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Rating Title | Year Author Quote
It Was Just an Accident (2025) Khanaphot Saengchai The 2025 Cannes winner proves its worth by blending entertainment with thought-provoking substance, inviting viewers to grapple with whether breaking the cycle of violence is an act of denying justice or reclaiming humanity.
Posted Jan 26, 2026Edit critic review
The Rip (2026) Tatat Bunnag It settles into something merely disappointing, squandering both its intriguing premise and its talented cast on a final product that never fully delivers.
Posted Jan 26, 2026Edit critic review
Ricky Gervais: Mortality (2025) Tatat Bunnag It is mostly focused on comedy, but weighed down by a handful of unfocused, generally unfunny detours.
Posted Jan 20, 2026Edit critic review
Dead to Rights (2025) Khanaphot Saengchai The plot successfully weaves multiple storylines into an emotional tale. However, it occasionally trades subtlety for drama.
Posted Jan 20, 2026Edit critic review
Kokuho (2025) Khanaphot Saengchai Running just over three hours, the film is demanding and intense yet ultimately rewarding.
Posted Jan 20, 2026Edit critic review
The Housemaid (2025) Khanaphot Saengchai Despite all its cliches and flaws, the film directed by Paul Feig is a fun, twisty thriller that hooks from start to finish.
Posted Jan 09, 2026Edit critic review
Goodbye June (2025) Tatat Bunnag Goodbye June is an impressive first outing for Winslet as a filmmaker.
Posted Jan 09, 2026Edit critic review
Linda Linda Linda (2005) Tatat Bunnag More than a musical or teen drama, Linda Linda Linda is a quietly powerful celebration of friendship, effort and the small moments that linger long after adolescence has passed.
Posted Jan 09, 2026Edit critic review
Exit 8 (2025) Thana Boonlert Watching this film recreates an experience of playing a game.
Posted Dec 29, 2025Edit critic review
Avatar: Fire and Ash (2025) Tatat Bunnag On a narrative level, Fire And Ash is serviceable but unremarkable. Like the earlier films, it delivers some effective suspense and family drama, but it rarely surprises.
Posted Dec 23, 2025Edit critic review
Oh. What. Fun. (2025) Tatat Bunnag Holiday films don't need to be flawless, but they do need to offer something audience members want to sit with -- charm, heart, a sense of connection. This one not quite.
Posted Dec 13, 2025Edit critic review
My Secret Santa (2025) Tatat Bunnag It's a movie that leans into the warm, predictable comfort of the genre, even if that comes at the cost of depth or surprises.
Posted Dec 13, 2025Edit critic review
The Carman Family Deaths (2025) Tatat Bunnag I wish The Carman Family Deaths had delivered a more well-rounded exploration rather than one that feels incomplete.
Posted Dec 02, 2025Edit critic review
Tee Yai Rerk Dao Jone (2025) Nianne-Lynn Hendricks Tee Yai: Born To Be Bad is packed with a quality cast including Cris Horwang, Sadanont Durongkavarojana, Patara Eksangkul and Bront Palarae, who add intensity and colour to the story.
Posted Nov 18, 2025Edit critic review
Frankenstein (2025) Tatat Bunnag I wouldn't call this the single greatest version of Frankenstein ever made, but I do think del Toro's interpretation stands proudly among the best. It's passionate, personal and unmistakably his.
Posted Nov 18, 2025Edit critic review
Morte Cucina (2025) Kong Rithdee Bella gives Sao a charismatic gravity that keeps us glued to her mysterious gestures, while the permeating suspense keeps us guessing.
Posted Nov 06, 2025Edit critic review
Everybody Loves Me When I'm Dead (2025) Tatat Bunnag The film is intense and deeply atmospheric, with an ending that manages to be both thrilling and tragic.
Posted Nov 03, 2025Edit critic review
The Perfect Neighbor (2025) Tatat Bunnag What makes The Perfect Neighbor effective is its refusal to editorialise. The footage speaks for itself.
