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We Live Entertainment

We Live Entertainment is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Aaron Neuwirth, Abe Friedtanzer, Adriana Gomez-Weston, Alan French, Ashley Menzel, Audrey Fox, Catherine Springer, Fred Topel, JimmyO, Karen M. Peterson, Kit Bowen, Kristen Lopez, Sarah Musnicky, Scott Menzel, Zoë Rose Bryant.

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Rating Title | Year Author Quote
9/10
The Musical (2026) Scott Menzel The Musical is a film I honestly never thought would be made today.
Posted Jan 27, 2026Edit critic review
Send Help (2026) Aaron Neuwirth The results are quite fun, as the dark comedy permeates, with a gleeful Raimi sitting back and letting both lead actors get their hands dirty.
Posted Jan 26, 2026Edit critic review
9/10
Gail Daughtry and the Celebrity Sex Pass (2026) Scott Menzel I do not think there will be a funnier film this year than Gail Daughtry and the Celebrity Sex Pass. The laughs are nonstop, and I genuinely cannot remember the last time I laughed this hard in a movie theater.
Posted Jan 26, 2026Edit critic review
7/510
The Invite (2026) Scott Menzel The Invite is yet another impressive showcase of Olivia Wilde’s talent as both a filmmaker and actress.
Posted Jan 26, 2026Edit critic review
9/10
Josephine (2026) Scott Menzel Josephine is a film that feels nearly flawless in its execution. It is perfectly paced, brilliantly written and acted, and directed with a level of passion and emotional honesty that is impossible to ignore.
Posted Jan 24, 2026Edit critic review
8/10
Paralyzed by Hope: The Maria Bamford Story (2026) Scott Menzel Consistently entertaining and surprisingly profound, Paralyzed by Hope: The Maria Bamford Story is a must-see that truly offers a little something for everyone.
Posted Jan 24, 2026Edit critic review
Mercy (2026) Aaron Neuwirth The concept at play is realized well enough... and those willing to check it out in 3D will get what they paid for. However, stripping away the bells and whistles leaves little to have mercy for.
Posted Jan 21, 2026Edit critic review
Greenland 2: Migration (2026) Aaron Neuwirth Whether or not one wants to thematically sync the state of the world with the state of things in reality, Greenland 2: Migration gets down to brass tax and delivers what’s essential for a film like this.
Posted Jan 13, 2026Edit critic review
28 Years Later: The Bone Temple (2026) Aaron Neuwirth Audiences get white-knuckle thrills as well as enough meat on the bone for them and a rage-infected zombie to chew on.
Posted Jan 13, 2026Edit critic review
Primate (2025) Aaron Neuwirth Primate works on these…primal levels. It’s well-constructed suspense rooted in the notion of a family member turning bad for unfortunate yet understandable reasons.
Posted Jan 06, 2026Edit critic review
8/10
Reflection in a Dead Diamond (2025) Aaron Neuwirth It’s a wild ride for anyone looking for something far out and dazzling.
Posted Dec 26, 2025Edit critic review
7/10
Belén (2025) Aaron Neuwirth What the film may lack in subtlety, it gains in reiterating important topics, especially when considering the routes other countries have taken to alter their history.
Posted Dec 26, 2025Edit critic review
7/10
Father Mother Sister Brother (2025) Aaron Neuwirth It’s not unambitious, as Jarmusch is too great a filmmaker not to use minimalism to his advantage, but the fascination here lies in how quietly human each of these three stories is.
Posted Dec 26, 2025Edit critic review
8/10
No Other Choice (2025) Aaron Neuwirth It’s impressive work. Add to that a variety of memorable sequences and imagery, and it appears the choices made by Park are once again in line with how he succeeds at his best.
Posted Dec 26, 2025Edit critic review
7/10
The Testament of Ann Lee (2025) Aaron Neuwirth Yes, this is a story full of pain, with a deliberate pace that really emphasizes specific challenges, but I can still approve of the initiative on display nonetheless.
Posted Dec 26, 2025Edit critic review
6/10
Song Sung Blue (2025) Aaron Neuwirth Even if the film never really escapes the feeling of thinking the documentary would be better time spent, I can’t say the sweetness of Song Sung Blue didn’t ultimately win me over.
