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Matt Glasby

Matt Glasby's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Rip (2026) 80% 3/5 EDIT “All in all, it’s quite a ride, yet the more things it tries to do, the less well it does them. As an adrenalised Friday night action flick it ticks all the right boxes, but it also feels like less than the sum of its – admittedly impressive – parts. ” – Radio Times Jan 21, 2026 Full Review Anaconda (2025) 48% 2/5 EDIT “Boasting more star power than all the Anacondas put together, but noticeably fewer laughs, what could have been a fresh take on familiar material ends up a regurgitated mess.” – Empire Magazine Jan 9, 2026 Full Review Bad Lieutenant (1992) 77% EDIT “This time, I’m glad to say I made it all the way through, and was (un)pleasantly surprised. It’s still a punishing watch - and flawed as hell - but closer to art than exploitation.” – Flicks (AU, NZ, UK) Jan 8, 2026 Full Review Lurker (2025) 95% 4/5 EDIT “With its shades of The Servant and Nightcrawler, the film excels at daring us to keep watching, even as Matthew's actions become more and more repellent.” – Radio Times Dec 17, 2025 Full Review The Ice Tower (2025) 80% 4/5 EDIT “Dusted with magic — and more than a little malevolence — this is one of those films you want sink into on a cold winter’s night.” – Empire Magazine Dec 2, 2025 Full Review The Draft (2025) 2/5 EDIT “Introducing stock characters only to reveal them as pawns in a larger game means it's hard to care what happens to them.” – Radio Times Nov 5, 2025 Full Review Chain Reactions (2024) 98% 4/5 EDIT “Ultimately, as Kusama notes - and this clever tribute shows - the film is both unapologetically grindhouse and a great piece of art.” – Radio Times Oct 15, 2025 Full Review Prisoner of War (2025) 67% 2/5 EDIT “Too silly to fully convince, but too serious to enjoy as escapism, it ends up stranded in movie no-man's land.” – Radio Times Oct 15, 2025 Full Review Good Boy (2025) 90% 3/5 EDIT “Even at 72 minutes, there is not quite enough material for a full feature, but it is a bold concept, beautifully done.” – Radio Times Oct 15, 2025 Full Review The Man in the White Van (2023) 57% 2/5 EDIT “Neither true crime, nor true horror, the film ends up splitting the difference, with unsatisfying results.” – Radio Times Oct 15, 2025 Full Review Happyend (2024) 98% 4/5 EDIT “Although seemingly little happens over 113 meandering minutes, the film has a lovely, all-enveloping mood that gradually draws you in. ” – Radio Times Oct 15, 2025 Full Review In Vitro (2024) 100% 3/5 EDIT “Set on a remote Australian farm in the near-future, this ingenious sci-fi makes the most of its limitations. ” – Radio Times Oct 15, 2025 Full Review The Drowned (2025) 2/5 EDIT “This feels like a short film that has been stretched to breaking. Pity, because Clemens clearly has an eye for eerie compositions.” – Radio Times Oct 2, 2025 Full Review Odyssey (2025) 93% 4/5 EDIT “Part Uncut Gems, part Kill List, it's a singular experience that makes you realise, as Sartre might have said, hell isn't other people, but other estate agents.” – Radio Times Oct 2, 2025 Full Review All the Devils Are Here (2025) 61% 2/5 EDIT “The charismatic Claflin, meanwhile, cannot quite convince as an East End hardcase, and Gorman has precious little to do. By the time the heavily signposted ending comes, the sense is of an excellent opportunity missed.” – Radio Times Oct 2, 2025 Full Review The Severed Sun (2024) 78% 3/5 EDIT “While it is some way from perfect - the CGI is, understandably, iffy and there are a few awkward performances - it remains a striking debut.” – Radio Times Oct 2, 2025 Full Review Mistress Dispeller (2024) 95% 4/5 EDIT “What lingers longest, though, are the pearls of wisdom about life, marriage and ageing.” – Radio Times Aug 30, 2025 Full Review The Cut (2024) 69% 3/5 EDIT “Bloom's performance, though physically impressive, cannot quite get to the heart of the character. Still, it is never less than grimly compelling.” – Radio Times Aug 30, 2025 Full Review Borderline (2025) 59% 2/5 EDIT “The cast give it their all, but what might have seemed outrageous on the page plays closer to obnoxious on-screen.” – Radio Times Aug 30, 2025 Full Review I Know What You Did Last Summer (2025) 36% 2/5 EDIT ““Nostalgia’s overrated,” warns this vacuous slasher with a wink. Trouble is, other than obnoxious new characters meeting immemorable ends, that’s all it has to offer.” – Empire Magazine Jul 22, 2025 Full Review Protein (2024) 2/5 EDIT “The combination of comedy, kitchen sink drama and cannibalism is a bold one but, like that human protein shake, it proves an uneasy mix.” – Radio Times Jun 24, 2025 Full Review Birdeater (2023) 74% 4/5 EDIT “Named after a huge spider known for ambushing its prey, this evocative Australian drama explores toxic masculinity in all its insidious forms.” – Radio Times May 23, 2025 Full Review Zero (2022) 2/5 EDIT “Faye Gilbert's feature debut is also hard to follow, relentlessly downbeat and so heavy with the ever-present threat of sexual assault that its 68-minute running time feels much longer.” – Radio Times Apr 28, 2025 Full Review Restless (2024) 94% 3/5 EDIT “While some of the narrative escalation feels a little unlikely, it's held together by Marshal's appealing performance and Hart's eye for infuriating details.” – Radio Times Apr 17, 2025 Full Review Sew Torn (2024) 95% 3/5 EDIT “A strong turn from Irish actor John Lynch as the head gangster, a genuine sense of style, and a satisfying ending sugar the pill. ” – Radio Times Apr 1, 2025 Full Review
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