Mark Adams
Mark Adams's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Beyond the Pole (2009)
69%
EDIT
“Beyond the Pole is an enjoyably oddball independent British comedy, made with an engaging edginess.” –
Screen International
May 3, 2024
Full Review
What We Did on Our Holiday (2014)
73%
EDIT
“Can’t quite sustain the balancing act between comedy and drama. There are, however, certainly comedy moments to cherish and it succeeds at being ultimately uplifting.” –
Screen International
Nov 28, 2023
Full Review
Four Cornered Triangle (Dört köseli üçgen) (2018)
EDIT
“Four Cornered Triangle is intriguing rather than compelling. Its episodic nature, though, makes it an easy watch...” –
Screen International
Oct 4, 2020
Full Review
The Hitcher (2007)
19%
2/5
EDIT
“The original film was nicely atmospheric and gritty, whereas this version is aimed at the teen audience and lacks the tension, relying on car crashes rather than chills.” –
Daily Mirror (UK)
Apr 27, 2020
Full Review
Kung Fu Jungle (2014)
74%
EDIT
“Kung Fu Jungle shows just how much fun there is to be had from a film that features some of best martial parts performers around.” –
Screen International
Mar 20, 2020
Full Review
Angel Has Fallen (2019)
38%
3/5
EDIT
“But at least Butler has just the right amount of rugged wolfish charm to carry the film on his broadish shoulders, and deliver what feels like computer-generated lines with some eye-twinkling gusto.” –
Daily Mirror (UK)
Aug 26, 2019
Full Review
The Hustle (2019)
13%
3/5
EDIT
“Although there are a few good gags, The Hustle potters towards a predictable ending rather than ever being daring and stylish, let alone laugh-out-loud funny.” –
Daily Mirror (UK)
May 9, 2019
Full Review
The Pigeon (Güvercin) (2018)
EDIT
“Impressively details life on the margins and pinpoints Sivaci as a director to watch.” –
Screen International
Apr 29, 2019
Full Review
Red Joan (2018)
30%
4/5
EDIT
“While Joan's early years are absolutely fascinating, it is the refreshing concept of Dench's elderly communist agent that gives this drama its real bite and edge.” –
Daily Mirror (UK)
Apr 18, 2019
Full Review
Burlesque (2010)
37%
EDIT
“Burlesque is a wonderful bit of kitsch fun - the perfect platform for the tuneful diva talents of Cher and Aguilera.” –
Sunday Mirror (UK)
Mar 28, 2019
Full Review
Halef (2018)
EDIT
“The performances hit the right notes, with the two leads especially good as differently troubled men whose moody silences carry a good deal of sombre weight and whose fragile relationship gives the film a much-needed sense of intensity.” –
Screen International
Oct 2, 2018
Full Review
Cactus Flower (2019)
EDIT
“Balancing magical realism with wistful drama, this tender film is given heart and soul thanks to the lead performances by Salma Samy and Menha Batraoui whose supportive friendship leads them on thoughtful journey.” –
Screen International
Dec 13, 2017
Full Review
Burnout (2017)
EDIT
“Burnout veers from loneliness and misery to hope and redemption, and while tinged with a streak of sentimentality it feels a very modern film reflecting a society at odds with itself.” –
Screen International
Dec 13, 2017
Full Review
Zagros (2017)
EDIT
“An astutely made drama driven by impressive lead performances and tinged by an overwhelming sense of sadness.” –
Screen International
Dec 13, 2017
Full Review
Orchestra Class (2017)
EDIT
“The film's real energy comes from the rougher hewed scenes of the tough-talking class bickering and fighting, with a sense of documentary-realism sitting nicely with the more genial story of a glum violin teacher explaining the joys of classical music.” –
Screen International
Dec 13, 2017
Full Review
The Charmer (2017)
92%
EDIT
“It cleverly balances psychological thrills with astute drama, all driven by an engaging central performance by Ardalan Esmaili.” –
Screen International
Dec 13, 2017
Full Review
Angelica (2015)
70%
EDIT
“The film is elegantly put together, and while not an easy one to bracket its sheer of unworldly unusualness makes it worth taking a look at.” –
Screen International
Nov 16, 2017
Full Review
Nobody Wants the Night (2015)
8%
EDIT
“While blessed with an impressive double act in the form of Juliette Binoche and Rinko Kikuchi it never quite settles on enough intensity to carry its almost two hour running time.” –
Screen International
Aug 26, 2016
Full Review
Garnet's Gold (2014)
88%
EDIT
“Haunting and gently enthralling.” –
Screen International
Jul 12, 2016
Full Review
Allegiance (2012)
29%
EDIT
“Writer/director Michael Connors creates a good sense of atmosphere and clearly knows his way around the military milieu, but never manages instill the film with a much-needed sense of dramatic tension despite a solid enough story structure.” –
Screen International
Jun 7, 2016
Full Review
Hockney (2014)
85%
EDIT
“A life, work and spirited personality of acclaimed British artist David Hockney is wonderfully illustrated in Randall Wright's absorbing documentary Hockney.” –
Screen International
Apr 5, 2016
Full Review
Above and Below (2015)
75%
EDIT
“The film is beautifully shot by cinematographer Markus Nestroy, and while perhaps rather languid at times there is a certain poetry to these unusual lives.” –
Screen International
Mar 31, 2016
Full Review
The World of Kanako (2014)
67%
EDIT
“Sublimely violent” –
Screen International
Feb 3, 2016
Full Review
The Martian (2015)
91%
EDIT
“The Martian is one of the films of the year so far.” –
Daily Mirror (UK)
Dec 8, 2015
Full Review
Altered Minds (2013)
56%
EDIT
“While lacking a grippingly sharp edge -- it heads into strange and violent territory but is never overly comfortable there -- it is always intriguing and defiantly left-field.” –
Screen International
Nov 23, 2015
Full Review
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