Posted Dec 26, 2025Edit critic review
Anaconda (2025) Aaron Neuwirth Anaconda ultimately wins me over because of how many laughs it lands, and how much the film feels like more than just Sony execs throwing darts at a board and seeing what sticks.
Posted Dec 24, 2025Edit critic review
6/10
The SpongeBob Movie: Search for SquarePants (2025) Aaron Neuwirth There’s an oddball innocence that hasn’t been lost with this wacky animated creation, which brings me joy.
Posted Dec 19, 2025Edit critic review
8/10
The Perfect Neighbor (2025) Aaron Neuwirth Fascinating and devastating in equal measures, not a great neighbor, but an excellent documentary.
Posted Dec 19, 2025Edit critic review
7/10
Zodiac Killer Project (2025) Aaron Neuwirth As a sort of meta-commentary complete with additional tangents and a sense of humor, this is the sort of strange experiment that worked out quite well.
Posted Dec 19, 2025Edit critic review
5/10
Anniversary (2025) Aaron Neuwirth This is essentially an exploitation film more than anything.
Posted Dec 19, 2025Edit critic review
7/10
The Mastermind (2025) Aaron Neuwirth Even if it were just a lark, the enjoyable performances and jazzy score by Rob Mazurek do plenty to satisfy the audience.
Posted Dec 19, 2025Edit critic review
7/10
Left-Handed Girl (2025) Aaron Neuwirth As it stands, this is undoubtedly a well-assembled feature with solid work coming from the young/non-professional performers. And being left-handed myself, I hope this girl goes on to great things.
Posted Dec 19, 2025Edit critic review
7/10
Is This Thing On? (2025) Aaron Neuwirth Showing that not every effort needs to take it all the way to the moon and back, Is This Thing On? is slight but affecting.
Posted Dec 19, 2025Edit critic review
The Housemaid (2025) Aaron Neuwirth With enough professionalism on display to slightly elevate this type of film from others, it’s perhaps not the strongest in its class, but she gets the job done.
Posted Dec 16, 2025Edit critic review
Avatar: Fire and Ash (2025) Aaron Neuwirth With reports that Avatar: Fire and Ash may just as well be one of the most expensive movies ever made, given all that’s accomplished, it’s just as well that it plays like a movie that should absolutely wear that stat with pride.
Posted Dec 16, 2025Edit critic review
Ella McCay (2025) Aaron Neuwirth Alas, it’s hard not to feel as though the 85-year-old director ends up seeming a bit out of his depth as far as crafting a more meaningful story, let alone one so directly focused on the plight of a young, female lieutenant governor.
Posted Dec 11, 2025Edit critic review
Silent Night, Deadly Night (2025) Aaron Neuwirth I wasn’t prepared for a slasher flick with more tricks up its sleeves than usual, let alone a fine handle on how to let us in on the psyche of our lead character, and yet still find surprises in the story throughout. Suffice it to say, this movie slays.
Posted Dec 10, 2025Edit critic review
7/10
A HOUSE OF DYNAMITE (2025) Aaron Neuwirth I give plenty of credit for the film’s ability to have me swept up in the moment, but it just doesn’t quite knock it out of the park.
Posted Dec 10, 2025Edit critic review
4/10
Nuremberg (2025) Aaron Neuwirth The film does its best to approximate a solid legal thriller built around the Nuremberg trials. Still, it certainly pales in comparison to other classics, let alone the standards needed to make a movie like this more compelling.
Posted Dec 10, 2025Edit critic review
8/10
Sirāt (2025) Aaron Neuwirth With strong work from López and the non-professional actors making up most of this cast, I appreciated all the effort that went into fully realizing this unique tale.
Posted Dec 10, 2025Edit critic review
8/10
Sentimental Value (2025) Aaron Neuwirth It’s exciting to have both a veteran like Skarsgård and someone still in their relative breakout period like Reinsve, both delivering career-best work here in roles that are complex but not flashy.
Posted Dec 10, 2025Edit critic review
6/10
Rental Family (2025) Aaron Neuwirth This is what amounts to ultimately a nice movie, dependent on what Fraser is able to do as an actor in dramatic mode. He has the default face of someone you know means well, and if it collapses, you can’t help but sympathize with the man.
