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Rating Title | Year Author Quote
5/5
A Place in the Sun (1951) Craig Williams While the romance is indeed achingly beautiful and played out with remarkable maturity, A Place in the Sun’s searing indictment of the American Dream, tinged with both anger and regret, makes it one of the best films to come out of 50s Hollywood.
Posted Jan 13, 2026Edit critic review
4/5
Re-Animator (1985) Daniel Green As you’d expect from the heyday of American animatronic and physical effects, eye-balls pop and heads are severed with satisfying hyperealism, as likely to leave gorehounds giggling in delight as shrinking into their seats in repulsion.
Posted Oct 15, 2025Edit critic review
4/5
My Beautiful Laundrette (1985) Adam Lowes It’s the committed turn from Day-Lewis and Hanif Kureishi’s socially-astute, Oscar-nominated screenplay that manages to compensate for the film’s technical shortcomings, alongside the (then) landmark casual representation of a gay relationship on screen
Posted Oct 10, 2025Edit critic review
3/5
Hard Times (1975) Adam Lowes While Hard Times is absent of the kind of playfulness with genre which grew to be Hill’s forte, it’s a solid enough debut with a strong showing of craftsmanship and a trio of fine performances.
Posted Sep 25, 2025Edit critic review
4/5
It's Not Me (2024) Daniel Green At just over 40 minutes in length, It’s Not Me offers tantalising hints and suggestions rather than defined pathways and set conclusions.
Posted Aug 27, 2025Edit critic review
4/5
Conclave (2024) Daniel Green Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
Posted Aug 27, 2025Edit critic review
4/5
The Return of the Living Dead (1985) Robert Savage The film is a spectacularly crafted and perfectly formed piece of genre filmmaking.
Posted Aug 06, 2025Edit critic review
4/5
Rollerball (1975) John Bleasdale With a fantastic stunt team, a gamely macho star and some wonderful editing, Rollerball is so convincing, urban legend had it there were fatalities during the shoot.
Posted Jun 02, 2025Edit critic review
5/5
Nashville (1975) Craig Williams Nashville is an undisputed masterpiece. Add to that the biting comedy and knockout musical sequences and it's certainly tempting to make the claim for Altman's all-star gem being the best American film of the 1970s.
Posted Feb 26, 2025Edit critic review
3/5
Blood Rage (1987) Christopher Machell Blood Rage is cheap, daft and irresistibly entertaining. Poorly shot, badly acted and lazily conceived, it is a terrifically entertaining and gory thrill-ride and at 82 minutes, never out-stays its welcome.
Posted Oct 08, 2024Edit critic review
4/5
Challengers (2024) Christopher Machell A fantastically well constructed film with a star-making performance at its centre. Not quite a masterpiece, Guadagnino holds back from fully embracing the potential of his film’s eroticism and style, but Challengers is nevertheless a worthy contender.
Posted May 10, 2024Edit critic review
2/5
Abigail (2024) Christopher Machell A horror-comedy of sorts, Abigail has a great deal of bloody schlock and post-post modern humour with a screenplay penned by Guy Busick and Stephen Shields. Sadly neither are enough to muster shrieks of fear or humour.
Posted Apr 24, 2024Edit critic review
4/5
Civil War (2024) Christopher Machell Civil War, though imperfect, is a biting, satirical blockbuster that is as much about the alienation of modern media as it is about imagining a second American Civil War.
Posted Apr 17, 2024Edit critic review
5/5
Chinatown (1974) Joseph Walsh It immediately draws you into the world of lies and deceit, where past ghosts of detective films linger in the frames. Yet it also feels completely fresh even to this day, and goes to much darker places than the films of the 1940s ever could.
Posted Mar 08, 2024Edit critic review
3/5
Ferrari (2023) Christopher Machell There is much to enjoy here, and much reaching for depth, particularly with the scenes that deal with the death of the Ferraris’ son, yet that depth is too often only glimpsed before slipping around the next bend in the road.
Posted Dec 28, 2023Edit critic review
5/5
Godzilla Minus One (2023) Alex Adams Godzilla Minus One is a monster movie of singular power, using horror-infused kaiju spectacle to deliver an emotionally compelling story of grief, wartime trauma, and hope.