Posted Oct 28, 2025Edit critic review
Everybody Loves Me When I'm Dead (2025) Nianne-Lynn Hendricks Nithiwat ventures into the drama-thriller genre for the first time, portraying human and family relationships with a new perspective and flavour.
Posted Oct 22, 2025Edit critic review
The Woman in Cabin 10 (2025) Tatat Bunnag It's a serviceable 90 minutes ride.
Posted Oct 22, 2025Edit critic review
French Lover (2025) Tatat Bunnag In the end, French Lover offers mild entertainment value, but it's hardly a film I'd revisit. If you're in the mood for something light, easy and utterly forgettable -- a no-brainer way to fill two hours -- it might suffice.
Posted Oct 14, 2025Edit critic review
One Battle After Another (2025) Tatat Bunnag One Battle After Another is Paul Thomas Anderson at his most unrestrained, delivering a crime epic that fuses high-octane thrills with biting humour and unexpected tenderness.
Posted Sep 29, 2025Edit critic review
The Thursday Murder Club (2025) Tatat Bunnag The Thursday Murder Club may not redefine the genre or be an Agatha Christie-level masterpiece, but it succeeds on its own terms. It is certainly more engaging than many of the bland, forgettable mysteries currently flooding streaming platforms.
Posted Sep 12, 2025Edit critic review
The Conjuring: Last Rites (2025) Tatat Bunnag Overall, The Conjuring: Last Rites is a serviceable but uneven conclusion to the franchise. It delivers closure to the story of the Warrens while falling short of the terror that made the original entries so iconic.
Posted Sep 05, 2025Edit critic review
Fall for Me (2025) Tatat Bunnag The film never strikes the right balance between gripping drama and erotic atmosphere. Instead, it rushes where it should linger, glosses over where it should dig deeper and repeats tropes we've seen countless times before.
Posted Sep 02, 2025Edit critic review
The Map That Leads to You (2025) Tatat Bunnag For me, The Map That Leads To You is watchable, but forgettable. It's the kind of film you might enjoy once for its glossy visuals and picturesque settings, but it doesn't linger in the mind afterwards.
Posted Sep 02, 2025Edit critic review
Fixed (2025) Tatat Bunnag It's not clever, it's not funny and it's certainly not the kind of animated film that earns a place in the adult comedy pantheon.
Posted Aug 25, 2025Edit critic review
Happy Gilmore 2 (2025) Tatat Bunnag It's a mildly entertaining follow-up that survives on charm and nostalgia, but won't win any majors.
Posted Aug 01, 2025Edit critic review
Wall to Wall (2025) Thana Boonlert Wall To Wall is a microcosm of stratified society.
Posted Jul 25, 2025Edit critic review
Heads of State (2025) Tatat Bunnag It's easy, silly and chaotic in all the familiar ways. The kind of movie you throw on at the end of a long week when you just want to kick back and enjoy some mindless fun.
Posted Jul 11, 2025Edit critic review
Nonnas (2025) Tatat Bunnag What ultimately makes Nonnas worthwhile is its emotional authenticity. It tugs on just enough heartstrings, offers just enough food porn to make you crave pasta and delivers a generous helping of maternal nostalgia.
Posted May 27, 2025Edit critic review
Sirāt (2025) Kong Rithdee What the film is interested in is turning the visceral idea of a place -- the hostile, treacherous and mesmerising desert -- into a state of mind.
Posted May 21, 2025Edit critic review
The Secret Agent (2025) Kong Rithdee All these strands come together through Filho's nimble, fluent touch, an antithesis to our familiar perception of taut Hollywood thriller.
Posted May 21, 2025Edit critic review
Grand Tour (2024) Kong Rithdee The film's wry, playful deconstruction of the Orientalist gaze occupies that delightful space between romanticism and authenticity.
