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That Hashtag Show

That Hashtag Show is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Amelia Harvey, Jeff Ewing, Taylor Gates, Tessa Smith.

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Rating Title | Year Author Quote
The Testament of Ann Lee (2025) Tessa Smith The Testament of Ann Lee is a powerful, if occasionally drowsy, look at a woman who refused to be broken by her circumstances. Amanda Seyfried delivers a career best performance.
Posted Dec 24, 2025  Edit critic review
Song Sung Blue (2025) Tessa Smith Kate Hudson and Hugh Jackman shine in this captivating film telling a shocking true story that feels like fiction, as it gets crazier and crazier.
Posted Nov 24, 2025  Edit critic review
8.5/10
Eternity (2025) Jeff Ewing David Freyne’s direction is laden with intelligent choices. It’s fun, heartwarming, and loaded with moments that will make audiences laugh (alongside more than a few that will generate tears). A winner and an absolute blast, the best rom-com of the year.
Posted Nov 20, 2025  Edit critic review
Christy (2025) Tessa Smith Christy is a powerful movie with dark, heavy themes of abuse, making it difficult to watch at times. Sydney Sweeney delivers a career-best performance, as does Ben Foster. If you are unaware of the true story, go in blind.
Posted Nov 05, 2025  Edit critic review
90%
The Secret Agent (2025) Amelia Harvey At 158 minutes runtime, The Secret Agent feels half the length. Mendonça Filho has somehow managed to create a film that is almost three hours long and barely feels two
Posted Nov 04, 2025  Edit critic review
70%
Silent Friend (2025) Amelia Harvey Silent Friend is an entrancing experience best enjoyed when you sit back and let it wash over you. Enyedi knows how to create a visual experience, mixing poetic dialogue, deadpan humor, and a calming soundtrack.
Posted Nov 03, 2025  Edit critic review
90%
It Was Just an Accident (2025) Amelia Harvey It Was Just An Accident reinvents the revenge thriller as a layered character study about forgiving the people who committed the worst crimes possible.
Posted Nov 03, 2025  Edit critic review
70%
Sentimental Value (2025) Amelia Harvey Sentimental Value uses filmmaking as a tool to repair families, but it puts up a wall between the characters and the audience.
Posted Oct 31, 2025  Edit critic review
8.8/10
Jay Kelly (2025) Jeff Ewing George Clooney gives an exceptional performance, and Adam Sandler again continues to remind audiences how adept he is with dramatic material. The script and Baumbach’s direction are both layered and thoughtful, full of Hollywood magic.
Posted Oct 30, 2025  Edit critic review
Roofman (2025) Tessa Smith A truly captivating story that is so wild it is almost impossible to believe it is true (in a good way). Channing Tatum delivers an unforgettable performance!
Posted Oct 30, 2025  Edit critic review
60%
Jay Kelly (2025) Amelia Harvey The writing gives the audience no reason to care about Jay, his family, and his team. Forcing an emotional connection with manipulative montages.
Posted Oct 27, 2025  Edit critic review
45%
Father Mother Sister Brother (2025) Amelia Harvey Jim Jarmusch’s writing takes the easy way out by refusing to execute any resolution. A film of first acts and no second or third acts is a frustrating tease.
Posted Oct 27, 2025  Edit critic review
80%
Pillion (2025) Amelia Harvey Pillion is a heartwarming coming-of-age drama that just happens to take place in the world of BDSM. Harry Lighton’s script explores their dynamic with a sensitive hand, never glamorizing or shaming anyone involved.
Posted Oct 27, 2025  Edit critic review
80%
Rental Family (2025) Amelia Harvey Rental Family has more layers and bite than the marketing material suggests. While it treads a well-worn road and doesn’t try to take risks, it’s an effective melodrama about cultural loneliness, authenticity, and ethics.
Posted Oct 23, 2025  Edit critic review
90%
Die My Love (2025) Amelia Harvey Lynn Ramsey’s Die My Love is a film about the things we feel but can never find the words to express. It is a film which perfectly summarises all the thing women want to say, but the words do not exist for.
Posted Oct 22, 2025  Edit critic review
35%
The Mastermind (2025) Amelia Harvey It’s an acquired taste of a film, a sublime exploration of one man exploding his life in the hopes of finding the American dream to some, or like watching paint dry for another.
Posted Oct 20, 2025  Edit critic review
9.5/10
Frankenstein (2025) Jeff Ewing ... a masterful outing from a filmmaker at the peak of his powers. Oscar Isaac transforms into one of the best interpretations of Victor Frankenstein we’ve seen, while Jacob Elordi is astounding in his transformation into the Creature.