Posted Dec 19, 2023Edit critic review
4/5
The Last of the Mohicans (1992) Craig Williams Tense yet thoughtful, swooning yet brutal, it's a film of remarkable sensitivity built on sophisticated storytelling foundations.
Posted Dec 13, 2023Edit critic review
4/5
Trenque Lauquen: Part II (2022) Christopher Machell Like the best film noir, with which this in undoubtedly in dialogue, Trenque Lauquen is a film about affect and textural cohesion moreso than logic and catharsis.
Posted Dec 11, 2023Edit critic review
4/5
Trenque Lauquen: Part I (2022) Christopher Machell Argentinian director Laura Citarella’s Trenque Lauquen is an enigmatic, semi-absurdist puzzle that defies the allure of narrative solution in favour of the liberation of loose ends.
Posted Dec 11, 2023Edit critic review
4/5
Plan 75 (2022) Christopher Machell This is strong work for a debut feature, and while not presenting assisted suicide itself with the greatest of nuance, Plan 75 is an accomplished portrait of capitalist alienation.
Posted Dec 08, 2023Edit critic review
4/5
R.M.N. (2022) Christopher Machell In its depiction of a part of Europe struggling to keep up with neoliberalism, R.M.N. exposes the dark mirror of liberal, globalised western European metropolitanism.
Posted Sep 26, 2023Edit critic review
4/5
Rotting in the Sun (2023) Christopher Machell More than a casual swipe at modern social trends, Rotting in the Sun exposes a kind of cruelty, alienation, and social stratification that is only as modern as the technology through which it expresses itself.
Posted Sep 19, 2023Edit critic review
4/5
Green Border (2023) John Bleasdale A powerful and necessary film.
Posted Sep 07, 2023Edit critic review
4/5
Hit Man (2023) John Bleasdale Linklater’s Hit Man is an Aperol Spritz with enough fizz and prosecco to cover the taste of the strychnine. This could be one of the brightest dark comedies of recent times.
Posted Sep 07, 2023Edit critic review
4/5
The Universal Theory (2023) John Bleasdale The Theory of Everything earns the distinction that, despite the possible looseness of its title and concept, it is most definitely “something”. In the midst of a relativistic quantum universe, that in itself is a miracle.
Posted Sep 07, 2023Edit critic review
3/5
The Summer with Carmen (2023) John Bleasdale The Summer with Carmen exudes an authentic charm in its deliberation on how we eventually deduce the difference between defining who or what we really want vs. what we’ve been taught to expect based on whatever labels are placed upon us.
Posted Sep 07, 2023Edit critic review
3/5
The Killer (2023) John Bleasdale Fassbender looks lean and mean, but for all his monologuing he has the depth of a non-player character. There’s nothing wrong with it. It’s a mission gone right. It certainly has its moments, but The Killer feels like a Netflix film through and through.
Posted Sep 05, 2023Edit critic review
5/5
Poor Things (2023) John Bleasdale Greek weird wave director Yorgos Lanthimos hits his stride with his strangest yet most deeply satisfying comedy fable yet.
Posted Sep 05, 2023Edit critic review
4/5
Priscilla (2023) John Bleasdale We share with Priscilla a sense that we’re not getting the whole picture. There is quite literally a darkness at the heart of the American dream as seen through the eyes of a teenage girl.
Posted Sep 05, 2023Edit critic review
4/5
Maestro (2023) John Bleasdale Cooper’s performance is sublime, delicately balancing the problem of playing a ham while not becoming a ham. He brings out Bernstein’s occasional cruelty and deep depression, which he tends to project on his wife.
Posted Sep 05, 2023Edit critic review
4/5
Evil Does Not Exist (2023) John Bleasdale The final few minutes will baffle some, infuriate others, but it will also be the wildness of the imagination which will have you pondering Evil Does Not Exist long after it has ended.
Posted Sep 05, 2023Edit critic review
4/5
Passages (2023) Christopher Machell A pointed, revealing study of selfishness and an all-too familiar portrait of emotional indulgence, bolstered by three excellent lead performances.
Posted Sep 05, 2023Edit critic review
3/5
El Conde (2023) John Bleasdale Pinochet-as-vampire never rises above the level of metaphor and not a particularly clever one at that.
