Jordan King
Tomatometer-approved critic
Biography:
Jordan King is a freelance film, TV, and entertainment journalist. He loves animation, film musicals, and the Prequel trilogy… and describing himself in lists of three, apparently.
Springsteen: Deliver Me from Nowhere (2025)
61%
3/5
EDIT
“Driven by a boss Jeremy Allen White performance, Scott Cooper’s Bruce Springsteen biopic — just like its subject — finds its true voice once it stops trying to play the hits.” –
Empire Magazine
Oct 22, 2025
Full Review
Grand Theft Hamlet (2024)
94%
4/5
EDIT
“Sam Crane and Pinny Grylls’ feature co-directorial debut is a riotously funny, unexpectedly poignant ode to gaming, Shakespeare, the indestructible nature of art, and the benefits of befriending bazooka wielding extraterrestrials.” –
Empire Magazine
Dec 10, 2024
Full Review
Mob Land (2023)
47%
2/5
EDIT
“In the world of Mob Land, nothing good lasts. Disappointingly, despite the cast’s best efforts and a few striking visual flourishes, nothing good lasts in the film itself either.” –
Empire Magazine
Aug 31, 2023
Full Review
Puffin Rock and the New Friends (2023)
100%
4/5
EDIT
“Long since dubbed the Irish Studio Ghibli, Cartoon Saloon’s latest may just be their own My Neighbor Totoro — an elemental, gentle, and incredibly cute animated adventure for all the family.” –
Empire Magazine
Aug 14, 2023
Full Review
Allelujah (2022)
38%
2/5
EDIT
“Dame Judi Dench can’t save a film whose third act so spectacularly nosedives into “Batshit-Craziest Story Choices Ever Put On Film Hall Of Fame” territory.” –
Empire Magazine
Mar 17, 2023
Full Review
The Strays (2023)
52%
3/5
EDIT
“Despite messy plotting and occasional ill focus, fantastic lead performances help The Strays find its way before a knockout ending really carries Martello-White’s eye-catching debut home.” –
Empire Magazine
Mar 1, 2023
Full Review
The Old Way (2023)
33%
2/5
EDIT
“Though Cage and Armstrong’s father-daughter dynamic merits praise, The Old Way tries so hard to emulate Westerns past that it squanders a gilt-edged opportunity to do something new.” –
Empire Magazine
Jan 13, 2023
Full Review
The Enforcer (2022)
32%
2/5
EDIT
“Despite Banderas’ best efforts and some stylish camerawork, this is nothing like a good crime thriller.” –
Empire Magazine
Jan 6, 2023
Full Review
Anything's Possible (2022)
87%
3/5
EDIT
“Buoyed by its leads’ fizzing chemistry and infectious spirit, Billy Porter’s directorial debut may be flawed, but its feel-good vibes and charm make it prime for comfort viewing.” –
Empire Magazine
Jul 24, 2022
Full Review
This Much I Know To Be True (2022)
100%
4/5
EDIT
“Musically sublime, gracefully directed, and filled with an inspiring optimism that couldn’t be more timely, this is another first-class exercise in capturing music on film from Dominik, Cave and Ellis.” –
Empire Magazine
May 11, 2022
Full Review
The Adam Project (2022)
68%
3/5
EDIT
“Though a forgettable villain and some uninspiring set-pieces sometimes hinder The Adam Project, Reynolds and Scobell’s cracking performances and the film’s surprising emotional depth make it worth a look.” –
Empire Magazine
Mar 10, 2022
Full Review
Mass (2021)
95%
4/5
EDIT
“It may be a tough watch, but, boasting a quartet of excellent performances, Fran Kranz's directorial debut is a technically adept, emotionally exhausting yet deeply cathartic film that couldn't be more timely.” –
Empire Magazine
Jan 22, 2022
Full Review
Chuck Steel: Night of the Trampires (2018)
88%
3/5
EDIT
“Chuck Steel's claymation carnage and genre-spoofing shenanigans are great fun, but its repetitious, offensive jokes dilute the fun.” –
Empire Magazine
Nov 2, 2021
Full Review
The Beta Test (2021)
92%
4/5
EDIT
“Whilst occasionally breathless to the point of exhausting, there's nothing second-rate aboutThe Beta Test, asharp satire on the film industry that really packs a punch.” –
Empire Magazine
Oct 14, 2021
Full Review
Boys from County Hell (2020)
82%
4/5
EDIT
“Combining genuine emotional stakes, biting black humour and enough blood and dismembered limbs to satisfy even seasoned gorehounds, Chris Baugh's terrific, unorthodox vampire flick has got it where it Counts.” –
Empire Magazine
Aug 6, 2021
Full Review
The Woman in the Window (2021)
25%
2/5
EDIT
“Pretty cinematography and a committed performance from Amy Adams fail to save The Woman In The Window, a film that aims for Hitchcockian thrills and lands in afternoon TV territory.” –
Empire Magazine
May 17, 2021
Full Review
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