We Need to Talk About Kevin

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Santiago C @framesanty Jan 6 Es una pelicula sumamente rara y eso la convierte en algo genial. Un guion diferente pero a la vez esperable. La actuación de Tilda Swinton no decepciona en lo absoluto, te hace sentir desesperado, conectado y hasta miserable. Es una pelicula que vale la pena ver en silencio, en tu casa, sin comida y sin acompañantes preferiblemente. See more Michaellle B @Michael120 Dec 22 I respect what We Need to Talk About Kevin is trying to do, but it didn’t work for me. I found Kevin as a character more irritating than compelling, and the film’s insistence on his importance felt self-satisfied rather than insightful. The tone kept me at a distance instead of drawing me in. While the mother’s character had moments of nuance, the overall experience felt alienating rather than engaging. See more H B Dec 22 I thought it was so good, the child actor did an incredible job and it was just the right amount of creepy. See more Cristina B @crisbrooks Nov 16 The acting was good. It is a relevant and difficult subject and the critique of sensationalism in the media was thin and obvious, but dead on. The faultless and interesting, crisp scenography, carries the audience through the mercifully short run itme. The climactic and final scenes I found rather hokey and rather light on the dialogue. The writing is a bit predictable and the vintage soundtrack was painfully indie. See more TheMovieSearch R @TheMovieSearch Nov 4 We Need to Talk About Kevin is one of those films that tends to divide audiences right down the middle. Directed by Lynne Ramsay and starring Tilda Swinton and a young Ezra Miller, it’s a haunting psychological drama that examines the complexities of motherhood, guilt, and the aftermath of tragedy. On a technical level, the film is well-made and visually striking, but from a storytelling standpoint, it often feels uneven, confusing, and emotionally disjointed. Tilda Swinton gives a powerhouse performance as Eva, a mother grappling with the horrifying actions of her son Kevin. She embodies that cold, withdrawn pain that only deepens as the story unfolds. However, while her acting is undeniably strong, the screenplay doesn’t always support her character’s emotional journey. Much of the film jumps back and forth in time, making it difficult to piece together what’s actually happening, and instead of feeling suspenseful, the structure comes off as unnecessarily fragmented. Ezra Miller, as Kevin, delivers a chilling performance, especially given his age at the time. He captures Kevin’s manipulative, unsettling nature with precision. Yet even with his strong portrayal, the movie still feels hollow because it doesn’t give enough insight into why Kevin behaves the way he does. The emotional connection between mother and son—which should have been the core of the story—feels lost beneath the stylized direction and heavy symbolism. John C. Reilly, who plays the father, feels miscast. His presence doesn’t blend well with the tone of the film. He brings a warmth and slightly comedic energy that completely clashes with the otherwise bleak and psychological nature of the story. It’s not that Reilly isn’t talented, but here, his performance feels out of place, which only adds to the imbalance of the movie’s tone. The biggest issue with We Need to Talk About Kevin lies in its screenplay and pacing. It’s confusing, overly ambitious, and at times, so abstract that it becomes hard to emotionally connect with. Ramsay’s direction feels self-indulgent in moments, relying more on mood and metaphor than coherent storytelling. What should have been a deeply emotional, gut-wrenching film instead becomes an artistic puzzle that few will have the patience to piece together. At the end of the day, while the film earned critical praise and awards recognition, it’s not a movie that resonates with everyone. Some may appreciate its artistry and disturbing atmosphere, but for others—like myself—it feels cold, messy, and overrated. If you’re looking for a movie with clear emotional payoff or engaging storytelling, We Need to Talk About Kevin probably won’t deliver. It’s a dark, disorienting experience that might intrigue a niche audience but fails to reach its full potential as a compelling psychological drama. See more Mason M Aug 20 I've been really wanting to get into the works of Lynne Ramsay lately so this was my first experience with one of her films. And though it took a little bit of time to grow on me, I was really impressed with We Need to Talk About Kevin. Though I don't fully get how this is horror, this film was riveting, immersive, and thrilling in a great way. The writing of the plotline was great and the dialogue was ingeniously written. What really stands out most to me in this film was Lynne Ramsay's direction. The photography is beautiful, the performances were incredible, the soundtrack was amazing. The scene composition especially in this film was really stunning. The way Ramsay chose to shoot certain scenes was unlike anything I've seen any other director come up with. I haven't read the book, so I don't know how much of this was the book's work. And the three leads, especially Ezra Miller, all were perfect for their parts and gave incredible performances. Ramsay does an incredible job bringing this cold story to life, and I'm definitely looking forward to checking out the rest of her filmography. See more Read all reviews

We Need to Talk About Kevin

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