction of many ingredients, but they all mix together to become a transmuted whole that transcends each of its facets.” – Starburst Jul 5, 2019 Full Review Memory: The Origins of Alien (2019) 81% 6/10 EDIT “Although Memory: The Origins of Alien does contain some interesting talking points, overall the film feels like little more than a DVD extra, and lacks the substance attain the relevance to which it aspires.” – Starburst Jul 5, 2019 Full Review Lucid (2018) 20% 5/10 EDIT “If Lucid had picked a direction in which to go and stuck to it, it could have been far more compelling, but its meandering story and indistinct sense of purpose make it a frustrating watch.” – Starburst Mar 27, 2019 Full Review Tangent Room (2017) 7/10 EDIT “A cerebral take on a popular sci-fi concept that is all the more compelling for its simplistic interpretation. In a market dominated by big-budget sci-fi, it shows that even the smallest of productions can still make an impact.” – Starburst Mar 11, 2019 Full Review Dead in a Week (2018) 52% 8/10 EDIT “Dead in a Week (Or Your Money Back) is a jet-black comedy on just the right side of farce that nevertheless treats a serious topic with the respect it deserves, with distinctive characters populating a surreal yet believable tale of love and death.” – Starburst Nov 12, 2018 Full Review Clickbait (2019) 8/10 EDIT “A scathing observation of the habits of the internet age, Clickbait asks us to take a hard look at our online viewing habits and the true reasons for our enjoyment of the darker things that appeal to us.” – Starburst Aug 29, 2018 Full Review Iceman (2017) 88% 7/10 EDIT “Iceman is an ambitious undertaking, if a little underwhelming in its execution.” – Starburst Jul 26, 2018 Full Review White Chamber (2018) 43% 6/10 EDIT “White Chamber has a lot to say but difficulty in adequately articulating it.” – Starburst Jul 18, 2018 Full Review Zombillenium (2017) 50% 6/10 EDIT “Zombillenium starts off well with an imaginative setup, but while the central idea is a compelling one with a great deal of potential, the meandering story prevents the film from being truly special.” – Starburst Jul 18, 2018 Full Review Anna and the Apocalypse (2017) 77% 8/10 EDIT “Anna and the Apocalypse is a compelling genre mashup that manages the rare achievement of doing service to each of its component facets.” – Starburst Jul 13, 2018 Full Review In Darkness (2018) 47% 5/10 EDIT “Despite a compelling opening, In Darkness ultimately reveals itself to be a substandard thriller, its increasingly ludicrous plot becoming irritating rather than entertaining, and eventually it feels like it doesn't actually matter how the film will end.” – Starburst Jul 2, 2018 Full Review Calibre (2018) 100% 8/10 EDIT “Intense, uncompromising and bleak as all hell, Calibre is not an easy watch, but its dive into the darkness of human nature is one that will stay with you, whether you want it to or not.” – Starburst Jul 2, 2018 Full Review Marrowbone (2017) 49% 5/10 EDIT “Its arrogant complacency in failing to properly set itself up to remain plausible after it drops its ludicrous bombshell makes it a prime example of how to do such things wrong.” – Starburst Jul 2, 2018 Full Review Terminal (2018) 22% 8/10 EDIT “Terminal is difficult to categorise, but equally hard to ignore. The unabashed hyper-reality of its setting draws you in, and then its assortment of varyingly demented performances keeps you engrossed until the end.” – Starburst Jul 2, 2018 Full Review
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