The Invite (2026)
90%
EDIT
“An uproarious, deeply felt and impeccably crafted chamber piece that not only serves as Wilde’s best directorial work to date, but solidifies her as a major talent both in front of and behind the camera.” –
TheWrap
Jan 26, 2026
Full Review
The Guilty (2021)
73%
A-
EDIT
“Gyllenhaal delivers a turn that is compellingly complex, taking the audience on an emotional roller coaster that results in one of his best performances yet.” –
Collider
Sep 14, 2021
Full Review
Homeroom (2021)
85%
B+
EDIT
“Nicks does a swell job of forming a cohesive narrative while remaining an observer of truth, and the kids at the film's center will linger long after the credits roll.” –
Collider
Aug 10, 2021
Full Review
A West Wing Special to Benefit When We All Vote (2020)
93%
EDIT
“Seeing this episode - which is about the importance of voting in free and fair elections - restaged as a play kind of rekindled my love for this series, and conjured an emotion I haven't felt much of over the last few years: hope.” –
Collider
Dec 31, 2020
Full Review
The Glorias (2020)
67%
3/5
EDIT
“The Glorias is an uneven yet ultimately inspiring biopic that essentially chronicles a feminist origin story.” –
Collider
Jan 30, 2020
Full Review
The Courier (2020)
85%
3/5
EDIT
“At a time when full bodies of government can't seem to function correctly, Ironbark is a swell reminder that sometimes it doesn't necessarily take a village to enact significant change.” –
Collider
Jan 30, 2020
Full Review
Crip Camp (2020)
100%
4/5
EDIT
“Crip Camp is a truly eye opening chronicle of how the battle for disabled rights was won through years of political activism, organization, and old fashioned perseverance.” –
Collider
Jan 30, 2020
Full Review
Shirley (2020)
88%
3/5
EDIT
“Creepy and macabre, intimate and inappropriate, Shirley lets us whirl around in the legendary horror author's head for a couple of hours.” –
Collider
Jan 30, 2020
Full Review
Palm Springs (2020)
94%
5/5
EDIT
“A hilarious comedy, heartbreaking drama, and genuinely moving love story that dares to say that maybe life is a little better with a companion by your side.” –
Collider
Jan 30, 2020
Full Review
Ford v Ferrari (2019)
92%
4/5
EDIT
“It's executed so sharply, with such artistic confidence and mastery, that it rises above its familiar structure to become a rousing, wildly compelling, and genuinely great racing movie.” –
Collider
Sep 10, 2019
Full Review
Bad Education (2019)
94%
3/5
EDIT
“Director Cory Finley crafts a consistently compelling and often humorous tale anchored by Hugh Jackman's impressively nuanced performance.” –
Collider
Sep 9, 2019
Full Review
Knives Out (2019)
97%
4.5/5
EDIT
“It's an impeccably constructed roller coaster ride created by a mad (but meticulous) engineer, and when it ends you'll immediately want to get back on.” –
Collider
Sep 9, 2019
Full Review
Radioactive (2019)
63%
3/5
EDIT
“While the story treads familiar territory to anyone who's seen a biopic about a famous Great Man, director Marjane Satrapi elegantly considers the cost at the heart of Curie's discoveries, and Rosamund Pike delivers a truly stirring performance.” –
Collider
Sep 7, 2019
Full Review
David Crosby: Remember My Name (2019)
92%
3.5/5
EDIT
“It's as candid a documentary about a "celebrity" personality as I've ever seen, and Cameron Crowe's probing questions lead to genuine insights about the brevity of human life.” –
Collider
Jan 30, 2019
Full Review
Love, Antosha (2019)
97%
3.5/5
EDIT
“Love, Antosha is a loving, heartbreaking, but ultimately inspiring documentary about a young man who was not going to let life put him in a box.” –
Collider
Jan 30, 2019
Full Review
Luce (2019)
91%
3.5/5
EDIT
“Luce is challenging in the best way, anchored by a tremendous ensemble and a star-making performance from Kelvin Harrison Jr.” –
Collider
Jan 30, 2019
Full Review
Blinded by the Light (2019)
89%
4.5/5
EDIT
“I have no doubt that by the time 2019 is done, Blinded by the Light will stand as one of the year's best films.” –
Collider
Jan 30, 2019
Full Review
Honey Boy (2019)
94%
3/5
EDIT
“What results is a harrowing, violent, emotional film in which LaBeouf is clearly (and admirably) baring his soul.” –
Collider
Jan 27, 2019
Full Review
Native Son (2019)
62%
2/5
EDIT
“Ashton Sanders is downright stunning, but the film's strict adherence to the book's shocking twists and turns result in a frustratingly uneven and incongruous experience.” –
Collider
Jan 27, 2019
Full Review
Extremely Wicked, Shockingly Evil and Vile (2019)
54%
3/5
EDIT
“While it doesn't quite click fully into the gear it's aiming for, it touches upon some fascinating notions of human nature and boasts a truly impressive performance from Efron.” –
Collider
Jan 27, 2019
Full Review
Mid90s (2018)
81%
3.5/4
EDIT
“Hill does a terrific job of making the story at once specific and universal. You don't have to have been a skater kid to understand what it feels like to not belong.” –
Collider
Sep 28, 2018
Full Review
Destroyer (2018)
74%
B
EDIT
“Erin is a complicated, unsettling, and at times disturbing individual, and it's a joy to watch Kidman fully inhabit a role this meaty, this complex, and this dark.” –
Collider
Sep 10, 2018
Full Review
The Hate U Give (2018)
97%
A-
EDIT
“Put simply, The Hate U Give is one of the best films of the year.” –
Collider
Sep 9, 2018
Full Review
Arizona (2018)
43%
B+
EDIT
“Arizona is a special kind of crazy, but it's also grounded in its own way. Due to some shockingly violent developments at the beginning, the stakes feel real the entire way through, to the point that you'd believe anything could happen next.” –
Collider
Jul 9, 2018
Full Review
Hereditary (2018)
90%
4/5
EDIT
“It's one of the most horrifying moviegoing experiences I can recall, and emotionally upsetting on an intense level. To watch Hereditary is to feel horror in absolutely every sense of the word.” –
Collider
Jun 6, 2018
Full Review
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