Posted Dec 10, 2025Edit critic review
6/10
Hamnet (2025) Aaron Neuwirth There are plenty of worthwhile factors that explain why the film is resonating more strongly with others. One is Buckley’s undeniably outstanding performance.
Posted Dec 10, 2025Edit critic review
Five Nights at Freddy's 2 (2025) Aaron Neuwirth It would just be a relief to be able to play along rather than continually see these efforts as instant kills.
Posted Dec 05, 2025Edit critic review
10/10
Marty Supreme (2025) Aaron Neuwirth I was entirely on board with everything Marty Supreme had to offer. The film plays like a big-budget arthouse roller coaster ride, and I would take another ticket in an instant.
Posted Dec 01, 2025Edit critic review
Zootopia 2 (2025) Aaron Neuwirth Being a sequel may mean the movie is inherently less fresh, and the larger scope leaves things a bit less focused this time around, but it’s also made up for by plenty of visual splendor and consistently big laughs.
Posted Nov 25, 2025Edit critic review
Sisu: Road to Revenge (2025) Aaron Neuwirth Serving very well as an extension of the first, it may be more of the same, to an extent, but it hasn’t stopped being a lot of fun watching a one-man wrecking machine take on the bad guys.
Posted Nov 20, 2025Edit critic review
Wicked: For Good (2025) Aaron Neuwirth It may not have a climax that defies gravity in the way the first film did, but it still works on an emotional level enough to be wonderful in its own way.
Posted Nov 18, 2025Edit critic review
The Running Man (2025) Aaron Neuwirth While a bit too long for its own good, The Running Man is still a lot of fun with enough on its mind to try and convince an audience why its charismatic lead in the form of Glen Powell is meant to be so angry.
Posted Nov 12, 2025Edit critic review
Now You See Me: Now You Don't (2025) Aaron Neuwirth While not quite overly impressive, the series has been given new life, enough fun tricks, and an involving story that may not hold much water, but is still enough to pull off a crowd-pleasing escape.
Posted Nov 12, 2025Edit critic review
Predator: Badlands (2025) Aaron Neuwirth Predator: Badlands takes a couple of wild swings regarding the franchise it represents, but also functions as a terrific adventure story that features found families, a test of courage, and other complex social dynamics.
Posted Nov 06, 2025Edit critic review
Train Dreams (2025) Aaron Neuwirth Following a regular man in the world is not unique to Train Dreams, but the film does provide an excellent look at a man whose life contains various forms of drama, captured with a sense of naturalism that left a lasting mark.
Posted Nov 05, 2025Edit critic review
Dead Man's Wire (2025) Aaron Neuwirth Between the balance of tension and comedy, let alone the additional social angles involving the economy, media, and more, there’s plenty Gus Van Sant is looking at with an interested eye.
Posted Nov 01, 2025Edit critic review
Bad Haircut (2025) Aaron Neuwirth Director/writer Kyle Misak gives Frankie Ray the chance to shine truly. While the movie’s nature suggests something horrific awaits us with him, he still gets to lean into eccentric behavior that is equal parts intimidating and bizarre.
Posted Oct 24, 2025Edit critic review
On the End (2025) Aaron Neuwirth Nelson and Enos are great here. Despite the significant actions they seem to take in shaping their lives, there’s still an understated nature to the performances that’s appreciated.
Posted Oct 24, 2025Edit critic review
Adult Children (2025) Aaron Neuwirth Adult Children does a wonderful job of filling in what’s needed thanks to the actors’ capabilities, their chemistry, and some filmmaking choices that enhance both the comedy and drama throughout.
Posted Oct 24, 2025Edit critic review
Hedda (2025) Aaron Neuwirth It’s a film that unfolds over one long day, and the time we spend with Hedda speaks to what a great performer Thompson is, as we see a gamut of emotions run through her over the course of these 24 hours.
Posted Oct 24, 2025Edit critic review
Christy (2025) Aaron Neuwirth Yes, there’s a great performance here, and I’d ultimately say this match is worthwhile. I just wish mixed it up more between punches.
Posted Oct 24, 2025Edit critic review
Springsteen: Deliver Me from Nowhere (2025) Aaron Neuwirth There’s clearly effort going into this production. I just wish I didn’t feel so weighted down by a limited piece of the Boss’ story.
Posted Oct 24, 2025Edit critic review
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