Posted Oct 18, 2025  Edit critic review
9.3/10
No Other Choice (2025) Jeff Ewing No Other Choice effortlessly flexes that tension [between horror and humor] to build one of his funniest and best outings... It’s also incisive, as much about the systemic violences that provoke extreme choices as it is about the choices themselves.
Posted Oct 02, 2025  Edit critic review
8.5/10
The Furious (2025) Jeff Ewing The plotting isn’t fully successful, but it works where it counts, and delivers the film’s actual point well–a white-knuckled thrill ride sporting some of the best on-screen melee combat in recent memory. It should not be missed.
Posted Oct 02, 2025  Edit critic review
9.6/10
One Battle After Another (2025) Jeff Ewing Altogether, Battles is easily one of the finest films this year, and it ranks highly among Anderson’s best. It’s politically incisive without being reductive or preachy, action-packed once it’s rolling, and punctuated by brilliant moments of comedy.
Posted Sep 17, 2025  Edit critic review
8/10
Eden (2024) Jeff Ewing The performances are solid, with Law, Kirby, and de Armas in particular providing exceptional work... a few issues with pacing lessen the tension of the otherwise successful ending, but Eden is altogether a novel historical outing from Ron Howard.
Posted Aug 25, 2025  Edit critic review
7.5/10
Americana (2025) Jeff Ewing Sweeney, McClarnon, Halsey, and Hauser all turn in excellent, grounded portrayals, and the finale is an energetic, fist-pumping throwdown that eviscerates the patriarchy… or at least a few manifestations of it.
Posted Aug 15, 2025  Edit critic review
Highest 2 Lowest (2025) Jeff Ewing Highest 2 Lowest is another visionary turn from Spike Lee, with a lot to say amidst excellent performances from Denzel and Jeffrey Wright. It feels less focused at the end, but it’s still an exceptional example of Spike Lee’s talents.
Posted Aug 12, 2025  Edit critic review
90/100
Materialists (2025) Jeff Ewing Materialists is a charmingly witty, insightful look at love in the time of modern class inequality... one of the best and smartest rom-coms we’ve had in ages, and a welcome, modernized throwback to the best aspects of the rom-coms of yore.
Posted Jun 09, 2025  Edit critic review
92/100
The Life of Chuck (2024) Jeff Ewing It’s a beautiful and existence-affirming tale from Flanagan, executed with strong technical precision... a few issues aside, it’s one of the year’s best films so far.
Posted Jun 02, 2025  Edit critic review
9/10
Bring Her Back (2025) Jeff Ewing Bring Her Back is an immersive, confined horror tale that builds suspense and claustrophobia skillfully, making the situation feel all the more helpless for the trapped children... It feels fresh and stays with you.
Posted May 16, 2025  Edit critic review
Until Dawn (2025) Jeff Ewing "Until Dawn is a scary, well-directed, capably made outing that boasts smart cinematography and excellent, continually evolving production design while paying loose homage to its namesake game."
Posted Apr 24, 2025  Edit critic review
2.5/10
A Minecraft Movie (2025) Jeff Ewing Altogether, A Minecraft Movie is perhaps most guilty of what it doesn’t do. There are characters played by talented performers that read like afterthoughts, alongside middle school humor and convoluted plotting that produces an opaque set of stakes.
Posted Apr 03, 2025  Edit critic review
87/100
Death of a Unicorn (2025) Jeff Ewing Death of a Unicorn is a successful horror comedy, here utilizing monster movie conventions with an unexpected creature and making its reign of terror work thanks to a smart script and talented cast.
Posted Mar 27, 2025  Edit critic review
Black Bag (2025) Tessa Smith A thrilling, intense, and suspenseful mystery that slowly unravels, keeping viewers on their toes.
Posted Mar 07, 2025  Edit critic review
92/100
Mickey 17 (2025) Jeff Ewing It’s a charming hodgepodge of ideas and elements that largely works thanks to a committed performance from Patterson and co... for a film that doesn’t quite reach the heights of its revolutionary predecessor but which showcases the director’s skill.
Posted Mar 05, 2025  Edit critic review
7.5/10
Last Breath (2025) Jeff Ewing While there are missed opportunities, the underwater cinematography and uniqueness of the situation make for a very watchable film that largely lands where it counts.
Posted Feb 28, 2025  Edit critic review
9.5/10
The Monkey (2025) Jeff Ewing The Monkey is brilliant, bold, bloody, and easily among the best horror-comedies we’ve had in years... it’s destined for horror-comedy classic status, and you can’t miss it.
