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Graham Fuller

Tomatometer-approved critic

Reviews

Movies TV Shows
It Was Just an Accident (2025) 97% 5/5 EDIT “Twists, shocks, and stabs of gallows humour abound.” – The Arts Desk Dec 10, 2025 Full Review The Ice Tower (2025) 80% 5/5 EDIT “Like all of Hadžihalilović’s mature films, The Ice Tower prioritises meticulously composed, mystically charged images over exposition, conjuring the painterliness of great silent cinema. ” – The Arts Desk Dec 1, 2025 Full Review The Lord of the Rings: The War of the Rohirrim (2024) 49% EDIT “The War of the Rohirrim regrettably indulges one of anime’s worst tendencies by eroticising the appearance of its teen heroine. ” – Sight & Sound Nov 11, 2025 Full Review One Battle After Another (2025) 94% 5/5 EDIT “It might be the best Hollywood film of 2025; ahead of next year’s Midterm Elections, nothing can touch it as the movie of the historical moment.” – The Arts Desk Sep 30, 2025 Full Review The Kingdom (2024) 100% 4/5 EDIT “The French-produced The Kingdom, Colonna's fiction feature debut, was shot by Antoine Cormier in the kind of social realist style that makes “gritty” American mob thrillers seem baroque...” – The Arts Desk Aug 11, 2025 Full Review Hot Milk (2025) 37% 4/5 EDIT “Shaw brings perverse wit to her portrayal of the self-lacerating Rose. Krieps’s turn as the exasperatingly mercurial Ingrid is consciously self-conscious. Together, the three weave a dark tangled web that’s hard to brush off.” – The Arts Desk Jul 7, 2025 Full Review Lollipop (2024) 100% 4/5 EDIT “Thanks to Posy Sterling’s technically astounding performance – a whirligig of fluctuating, gut-level emotions – audience sympathy with Molly never flags.” – The Arts Desk Jun 16, 2025 Full Review Good One (2024) 98% 5/5 EDIT “Good One is a film of surpassing subtlety, not least in terms of the three actors’ body language; the note-perfect Collias is a major discovery.” – The Arts Desk May 16, 2025 Full Review Restless (2024) 94% 3/5 EDIT “[Jed Hart] demonstrates flair as a visual storyteller, eschewing dialogue in long, atmospheric sequences (including the opener) that propel the narrative.” – The Arts Desk Apr 4, 2025 Full Review Misericordia (2024) 94% 5/5 EDIT “Guiraudie's regular cinematographer, Clare Mathon, endowed Misericordia with a stifling Bergman-esque atmosphere, its murky secret places redolent of Jérémie's psyche.” – The Arts Desk Apr 2, 2025 Full Review On Falling (2024) 96% 5/5 EDIT “[Laura] Carreira is a minimalist with an eye and ear for evocative scenes and moments.” – The Arts Desk Mar 7, 2025 Full Review Blitz (2024) 81% 3/5 EDIT “When would it not be timely? It gets its vital message across, despite being an unwieldy epic that forsakes character development for didacticism. ” – The Arts Desk Nov 1, 2024 Full Review The Old Man and the Land (2023) 3/5 EDIT “The Old Man and the Land tells a convincing story of a broken family, but the storytelling is infinitely stronger than the images, which become the visual equivalent of background noise. ” – The Arts Desk Oct 3, 2024 Full Review I Saw the TV Glow (2024) 85% 5/5 EDIT “Trans writer-director Schoenbrun’s film is an instant classic, a disquieting but non-judgmental post-modern psychothriller about the value and dangers of wholesale immersion in visual media and the complexities of trans self-identification.” – The Arts Desk Jul 29, 2024 Full Review Chuck Chuck Baby (2023) 100% 4/5 EDIT “Writer-director Pugh doesn’t conceal her rage at the inhumane ways some men treat women. Her movie is laced with delicate visual and aural flourishes rare in earthy, humour-tinged dramas about the travails of working-class women. ” – The Arts Desk Jul 19, 2024 Full Review Silver Haze (2023) 79% 4/5 EDIT “Silver Haze is exemplary in showing how first love is wondrous until it curdles and how young adults learn -- or don’t, at their peril -- to negotiate that disillusionment and make tough decisions.” – The Arts Desk Apr 2, 2024 Full Review The Promised Land (2023) 97% 4/5 EDIT “The movie’s moral shadings aren’t as subtle as Mikkelsen’s acting.” – The Arts Desk Feb 19, 2024 Full Review This Blessed Plot (2023) 100% 4/5 EDIT “It says a lot for Adam Ganz’s script and Isaacs’ ability to suspend disbelief for these contrived events that we grow to care for the characters.” – The Arts Desk Jan 30, 2024 Full Review Eileen (2023) 81% 5/5 EDIT “Hathaway and McKenzie make sweet music together throughout, even when it’s as discordant as Richard Reed Parry’s shrieking jazz score.” – The Arts Desk Dec 4, 2023 Full Review Tish (2023) 100% 4/5 EDIT “Paul Sng’s documentary Tish is one of the best British films of 2023 – both a heartfelt tribute to the life and work of the late photographer Tish (born Patricia) Murtha and a timely reminder of the war waged on the nation’s industrial working-class.” – The Arts Desk Nov 18, 2023 Full Review The Royal Hotel (2023) 89% 4/5 EDIT “Bolstered by Garner and Henwick’s astute portrayals of women with different sensibilities, Green again proves a sharp storyteller who doesn’t overburden the screen with symbols. ” – The Arts Desk Nov 2, 2023 Full Review Typist Artist Pirate King (2022) 94% 4/5 EDIT “Macdonald’s sharp performance registers how wearying it can be providing companionship for someone whose consciousness is tuned to radio signals that are constantly being scrambled through no fault of their own.” – The Arts Desk Oct 28, 2023 Full Review Killers of the Flower Moon (2023) 93% 5/5 EDIT “Scorsese combines his sprawling crime thriller with an intimate mixed-race love story, one that curdles. This makes for a microcosmic approach to the Native American genocide that couldn’t be more wrenching.” – The Arts Desk Oct 20, 2023 Full Review The Old Oak (2023) 82% 5/5 EDIT “In lieu of humor, The Old Oak champions empathy, unity, unconditional kindness, the exotic idea of communal sharing, the solidarity of ordinary people wherever they come from, a little hope. It’s a magical space in itself.” – The Arts Desk Sep 29, 2023 Full Review A Year in a Field (2023) 4/5 EDIT “Not the least of the documentary’s strengths is the realisation that such a world is as sustainable as an unnamed insect, fragility personified, getting its fill on a leaf.” – The Arts Desk Sep 21, 2023 Full Review
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