Posted Apr 25, 2025Edit critic review
The Accountant 2 (2025) Tatat Bunnag The Accountant 2 successfully continues the legacy of its predecessor with its blend of action, humour and sibling dynamics.
Posted Apr 25, 2025Edit critic review
The Parenting (2025) Tatat Bunnag Once it gets going, it does manage to entertain in a goofy, throwaway kind of way. If you're in the mood for something light, and you don't mind uneven pacing or hit-or-miss jokes, this movie is fun enough for a 90-minute escape.
Posted Mar 24, 2025Edit critic review
Delicious (2025) Tatat Bunnag Delicious is a film that has the ingredients for a great psychological thriller -- beautiful setting, a mysterious stranger, a rich family harbouring secrets -- but it fails to combine them into anything satisfying.
Posted Mar 17, 2025Edit critic review
The Gorge (2025) Tatat Bunnag While the plot isn't particularly innovative and some of the CGI could have been polished further, the well-developed chemistry between Teller and Taylor-Joy keeps the story engaging.
Posted Feb 28, 2025Edit critic review
Nightbitch (2024) Tatat Bunnag It scratches the surface of profound themes -- identity, sacrifice, the complexities of motherhood -- but never digs deep enough to leave a lasting impression.
Posted Feb 03, 2025Edit critic review
Back in Action (2025) Tatat Bunnag The endearing performances from Foxx and Diaz help to offset the predictable plot and uneven production values. Their comedic timing and ability to sell even the cheesiest lines make the movie an enjoyable, if forgettable, watch.
Posted Jan 24, 2025Edit critic review
Alien: Romulus (2024) Tatat Bunnag Alien: Romulus represents a bold new chapter in the franchise, introducing fresh characters and innovative creature designs.
Posted Jan 02, 2025Edit critic review
Time Cut (2024) Tatat Bunnag The movie is a missed opportunity that fails to deliver chills, laughs, or any memorable moments.
Posted Nov 15, 2024Edit critic review
Woman of the Hour (2023) Tatat Bunnag In her directorial debut, Anna Kendrick demonstrates sharp instincts, making thoughtful decisions about how to craft the violence so that it's impactful without being gratuitous.
Posted Nov 02, 2024Edit critic review
Don't Move (2024) Tatat Bunnag A mildly entertaining thriller with a familiar premise, defined by tense moments and a high-stakes chase. The story lacks complexity and skimps on character depth, leaving much of its potential untapped.
Posted Nov 02, 2024Edit critic review
Will & Harper (2024) Tatat Bunnag The storytelling is tight and efficient, while also allowing space for the vulnerable, heartfelt moments to breathe. It's a film that inspires, uplifts, and -- most importantly -- reminds us of the power of true connection.
Posted Oct 21, 2024Edit critic review
Salem's Lot (2024) Tatat Bunnag It offers strong performances, striking visuals and adrenaline-fuelled action, making it a perfect choice to kick off the spooky season. However, its focus on immediate scares may prevent it from achieving lasting memorability.
Posted Oct 21, 2024Edit critic review
Haxan (1922) Kong Rithdee This unique blend of documentary and fiction traces the evolution of these beliefs from ancient times through the Middle Ages to the early 20th century.
Posted Sep 20, 2024Edit critic review
I Was Born, But ... (1932) Kong Rithdee A family comedy delicately attuned to the smallest gestures and emotional registers, but also a movie that captures the woes and worries of the Japanese middle-class on the cusp of modernity.
Posted Sep 20, 2024Edit critic review
The Phantom Carriage (1921) Kong Rithdee It's a powerful and visually striking film that has had a significant influence on subsequent Swedish cinema.
Posted Sep 20, 2024Edit critic review
Tokyo Chorus (1931) Kong Rithdee The work-life balance dilemma was investigated with sympathy, humour and compassion by Ozu in Tokyo Chorus. The film is a poignant portrayal of middle-class life in 1930s Tokyo through the story of Shinji Okajima.
Posted Sep 20, 2024Edit critic review
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