Posted Feb 03, 2025  Edit critic review
The Fire Inside (2024) Tessa Smith Packs an emotional punch. While it hits a lot of familiar sports genre tropes, it finds a way to separate itself to make it worth checking out.
Posted Dec 23, 2024  Edit critic review
Y2K (2024) Jeff Ewing As a whole, Y2K is a mixed bag. There’s a good cast, but they’re often underutilized. There are scenes with great set ups but inadequate payoffs, almost like the potential of the set up wasn’t really understood.
Posted Dec 18, 2024  Edit critic review
A Complete Unknown (2024) Jeff Ewing A Complete Unknown is a marvelous showcase of performative talent... possibly Chalamet's purest transformation yet. At the end, it’s a very good biopic of Bob Dylan the musician, and a very limited biopic of Bob Dylan the man.
Posted Dec 18, 2024  Edit critic review
8/10
Sonic the Hedgehog 3 (2024) Jeff Ewing Altogether, Sonic The Hedgehog 3 is a success. The new character additions excel: Shadow is a great addition to the cast, and the new Robotnik is extremely well utilized for both dangerous stakes and comedic purposes.
Posted Dec 18, 2024  Edit critic review
7.5/10
Elevation (2024) Jeff Ewing The creatures look good, the cast anchors it well, and there’s clearly much more to the world than we see in this iteration… The biggest weakness is that it reads far too bluntly like so many films that have gone before.
Posted Dec 03, 2024  Edit critic review
5.5/10
Here (2024) Jeff Ewing 'Here' is a somewhat worthwhile novelty, with a rarity of perspective and unique storytelling approach. But clunky dialogue and a messy, uneven journey leaves this film with a lot of unmet potential.
Posted Dec 03, 2024  Edit critic review
97%
A Real Pain (2024) Amelia Harvey It’s an empathetic and emotional tale about the guilt of becoming a successful third-generation immigrant, familiar love when you don’t always like each other, and the fact that looking at your history will never truly change who you are.
Posted Oct 26, 2024  Edit critic review
85%
Conclave (2024) Amelia Harvey Fiennes gives an outstanding performance as a man beginning to have doubts about his faith and those who made vows with the Catholic Church. It’s an understated performance that does so much with so little.
Posted Oct 11, 2024  Edit critic review
7/10
Horizon: An American Saga - Chapter 1 (2024) Jeff Ewing There’s a lot of promise for future installments, with interesting characters, strong performances, and a lot of possible drama moving forward, but Chapter 1 fails to adequately balance the various plotlines or build them all to satisfying points of exit.
Posted Jul 01, 2024  Edit critic review
65/100
The Listener (2022) Amelia Harvey Tessa Thompson delivers a reserved and subdued one-woman performance as Beth, a solitary helpline volunteer. Over the 90-minute movie, Thompson is the only woman on screen, fielding calls from the lonely and the depressed with an unnatural empathy.
Posted Mar 26, 2024  Edit critic review
Arthur the King (2024) Tessa Smith This film is not just inspiring, it is emotional, exciting, and exhilarating as viewers will be on the edge of their seats and holding their breath as the events unfold.
Posted Mar 19, 2024  Edit critic review
60/100
Self Reliance (2023) Amelia Harvey It’s unsure if Self Reliance wants to be an absurdist parody on the search by reality TV producers to find new and more bizarre concepts or if it wants to be a dissection of the human condition.
Posted Jan 11, 2024  Edit critic review
King Richard (2021) Taylor Gates King Richard is not your ordinary sports movie or celebrity biopic...it unfolds like a compelling slice-of-life drama that just happens to include two of the greatest names in sports history.
Posted Aug 10, 2023  Edit critic review
70/100
Licorice Pizza (2021) Taylor Gates Licorice Pizza offers a collage of many quirky subcultures and larger-than-life characters, some more effective than others.
Posted Aug 10, 2023  Edit critic review
80/100
The Outfit (2022) Taylor Gates If you’re in the mood for a smart drama with mystery, finesse, and a shocking amount of heart, odds are you’ll enjoy the smooth, swift ride The Outfit takes you on.
Posted Aug 10, 2023  Edit critic review
90/100
Petite Maman (2021) Taylor Gates Fans of Celine Sciamma are sure to delight in the beauty and power of Petite Maman. If you’re looking for a soft, heartwarming film that knows how to pack an emotional punch, you won’t be disappointed in this film.
Posted Aug 10, 2023  Edit critic review
6/10
Where the Crawdads Sing (2022) Taylor Gates Where the Crawdads Sing makes for a decent if generic coming-of-age story and a bland murder mystery.
Posted Aug 10, 2023  Edit critic review
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