Posted Aug 31, 2023Edit critic review
4/5
The Innocent (2022) Christopher Machell Garrel’s The Innocent deftly mixes comic family melodrama with genre thrills in this pacy, emotive thriller with a killer cast.
Posted Aug 24, 2023Edit critic review
4/5
Afire (2023) Christopher Machell German director Christian Petzold’s latest is a tense, emotionally fraught drama, layered with smouldering internal conflict that by its incendiary close invariably catches alight.
Posted Aug 24, 2023Edit critic review
4/5
Lie with Me (2022) Christopher Machell A study of identity reconciled too late. In examining the reflexive, redemptive power of fiction, Lie with Me is a moving story of love lost to time.
Posted Aug 19, 2023Edit critic review
4/5
L'immensità (2022) Christopher Machell There is a vitality and a quiet defiance to this kind of filmmaking that is difficult to resist.
Posted Aug 14, 2023Edit critic review
2/5
A Song for Imogene (2023) Christopher Machell American writer-director Erika Arlee’s debut feature showcases strong performances and nice visual flourishes, but A Song for Imogene struggles to find an emotional hook.
Posted Aug 02, 2023Edit critic review
4/5
Barbie (2023) Christopher Machell Regardless of Mattel’s corporate intentions, Gerwig has crafted a warm, funny and cinematically rich film -- if one whose narrative and political ambitions are far less radical than it would like us to suppose.
Posted Jul 24, 2023Edit critic review
4/5
Oppenheimer (2023) Christopher Machell A fascinating and accomplished cinematic object, but as a study of greatness, Oppenheimer’s subject is often obscured by its author’s auteurist preoccupations.
Posted Jul 24, 2023Edit critic review
4/5
Mission: Impossible - Dead Reckoning Part One (2023) Christopher Machell Dead Reckoning almost by default easily outclasses every other non-animated action film this year, with the much-touted bike-to-parachute stunt just as deranged and thrilling as anything else Cruise has attempted in the series to date.
Posted Jul 13, 2023Edit critic review
4/5
The Damned Don't Cry (2022) Christopher Machell An intense simmering of emotion, underscored by Selim and Fatima-Zahra’s unbearable emotional and material precarity.
Posted Jul 10, 2023Edit critic review
3/5
Indiana Jones and the Dial of Destiny (2023) Christopher Machell The Last Crusade will always be the natural ending to the series, but if we must have another last one, Dial of Destiny is about as fitting a final entry as we could hope for, if a minor one.
Posted Jun 29, 2023Edit critic review
2/5
8 A.M. Metro (2023) Christopher Machell The blandness of the spouses remain but with little dimension, while the leads’ likeability is so doe-eyed and soft-edged as to require regular injections of rote narrative contrivance in place of genuine emotional conflict.
Posted Jun 26, 2023Edit critic review
5/5
The Wicker Man (1973) Craig Williams An offbeat masterpiece that reveals the dark heart of Britain through the perennial tension between social progress and the burden of the past.
Posted Jun 21, 2023Edit critic review
2/5
The Flash (2023) Christopher Machell A basically entertaining, but flimsy and shallow object, The Flash may not be the final entry in this long-beleaguered franchise, but it might as well be.
Posted Jun 15, 2023Edit critic review
4/5
Medusa Deluxe (2022) Christopher Machell A gripping, dizzyingly stylish thriller. With a tightly-woven plot, dazzling cinematography and a razor-sharp cast of characters, Medusa Deluxe is Brit neo-noir at its knotty best.
Posted Jun 13, 2023Edit critic review
4/5
Spider-Man: Across the Spider-Verse (2023) Christopher Machell Across the Spider-Verse is bigger, bolder and grander than its predecessor, and with little serious competition from Marvel or DC’s live-action factories, looks set to be the best superhero film of the year.
Posted Jun 05, 2023Edit critic review
3/5
Asteroid City (2023) John Bleasdale Of course, the movie looks great, and the comedy operates like a well-oiled machine while never letting you forget exactly how and where the oil has been applied.
Posted May 24, 2023Edit critic review
4/5
How to Have Sex (2023) John Bleasdale Molly Manning Walker’s first film is an exciting, powerful, and incredibly assured drama. The performances are across the board excellent, and McKenna-Bruce holds the screen with her mix of vulnerability and brash good time girl bravado.
Posted May 24, 2023Edit critic review
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